Creeping back into the scene, Wolf Alice first teased the release of their third album, Blue Weekend, three months ahead of its arrival. In a world of surprise drops, the four-piece led by Ellie Roswell went for a more traditional album cycle, building anticipation with a string of singles, reminding us each time of their skills in simultaneously attacking your eardrums and playing with your heartstrings. After winning the Mercury Prize for the sophomore effort, Visions of a Life, there was a lot riding on Wolf Alice’s much-hyped return. Luckily, they’ve hit all the sweet spots across these 11 tracks. …
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Part of the appeal of Wolf Alice is how cool they have made not fitting in look. They’re always goofing off on Instagram, referring to themselves as a group of weirdos more than a band. Even as a collective they feel very different. Ellie Rowsell looks like the cool girl at a party that you’ll never talk to; bassist Theo Ellis an east-end gangster fully kitted out in suit and chains; Joff Oddie the nerdy musician who may well be Chris Martin from another life and Joel Amey, the throwback 70s drummer equipped with Cuban heels and a sequenced kit.…
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It’s rarely a good sign when all of the singles on an album are placed at the start. It’s almost an admission to the listener that says ‘Look, this isn’t great but at least the first couple of tunes are alright and you can just switch it off after that’. The only issue here is that even the singles on offer aren’t particularly inspiring. Wolf Alice’s sophomore offering, Visions Of A Life seems to lose all of the effortlessness and vitality of its predecessor and is bland at its best; cringeworthy at its worst. If this isn’t the epitome of…
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Having released their Mercury Prize-nominated debut My Love Is Cool last year, London alt-rock quartet Wolf Alice stopped at Dublin’s Olympia Theatre & Belfast’s Mandela Hall at the weekend. Support came from Spies. Photos by Aaron Corr & Alan Maguire. Olympia Theatre, Dublin by Aaron Corr Mandela Hall, Belfast by Alan Maguire