Clipping live at Opium in Dublin with support from Evicshen. Photos by Harry Rich
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If your only knowledge of Daveed Diggs is his roles in Hamilton, Black-ish and Unbreakable Kimmy Schmidt, then you’re in for a shock. A bit like finding that Neil Buchanan from Art Attack was the lead guitarist in a NWOBHM band, Diggs’ work with clipping. is a firehose of cold water. The trio, composed of Diggs, William Hutson, and Jonathan Snipes, have been putting out their brand of experimental hip-hop for the better part of a decade now. Since their debut mixtape in 2013, they’ve existed in that same space as Death Grips and JPEGMAFIA, embracing harsher industrial sounds, wrapped up in…
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For those who don’t know Clipping, they are an LA based trio who single-handedly make up the most prominent hip-hop and avant-garde contingent of legendary label Sub Pop. Since their critically received label debut CLPPNG the group have become a reckonable leftfield force, creating music that is challenging, beguiling and academic all at once. While their last EP Wriggle may have been little more than loose tracks after the release of their LP it continued, musically and verbally, to chronicle humanity’s burnt suburban landscape where society is little more than its bodily functions and lust for cheap thrills and short term gains. On the surface Splendor…
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April has certainly been a busy news month – in sports, we had lifetime bans and huge fines for court-side racism, as well as banana throwing (and eating); in entertainment we had Jeremy Clarkson, mostly just being Jeremy Clarkson; in politics we had a series of PR meltdowns for UKIP, many of them revolving around racism as well. Indeed, intolerance and prejudice has been widespread this month. There was no sparing the music world, either, with both Sky Ferreira and Avril Lavigne being branded racists for their respective music videos. It would be easy to be bogged down by all…