• The PVP Unveil First Single ‘Callan’ Ahead of Their Debut Album

      Following our Inbound feature last year, Limerick supergroup The Personal Vanity Project have released their debut single ‘Callan’, with a video directed by Graham Patterson. Creating a blur of psychedelia-infused indie rock formed in 2021, the group comprises drummer/vocalist Brendan McInerney (Bleeding Heart Pigeons), keyboardist James Reidy (His Father’s Voice), and guitarist/vocalist Chris Quigley (Cruiser).  This release comes with the announcement of their eponymous debut album, set for release through Pizza Pizza Records on May 25. The single falls somewhere between My Bloody Valentine’s warbling sonic mastery, Duster’s expansive wistfulness and J Mascis’ fuzzed-out amp worship. The album was produced…

  • Féile Na Gréine Announce Film About Limerick Artists in Lockdown

    2019 saw the inaugural Féile Na Gréine, a three-day, not-for-profit music trail taking place across Limerick. With no choice but to cancel last year’s outing, and a return this year still up in the air, organisers have announced details of a new film titled Out of Place. Posting on social media, organisers said, “We’re happy to announce that we’ve been working on a film. We spent 2020 documenting a number of artists from Limerick, and exploring the connection between music, space, and community. More to share in the coming months.” Among the artists to feature in the film are Narolane’s Denise…

  • Stream: DIY LK – Bed Covers Vol. 1

    A vital presence in the country’s ever-evolving independent scene, DIY LK tirelessly fly the flag for homespun Limerick sounds, all while going beyond the call of duty to accommodate artists and micro-scenes from beyond. It’s a rare breed of collaborative initiative that hasn’t faltered in the time of pandemic. The collective have just released Bed Covers Vol. 1, a new charity covers compilation in which seven Limerick bands (Anna’s Anchor, Bleeding Heart Pigeons, Casavettes, Cruiser, Hey Rusty, His Father’s Voice and Scenes) cover each other’s material in aid of Doras Luimní, a non-profit, non-governmental organisation that support the rights of…

  • 10 for ’20: His Father’s Voice

    In the latest installment of 10 for ’20, Christine Costello tips Limerick quartet His Father’s Voice for massive things in 2020 and beyond. Photo by Aaron Corr Blurring the lines between post-punk and shoegaze, His Father’s Voice are just one of many enterprising outfits to come out of DIY LK music collective. Since the release of their self-recorded EP Contexts and Perspectives in 2018, the group have met high critical acclaim, been awarded support slots with Viagra Boys and Cherry Glazerr on their Irish tours and will support Dream Wife at their upcoming Whelans show this May. In 2019, the band bounced…

  • Stream: His Father’s Voice – In The Shade

    Staking their claim as one of the brightest prospects in Irish post-punk & shoegaze with their Context & Perspective EP earlier this year, Limerick’s His Father’s Voice are back with a new single. Written around the same time as their debut EP, the quartet’s A-side goes further down the path trodden down fellow ‘gaze revivalists like DIIV & Cheatahs, without letting the wall of sound envelope what it is – a great pop song that plays on the idea of “how resentment finds room to feed and grow through hiding behind the appearance of a bright and happy exterior”. Meanwhile, B-side ‘Close’ is the kind of miasmic sea of…

  • EP Premiere: His Father’s Voice – Context and Perspective

    The caveat with most ‘scenes’ tends to be that there’ll be some nadir to follow, once its signature sound has had a post-rock-esque fall into over-saturation and self-parody, but Limerick seemingly has no throughline other than its open ear and fiercely independent streak. The city has been responsible for galvanising a new school of Irish artists, and Blindboy seems to be very much emblematic of that. At DIY LK shows, we’ve borne witness to abstract field recording-based performances and 90s-recalling indie rock bands comfortably side-by-side in an idealistic cultural mindset that functions as a microcosm for how we’d love music to be widely presented. A great number…