• The Mighty Stef – Year of the Horse

    April 27, 2015 - By 

    Dublin’s The Mighty Stef went for nailed-on quality with the production of The Year Of The Horse, traveling to California to splash out on Arctic Monkeys and QOTSA studio legend Alain Johannes. It’s a solid tactic, and sees the rocker’s tight, clean yet snarling stomp polished to a complex gem of a guitar album. It’s been a long road at a full eight year since Stefan Murphy released his debut, entitled The Sins Of Sainte Catherine. Perhaps that heady sense of an album slimmed down and refined over an extended period is a product of the wait; the outcome of…

  • Hedda Gabler @ Abbey Theatre, Dublin

    April 21, 2015 - By 

    Retelling the story of a woman plagued by unrest and uncertainty, Mark O’Rowe’s adaptation of Ibsen’s Hedda Gabler offers an initial presentation of cold austerity. At first glance, from foreboding show poster to spacious set, the makings of stark drama are at hand. However, the uncertainty which tinges the fabric of Ibsen’s anti-heroine ultimately seeps into every aspect of production in the Abbey Theatre’s latest venture, leaving the piece feeling directionless and its audience unguided. On entering the space, the set, designed and dressed by Paul Mahony and Liz Barker respectively, paints an impressionistic portrait dominated by striking visual perspective.…

  • The Hefty Fog: Retrospect Is Vital

    April 21, 2015 - By 

    Retrospect is the cruellest of inner dialogues because it’s always haunted by those most biting verbs, ‘should’, ‘could’, and ‘would’. So when a Christian music venue in Orlando FL, booked the blatantly anti-Christian, pro-Satan Vital Remains for a show, one has to wonder what kind of shoulds, coulds, and woulds were floating around when frontman Brian Werner decided that a crucifix hanging above the stage wasn’t the most appropriate ornament for the proceedings.  It’s no surprise that Werner’s humbling of the son of god didn’t go down very well with the organizer, who, the footage itself testifies, looks exactly like…

  • Album stream: Screaming Parent – The Completist

    April 20, 2015 - By 

    Tagged on Bandcamp with terms including “bad glitch” and “cubase disasters”, The Completist by Screaming Parent AKA Dudley Colley of Dublin’s Dudley Corporation is ten tracks of self-proclaimed “spare-room recorded bedroom classics”. Knowing self-deprecation aside, it’s most definitely not a “disaster” from the musician. With ridiculously infectious melodies, Of Montreal-esque harmonies and Postal Service-like beats melding very nicely across a collection of tracks, the album evokes, at different points, the likes of The Books, Pinback and Metronomy. According to Colley, the album – released in advance of The Dudley Corporation’s fifth studio album – is his first solo “misadventure”, recorded in between school runs and…

  • Deep Down South: Instrumentals, Jet Setters & Midweek Mixers

    April 20, 2015 - By 

    The big announcement last week as we went to post the column was that PLUGD Records and the Triskel were bringing a live performance of Arthur Russell‘s ‘Instrumentals’ to Cork, happening at the arts centre on May 22nd. The 1974 concert piece, perhaps the most important of the avant-garde icon’s body of work, will be performed by an all-star nine-piece ensemble, including original collaborators: Peter Gordon, composer and bandleader of Love Of Life Orchestra; Rhys Chatham, composer; Ernie Brooks of The Modern Lovers; Peter Zummo, formerly of The Lounge Lizards; David Van Tieghem, formerly of The Steve Reich Ensemble &…