On Thursday evening, the 12th annual award will once again celebrate and acknowledge the best in Irish recorded music, with one winning act walking away with €10,000 on the night. Set to be chosen by a panel of twelve Irish music media professionals and industry experts, the following ten releases will vie for the prize: All Tvvins – IIVV (Warner Music) Bantum – Move (Self Released) Wallis Bird – Home (Mount Silver/Caroline International) The Divine Comedy – Foreverland (Divine Comedy Records) Lisa Hannigan – At Swim (Hoop Recordings) Katie Kim – Salt (Art For Blind Records) James Vincent McMorrow –…
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Including Waldorf and Cannon, John Deery and the Heads (joined by SOAK), Rosborough, Shoot the Messenger, Allie Bradley, Susie-Blue, Furlo, Mickey Rooney captures some of the acts that performed at a Musical Celebration of Stevie Martin at Nerve Centre in Derry at the weekend.
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(Illustration by Lauren Kavanagh) Guts Magazine, the acclaimed Irish periodical of confessional writing and illustration, returns with a new issue in support of the Women’s Strike on March 8th. The special edition is an all-female one and is jam packed with great Irish writers and illustrators, including Una Mullally, Lian Bell, Sarah Griffin, Aoife Dooley, Fuchsia Macaree, and Jayde Perkin, with the issue being designed by Lauren Kavanagh. To celebrate Guts have taken over The Library Project for the night and alongside the usual drinks and tunes, there will be a print sale as well as some readings from the magazine. All proceeds…
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Taken from his forthcoming second album Ubique, ‘One Girl’ by Galway songsmith Eoin Dolan is a breezy slice of surf-pop which – in his own, likely totally spot-on words – will set the tone for the album’s spacey, ethereal and adventurous new world vision. The track features Dolan, as well as James Casserly on drums, Adam Sheeran on bass and Conor Deasy of Tomorrows and Biggles Flys Again on lead guitar. Recorded and produced by Dolan, and mastered by Fergal Davis, Philip K Dick, sixtie/seventies sci-fi, Brave New World and French classic-pop have coalesced to inform the poise and direction of…
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The war to end all wars. Senseless carnage on a scale unimagined. The East-Coast of what used to be the United States lies in ruins, occupied by foreign invaders. In the wastelands of the former Soviet Russia, a group of elite operatives infiltrate a nuclear bunker. Aiming the missiles at their enemies’ capital, a captive pleads for mercy. “Judge Dredd – don’t do it! There are half a billion people in my city – half a billion human beings! You can’t just wipe them out with the push of a button!” Dredd stares at the control panel, battered, bruised, but…
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Rews with support from Matua Trap and Larks at Voodoo in Belfast. Photos by Liam Kielt.
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Currently on tour in Germany with Dave Hause, Kilrea doom-folk master Robyn G Shiels released arguably his strongest single to date, ‘If I Were Thy Demon’, back in November last year. Four months on, the track has been totally – and rather brilliantly – reworked by Belfast drone-pop band Documenta. Alternatively titled ‘DocuDemonta’, the remix – which is released as an exclusive pre-order of upcoming Robyn G Shiels EP, I Have Loved The Stars Too Fondly To Be Fearful Of The Night – makes for a blistering four and a half minutes. …Fearful Of The Night by Robyn G Shiels
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As part of a forthcoming European tour, Pearl Jam frontman Eddie Vedder has announced that he will play Dublin in June. With support from Glen Hansard, Vedder will stop off at Dublin’s 3Arena on Friday, June 9. Tickets – which go on sale this Friday from 9am – are priced at €61.45 additional.
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Dublin songsmith Paddy Hanna has returned with his first new music since 2015. ‘Bad Boys’ sees Hanna continuing to move from the bockety-pop mastery of his 2014 LP Leafy Stiletto into the realm of textured balladry that defined more recent singles ‘Austria’ and ‘Underprotected’. There are nods to Roy Orbison in his now staple croon and similarities to be found with the likes Kurt Vile and Boxer era The National in the encapsulating strings and horns that decorate the track. Hanna’s knack for engrossing, infectious song-craft is on full display here and with more new music at the end of the month you would be remiss to sleep on this one.…
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Sleaford Mods are some of the last punks standing. Their songs are slim, no muss, no fuss affairs. Like ESG before them, the pair rely on a basic setup of bass and drums to carry hip hop infused vitriol to the listener. They are lyrically snotty and upfront with tales of frustration and degradation at the hands of a society which has bred and demeaned them. What their words offer is an insight into the world of the marginalised; people feeling the impact of austerity politics, Brexit and the complacency of the South to the suffering of the North. Yet it…