It’s just five days from the release of Limerick emo trio Casavettes‘ debut album, Senselessness. One of the pillars of the DIY LK community, new single ‘I’m Not Here, I’m Somewhere Else’ is a low-key diversion from their anthemic early-Biffy inspired work, with its glacial guitar conjuring myopic images of that post-relationship confusion and detachment. Tastefully shot by the band and edited by Colm O’Shea, its non-linear monochrome video was inspired in part by All This Can Happen by Siobhan Davies and David Hinton, revealing lived layers of undefined beginnings and endings by dividing the frame in two. Artwork for both ‘I’m Not Here…’ & Senseless comes from Laya Meabhdh Kenny, with…
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We’ve been singing the praises of Slouch to anyone who will listen for an age now. Comprising guitarist and vocalist Conor Wilson, bassist Kev Shannon and drummer Malachy Burke, the Dublin trio’s shapeshifting, scuzzed-out sounds defy easy categorisation more than the vast majority of Irish bands all-too-swiftly referred to “alt-rock”. In truth, Slouch have also felt like a genuine alternative – a riff-wielding, face-searing, psychogroove-pedalling flipside – in a scene heavily saturated with FM-flirting, Award-Winning-Music-Blogger-appeasing guitar rock. The lead single from their forthcoming “very nearly finished” debut album, ‘Day Half’ sublimates the very best aspects of Slouch’s craft to five masterfully unpredictable minutes. Marrying dizzying riff…
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Neneh Cherry with support from Greentea Peng at the Academy in Dublin. Photos by Moira Reilly.
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We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with fast-rising Belfast queerpunk five-piece Strange New Places. Photo by Niall Fegan One of several fast-rising Northern Irish acts that have been propelled by the Scratch My Progress initiative at Belfast’s Oh Yeah Music Centre, Strange New Places spent 2018 steadily emerging as one of the country’s most promising bands. On full display at Outburst’s Youth Take Over Day, Atlantic Sessions, Women’s Work festival and elsewhere throughout the year was the band’s equal parts forward-pushing and ear-worming brand of queerpunk. Striking strong…
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Having released a string of shorter releases over the years – as well as been the violinist with Irish artists including Joshua Burnside, Ciaran Lavery, Malojian and Overhead the Albatross – Rachael Boyd’s eclectic and intricately-woven craft is laid bare on her debut, Weave. Across twelve tracks, the album (which is set for release this Wednesday) is the pure-cut distillation of the Dublin-based Belfast artist’s singular craft. Having already received support from BBC Radio 1, Clash, TheLineOfBestFit and elsewhere, lead single ‘Blind Spot’ is a masterfully bewitching case in point. Check out its lyric video below.
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Post Malone at Dublin’s 3Arena. Photos by Peter O’Hanlon
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Knockanstockan have revealed the first acts set to play this year’s festival. With many more yet to be announced, TTA favourites Just Mustard, Bicurious, Punk Podge & The Technohippies, Hot Cops, Lemoncello, Joshua Burnside, Cherym, Bouts, The Pale, Kitt Philippa, Powpig, Shookrah, Luka Palm, THUMPER, Silverbacks, Farah Elle, Junior Brother and The Scratch are among those announced. Check out the (very nice) line-up announcement below. Returning to Blessington Lake in Co. Wicklow across July 19-21, tickets for the festival can be bought here.
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Cosey Fanni Tutti’s latest LP, her first solo work since 1982’s Time to Tell, has been described by the artist as an attempt to express “the totality of [her] being”; the music here, Tutti explains, interprets “shifting perceptions of how [past and present] inform one another” – an extension of other recent projects concerned with documenting her history as an artist and provocateur. The record follows an acclaimed memoir (2017’s ART SEX MUSIC), a gallery retrospective focused on the work of her 1970s performance art ensemble COUM Transmissions, and an autobiographical audio-visual installation entitled Harmonic Coumaction scored by an embryonic version…
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Sleaford Mods with support from Vulpynes at Galway’s Roisin Dubh. Photos by Ciaran O’Maolain.
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The Kid Who Would Be King is an old-fashioned film, and I don’t think Joe Cornish would mind it being called that. After some years spent contributing to studio scripts, the English writer-director follows up 2011’s Attack The Block with another tale of hearty contemporary misfits banding together to take on a deadly genre threat. The film is fuelled by issues of story-telling inheritance, drawing on Arthurian, fairy tale structures for a funny, down to Earth, quite moving tale of a young boy trying to figure out who he is. Alex (Louis Ashbourne Serkis) is a twelve year-old struggling with a…