• Inbound: Rory Grubb

    September 2, 2016 - By 

    Rory Grubb may be a singer-songwriter, but he isn’t exactly the kind of artist that term brings to mind. Third album Water House, his first in seven years – apparently “pieced together in rural Kilkenny between 2010 and 2012, over two very cold winters, in buildings without insulation” but only now seeing the light of day – amplifies the idiosyncrasies of previous album Sketches From The Big Sleep and brings them closer to the surface, as he mixes acoustic and electronic instrumentation along with homemade instruments like his impressive electric ceramophone – an array of ceramic pots spanning the musical…

  • Exploded View – Exploded View

    August 19, 2016 - By 

    Formed in somewhat Atoms For Peace-esque circumstances, Exploded View came together in 2014 when ‘UK-born, Berlin-based political-journalist-turned-musician’ Anika put a band together in Mexico to tour her solo work there, before finding that her and her new group, made up of local musicians and producers Martin Thulin, Hugo Quezada and Amon Melgarejo, had a natural chemistry that deserved to be committed to tape. The resulting self-titled album, released on the ever reliable Sacred Bones label, is cut from similar cloth to Anika’s 2010 solo album – a collaboration with Portishead side project Beak – but is infinitely more accomplished and…

  • Popicalia 22: Squarehead, Land Lovers & Ginnels @ Bello Bar, Dublin

    August 2, 2016 - By 

    At one stage, Popical Island’s regular Popicalia nights were such a staple of Dublin’s indie scene that Retarded Cop even wrote a song about it (found on the Popical Island #2 compilation), so its return with a stellar lineup – and an invitingly colourful poster courtesy of Ruan Van Vliet – after a 2 and a half year hiatus was always going to attract a hefty crowd to its new home in the cosy surroundings of Bello Bar. Ginnels (below) opening set sees Mark Chester add a new violinist to the lineup, adding an extra layer to the infectious indie pop…

  • Holy Fuck – Congrats

    May 26, 2016 - By 

    Far from being just another band with a sweary name, Holy Fuck were founded on an enticing principle – to make electronic music without the use of modern digital electronic methods (programming, sampling, laptops etc), core members Brian Borcherdt and Graham Walsh instead utilising various mini keyboards, effects pedals and even film reel and toys (a Speak & Spell being a particular favourite) to create a cacophony of sound, all accompanied by bass and drums. While they’ve always been a must-see live act, even earning the praise of a certain Lou Reed, their ability to progress over their first three albums without straying far from those methods…

  • Distorted Perspectives Day Two: Hookworms w/ Twinkranes @ Regional Culture Centre, Letterkenny

    May 3, 2016 - By 

    For non-Irish acts, Letterkenny probably seems like a strange date to include on a tour. But with Distorted Perspectives now in its third year, having previously brought names like Moon Duo and Damo Suzuki to the town it might not stay that way. This year, the festival’s biggest draw is Leeds psych quintet Hookworms, making their debut Irish jaunt along with a show in Dublin’s Whelans the night before. From the outside, the RCC looks like much too large a venue for this sort of gig, but thankfully the performance space is perfect –  a small black room with a…

  • Where He’s Meant To Be: An interview with Arab Strap’s Aidan Moffat

    April 28, 2016 - By 

    As one half of the band Arab Strap with Malcolm Middleton between 1996 and 2006, Aidan Moffat quickly became one of the most influential voices in Scottish indie music. His unmistakable thick brogue and frank, confessional and often hilarious lyrics are reflected in so many newer Scottish bands while Moffat himself has guested with the likes of Mogwai and Frightened Rabbit over the years. Since Arab Strap’s amicable split, Moffat has undertaken all kinds of projects, from spoken word to his collaborations with Bill Wells to his electronic work as L. Pierre, to name a few. In 2014 he toured…

  • Ought w/ Autumns @ Voodoo, Belfast

    April 25, 2016 - By 

    Ought are somewhat of an anomaly on Constellation Records, a label known more for post-rock bands like Godspeed You! Black Emperor, but then they’re also an anomaly in that they’re a Canadian band without any Canadian members, their personnel having moved to Montreal from various US states and, in one case, Australia. Still on the touring trail for last year’s sublime second LP Sun Coming Down, their second European trek since its release sees them make a much anticipated return to Ireland and a Belfast debut. Derry’s Autumns kick things off, fast becoming Belfast’s support-band-in-residence, which is no bad thing.…

  • Iggy Pop – Post Pop Depression

    April 18, 2016 - By 

    The biggest challenge for an older artist with a lengthy career is to stay relevant and keep their audience interested. Some manage this with ease – Nick Cave has rarely put a foot wrong since the beginning of the 80s, for example – but most, including ‘godfather of punk’ Iggy Pop (on the scene a decade or so longer than Cave), will inevitably start to fly slightly under the radar after a while. In his early days he always worked best with strong collaborator, be it the rest of the original Stooges, James Williamson in their later incarnation – though none of these were quite able…

  • Out Of Oblivion Into The Light: An Interview with Mission of Burma

    April 12, 2016 - By 

    For years, Boston post-punk legends Mission of Burma were one of rock music’s great ‘what if?’ stories, an obscure but influential band that broke up far too soon due to singer/guitarist Roger Miller’s tinnitus, worsened by their notoriously loud live shows, leaving behind just one full length album, an EP and a couple of singles. When they finally reformed in 2002 (with Shellac’s Bob Weston taking over the role of tape manipulation from Martin Swope) they did it properly, refusing to be a mere nostalgia act and issuing a string of new albums that sounded just as vital as what…

  • September Girls – Age of Indignation

    April 8, 2016 - By 

    “I am reborn”, sing September Girls in the opening track of their second album Age Of Indignation. While this album doesn’t represent a musical rebirth – the band still operate at the intersection between fuzzy noise pop and post-punk – it does represent a band growing in ambition, both musically and lyrically, continuing a trend that’s been happening gradually over the course of their career to date. The musical ambition is evident straight away, opening with the 6 and a half minute ‘Ghost’, a track that builds in intensity from a slow burning intro to a lengthy pummelling conclusion that sounds like an even more ferocious…