Far from being just another band with a sweary name, Holy Fuck were founded on an enticing principle – to make electronic music without the use of modern digital electronic methods (programming, sampling, laptops etc), core members Brian Borcherdt and Graham Walsh instead utilising various mini keyboards, effects pedals and even film reel and toys (a Speak & Spell being a particular favourite) to create a cacophony of sound, all accompanied by bass and drums. While they’ve always been a must-see live act, even earning the praise of a certain Lou Reed, their ability to progress over their first three albums without straying far from those methods…
-
-
For non-Irish acts, Letterkenny probably seems like a strange date to include on a tour. But with Distorted Perspectives now in its third year, having previously brought names like Moon Duo and Damo Suzuki to the town it might not stay that way. This year, the festival’s biggest draw is Leeds psych quintet Hookworms, making their debut Irish jaunt along with a show in Dublin’s Whelans the night before. From the outside, the RCC looks like much too large a venue for this sort of gig, but thankfully the performance space is perfect – a small black room with a…
-
As one half of the band Arab Strap with Malcolm Middleton between 1996 and 2006, Aidan Moffat quickly became one of the most influential voices in Scottish indie music. His unmistakable thick brogue and frank, confessional and often hilarious lyrics are reflected in so many newer Scottish bands while Moffat himself has guested with the likes of Mogwai and Frightened Rabbit over the years. Since Arab Strap’s amicable split, Moffat has undertaken all kinds of projects, from spoken word to his collaborations with Bill Wells to his electronic work as L. Pierre, to name a few. In 2014 he toured…
-
Ought are somewhat of an anomaly on Constellation Records, a label known more for post-rock bands like Godspeed You! Black Emperor, but then they’re also an anomaly in that they’re a Canadian band without any Canadian members, their personnel having moved to Montreal from various US states and, in one case, Australia. Still on the touring trail for last year’s sublime second LP Sun Coming Down, their second European trek since its release sees them make a much anticipated return to Ireland and a Belfast debut. Derry’s Autumns kick things off, fast becoming Belfast’s support-band-in-residence, which is no bad thing.…
-
The biggest challenge for an older artist with a lengthy career is to stay relevant and keep their audience interested. Some manage this with ease – Nick Cave has rarely put a foot wrong since the beginning of the 80s, for example – but most, including ‘godfather of punk’ Iggy Pop (on the scene a decade or so longer than Cave), will inevitably start to fly slightly under the radar after a while. In his early days he always worked best with strong collaborator, be it the rest of the original Stooges, James Williamson in their later incarnation – though none of these were quite able…
-
For years, Boston post-punk legends Mission of Burma were one of rock music’s great ‘what if?’ stories, an obscure but influential band that broke up far too soon due to singer/guitarist Roger Miller’s tinnitus, worsened by their notoriously loud live shows, leaving behind just one full length album, an EP and a couple of singles. When they finally reformed in 2002 (with Shellac’s Bob Weston taking over the role of tape manipulation from Martin Swope) they did it properly, refusing to be a mere nostalgia act and issuing a string of new albums that sounded just as vital as what…
-
“I am reborn”, sing September Girls in the opening track of their second album Age Of Indignation. While this album doesn’t represent a musical rebirth – the band still operate at the intersection between fuzzy noise pop and post-punk – it does represent a band growing in ambition, both musically and lyrically, continuing a trend that’s been happening gradually over the course of their career to date. The musical ambition is evident straight away, opening with the 6 and a half minute ‘Ghost’, a track that builds in intensity from a slow burning intro to a lengthy pummelling conclusion that sounds like an even more ferocious…
-
It’s been almost three years since the last Future of the Left album, though we haven’t exactly been left wanting, with frontman Andrew Falkous delivering two solid albums under his new Christian Fitness moniker in the interim. Nevertheless, it’s undeniably exciting to have the full band back in action, as demonstrated by the PledgeMusic campaign for fifth album The Peace and Truce of Future of the Left reaching its goal in a mere three hours. Their second pledge-funded album, they’re evidently one of model’s success stories, partly due to loyal fans that have been following Falkous since his Mclusky days, but also because they’re a band that…
-
Gigantic at Lavery’s is a Belfast institution. For over a decade now it’s been a valuable club night for those of us who would rather spend a Friday night dancing to LCD Soundsystem or The Juan MacLean over the more typically pedestrian fare on offer in most clubs of a weekend. It’s also been refreshing for its tendency over the years to play material by local artists alongside the usual international acts, so the recent monthly gig nights at the club have been an inspired move. Not to mention, with music industry release dates now standardised to Fridays on both…
-
Fifteen hugely promising, genre-spanning Irish acts down, we conclude our annual Ones to Watch feature with Dublin’s Paddy Hanna. Words by Cathal McBride. Photo: Mark Earley. Following his 2014 debut album Leafy Stilleto on Popical Island and a pair of strong 2015 singles, Dublin’s Paddy Hanna is on an upward trajectory that shows no sign of faltering any time soon. A string of Irish support dates with Girl Band last year with his backing band, including No Monster Club’s Bobby Aherne, has only helped to raise his profile further. Swapping his old band Grand Pocket Orchestra’s lo-fi art pop for…