Founded in 1989 by Chris Lombardi in his New York apartment, before Gerard Cosloy came on board the following year, it’s remarkable how quickly Matador Records became one of the most influential record labels operating in the indie world. As well as signing US bands, the label also became a reliable source for British bands on small UK labels to expand their international reach. Now part of the Beggars Group, recently operating in London as well as New York, and still going strong with the same two managers at the helm, Matador inspires such devotion that Pavement and Guided By…
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Not all bands survive long enough to have a twentieth anniversary tour, at least without reforming first. What’s remarkable about Mogwai is that they still feel like a current band, not yet reduced to being a mere heritage act, and so it’s difficult to conceive that they’ve been around that long (in the same way that it’s difficult to conceive that the mid 90s were quite that long ago, even for those of us young enough to have been in primary school at the time). As such it’s genuinely exciting to see what way tonight’s set will go, with such…
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In the latest installment of Front of House, Cathal McBride chats to Davy Matchett of Belfast’s Third Bar Artist Development. Co-ran with Snow Patrol’s Gary Lightbody, Third Bar have mentored, managed and planned single and album campaigns for the likes of Desert Hearts, Robyn G Shiels, Ed Zealous, Wonder Villains, A Plastic Rose and many more. Photos by Ryan Richards. Hi Davy. Can you tell us a little bit about yourself and Third Bar? Certainly. My name is Davy Matchett and I have been following Manchester United since 1985, Ards Football Club since 1986 and going to gigs since 1987. My first…
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Only a fool writes off The Fall, a band that have had more returns to form than most bands have had records. With the current lineup now being their longest serving as a complete unit (aside from the recent addition of second drummer Daren Garratt), some have accused them of getting too comfortable and being in need of another shake-up like the days of old, since 2011’s sloppy Ersatz GB, a surprising misstep after the back-to-back excellence of Imperial Wax Solvent and Your Future Our Clutter before it. 2013’s Re-Mit then failed to fully compensate, being a mish-mash of greatness…
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The Cathedral Quarter Arts Festival is a Belfast institution, but it’s probably easy for many people to forget about the events that happen away from the festival marquee in Custom House Square, hence a slightly underwhelming turnout at Aether & Echo tonight for the Belfast leg of Le Galaxie’s Le Club tour (or maybe everyone is too glued to tonight’s election coverage). Although the room has filled up quite nicely by the time the headliners take to the stage, tonight’s openers, Belfast’s own Go Wolf play to a sparser audience. Their set is impressively tight and polished, though the music…
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For fans of Belfast trio Not Squares it’s been a long wait for a follow up to 2010’s Yeah OK, one of the finest Irish debuts of recent years. With drummer/primary vocalist Keith Winter moving to London in 2012, new material has largely had to be crafted long distance, and so we’ve only been treated to a handful of singles to tide us over in the intervening period. These singles make up almost half of the new album, and other tracks like ‘Can Opener’ will be well familiar to anyone who has caught their sporadic live shows over the last…
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While people will continue to argue tirelessly about whether the internet has been a good or a bad thing for music, here comes another argument for ‘good’. Derry minimal electronic musician Ryan Vail and Aghagallon alt-folkster Ciaran Lavery first became friends online before finally meeting up at a festival they were both appearing at and decided to collaborate on this mini-album. Regardless of whether or not you think streaming music is as bad as killing elephants like Tom DeLonge claims, the sense of community that the internet affords to bring together musicians from different musical backgrounds to try out collaborations…
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So far, Cruising have been taking things fairly slowly. Though the Belfast/Dublin quartet officially operate under pseudonyms (Benzedrine Black, Sex Grimes, Dan Handle and Dick Vortex), they’re easily recognisable to anyone who has even a passing interest in Irish music at the moment, made up as they are of members of Girls Names, Sea Pinks, September Girls and the now defunct Logikparty. Another one of Sunglasses After Dark’s top notch events, without a support act The Menagerie slowly fills up to the sounds of The Stooges and other assorted proto-punk bands, which sets the tone for what’s to come. It’s…
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Despite the fact that they’ve been playing music together since they were both twelve years old, and have performed under the Two Gallants name since 2002, not too long ago it seemed like we might never hear another album from folk rock duo Adam Stephens and Tyson Vogel. Following their 2004 debut and an incredibly productive period between 2006 and 2007 where they released two fine follow up albums an EP in between, it took a whole five years for them to return with The Bloom & The Blight in 2012. While they may not have regained their earlier rate…
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Originally founded as a fanzine in 1979 by Tesco Vee and Dave Stimson before becoming a record label in 1981, Touch & Go was originally a platform for the Chicago hardcore punk scene, before Vee handed the reins over to Corey and Lisa Rusk in 1983, with Corey Rusk still being at the helm today. The label would go on to become synonymous with the 1980s noise rock scene, as well as 1990s math-rock, before expanding into all things alternative in later years. The label is also well known for its DIY ethic, offering artists 50-50 deals after production and…