• 88mph: David Bowie – Low

    January 14, 2017 - By 

    Bowie had faced his demons. He was running from L.A. and cocaine. He had decided to save his own life from drugs. His marriage was ending. He was wrangling legally with his former manager. He was escaping from the celebrity he had created. He dressed down and fitted in. He lived in anonymity. He hung out and worked with Iggy Pop. He painted. He rode a bike. For Low, Bowie invented no character for himself. He abandoned any hope of commercialism. He suffered from writer’s block. Low was both result and cure. He made the record imagining it would never…

  • Classic Album: The Smiths – The Queen Is Dead (1986)

    June 13, 2016 - By 

    The Smiths recorded their 3rd album ill at ease with their position in the music world. They were unsure of their record label, frustrated at how the media represented them, and perplexed with the public’s perception of the band. Nevertheless, when The Queen Is Dead was released, it presented The Smiths at their zenith, aware of their astonishing abilities and revelling in utilising them to full effect. The confidence bursts forth from the get-go with a 6 minute plus, unbridled thrash of a title track and is sustained throughout the 9 diverse songs that follow it. The musical landscape displays a knowing maturity;…

  • Ken Camden – Dream Memory

    July 9, 2015 - By 

    You know, Ken Camden, from Lahndan Tahn? Bit of a spiv, sells knockoff jeans and bootleg t-shirts. Once did CDs n’all, but no one cares ‘bout them no more. No wait, that’s Camden Ken. Better instead to concentrate on the name of the album. Dream Memory as a title, along with the striking artwork, does a much better job of setting the scene for what can be heard inside. However, positioning his listener in a suggestible other-worldly location with a couple of words and a picture only partially paves the way for just how exquisite the next 45 minutes of their life might…

  • Holly Herndon – Platform

    June 5, 2015 - By 

    Holly Herndon makes avant-garde electronic music veering between ambient techno and musique concrète. Her sound incorporates sampled and processed vocals as well as acoustic and found sounds. Individual tracks tend to adopt little structure and offer even less in the way of hook or identifiable tune to grab the listener’s attention. That said, absolute attention is demanded by Platform. This is a busy record, an uneasy listen, but an undeniably accomplished experiment, with much reward for those up to the challenge. Like new label-mate Grimes (this is Herndon’s 1st LP for 4AD) the experience is presented in cascades of sonic…

  • White Hills – Walks For Motorists

    March 25, 2015 - By 

    Good old Space Rock: for when you need songs to last ten minutes but you’re not in the mood for all that proggy, time signature business. When you need to rock out but still wanna feel mellow, man. When you want to think about the vastness and complexity of the universe but you aren’t really up for much thinking. The genre provides so much and demands little in return. Zone out under your headphones at home, or wig out in the front row behind your fringe, head shaking from side to side, rib cage secretly on the verge of collapse…

  • OOIOO – Gamel

    July 14, 2014 - By 

    Today’s word of the day is metallophones. This group of musical instruments is the key to the Gamelan musical traditions of Indonesia that provide the bedrock for Gamel. Basically, any tuned metal you can hit with a mallet is covered by the term, and since most Westerners are only likely to have come across a glockenspiel and maybe a vibraphone it becomes a useful umbrella term covering an embarrassment of ignorance. It is within Gamelan that OOIOO have perhaps discovered their musical home. Six albums and nearly twenty years of experimental improvisation by Yoshimi and her cohorts have led them…

  • Classic Album: David Bowie – Diamond Dogs

    May 2, 2014 - By 

    In Diamond Dogs, with a twisted and sophisticated take on his sound, David Bowie predicted a dark, post-apocalyptic future world. 40 years on, how does the prophecy and the music stand up? In 1974 David Bowie needed to deliver. The Ziggy Stardust album (1972) and accompanying stage show was a whirlwind success and saw Bowie become a significant rising star in America and the most important pop artist in the UK. The follow up, Aladdin Sane (1973), was swallowed up as a straight sequel by a public so Ziggy hungry, they barely noticed the (subtle but not insignificant) musical developments. In time for the Christmas market of the same…

  • Confab Review: Avey Tare’s Slasher Flicks

    April 17, 2014 - By 

    Wait, who?  Avey Tare. He’s out of Animal Collective. Oh right. Has he gone solo? Not really, Animal Collective like to keep themselves busy with side projects. So what’s the Slasher Flicks bit? Is it horror picture music? Well I suppose that might depend on your tastes. But essentially no, there’s no long, suspenseful atmospherics followed by sudden dramatic explosions with added bone-crunching sound effects. Nor is it black metal. Is it just a name then? Good question. It does seem a little bit tacked on, a convenient story providing opportunities for blood-dripping photo shoots, spooky artwork and a comically…

  • Young Fathers – Dead

    February 27, 2014 - By 

    Calling your album Dead doesn’t exactly promise a party, and to that end Young Fathers deliver few surprises. Take them at face value as hip-hop however and your expectations are much likelier to be challenged (unless perhaps your hip-hop collection is already coming down with acts boasting lineage from Liberia, Nigeria and Scotland). It might be difficult to imagine cold what such a combination might sound like, but once you’ve heard it, generally it adds up. The beats are the most obvious link to Africa – ironic though that may be since chief producer ‘G’ Hastings is the Scottish element…

  • Actress – Ghettoville

    February 7, 2014 - By 

    Actress, AKA Darren Cunningham has prowled the dark world of experimental, minimalist electronica for nearly a decade now. The title of this his fourth album harks back to Hazyville, his debut full length, and, if the finality hinted at in the album blurb is to be heeded, the pair seem likely to bookend the Actress story. Accordingly Cunningham has decided to create his masterpiece. Adopting varied approaches, Actress hunts the murky territory of a glitchy, avant garde noise and presents the results in phases. These phases become most obvious over five (not six) sides of vinyl LP (everything needs to…