• Adrianne Lenker – songs/instrumentals

    November 6, 2020 - By 

    In April, Adrianne Lenker retreated to an isolated cabin in the midst of two crises: one public (the coronavirus pandemic) and one personal (a tough breakup).  Two albums, ‘songs’ and ‘instrumentals’, were recorded concurrently during this period, and feel at once like separate entities and like something whole. Comprising a collection of the lyric-based tracks we’ve come to know for Lenker, and two long instrumental pieces, they compliment each other perfectly, while offering many of their own charms. Had ‘instrumentals’ been released on its own, it would have risked being sidelined as a minor side project, but when paired with…

  • Matt Berninger – Serpentine Prison

    October 21, 2020 - By 

    Solo albums, for the most part, present artists with the opportunity to  indulge in experiments their bandmates would reject. Take Thom Yorke going fully electronic on The Eraser, or Sigur Ros’ Jónsi’s journey into  glitch-pop on his new album Shiver: Neither proved to be too much of a deviation from their main projects’ sound, but provided them with a detour that musicians often need to get out of their system between “proper” albums. The lowered expectations that can come with a solo album free up an artist to make whatever they want without restriction, and can sometimes lead to something…

  • Róisín Murphy – Róisín Machine

    October 13, 2020 - By 

    Much of the monotonous conversation surrounding dance albums released during lockdown – be it by Lady Gaga or Disclosure – dwell on not being able to hear it in a club. While it is frustrating to not be able to go out dancing, the music is not made for just one setting. Ultimately, many will spend more time listening to dance music while going about our daily lives than at raves anyway. Róisín Murphy understands better than anyone that, with the right mindset, you can turn anywhere into a makeshift dancefloor.  Over the past few months, Murphy has shared a series…