If anyone was to be left in any doubt about the direction of Lankum’s third full-length release The Livelong Day, its opening track, a reworking of traditional drinking song ‘The Wild Rover’, dispels any notion that this is a standard folk album. Almost unrecognisable from its usual configuration as an oft-performed tune at a trad knees-up, ‘The Wild Rover’ Lankum-style is a profoundly chilling storm of tension and foreboding, one which lays the groundwork for an astoundingly innovative album from one of the Irish folk scene’s shining lights. For those familiar with Lankum’s stunning previous work, the tendency to tear up the rulebook will…
-
-
Danny Brown has always been somewhat of an outlier in hip-hop. Gifted with the ability to present his many exploits with astounding shades of colour, humour and vocal inflections verging on the maniacal, his unorthodox style has garnered support across the globe, far beyond his home city of Detroit. Brown’s skill in synthesising his wide-ranging influences – he has confessed to being a fan of everything from Cee-Lo Green to Bowie and Joy Division – culminated in 2016’s Atrocity Exhibition on Warp. A remarkable collection depicting the highs and lows of mental health and the ugly underbelly of the hip hop world, its outstandingly…
-
As Dublin’s Dermot Kennedy releases his debut album, Without Fear, it’s odd to think he’s already been performing to packed-out audiences for two years. For an artist who recently sold out the 5,000-capacity Brixton Academy in London without even having a UK single, and who has collaborated with regular Kanye West producer Mike Dean, you’d almost be forgiven for thinking of an album as an unnecessary afterthought. Nevertheless, Without Fear, released on UK major Island, puts Kennedy’s towering voice on full display with a collection of deeply personal, hip hop-infused pop songs ruminating on heartbreak, hope and healing. While it may be tempting to…
-
Cork has fostered a healthy collaborative atmosphere among its musical populace in the last number of years, with an ever-expanding community of fusion groups, side projects, one-off jam sessions and young, experimental collectives sprouting to exchange ideas, explore new creative avenues and perform one-off collaborations never to be played again. One of those at the centre of it all is multi-instrumentalist Dan Walsh, whose monthly Cork Improvised Music Club night (formerly at Gulpd café, now at The Roundy) and previous work at the helm of improvisational outfit, Fixity, have done more than satisfy Cork’s thirst for psychedelic exploration. An…