• The Libertines w/ The Courteeners @ 3Arena, Dublin

    July 13, 2015 - By 

    A rose by any other name right? 3Arena may be the pre-eminent venue for the most popular acts visiting the city but it must be a logistical nightmare. The sound is far from perfect for The Courteeners breed of indie rock. The sound has been primed for stadium rock which the lads fill out admirably but it’s at the detriment of any musical subtlety. Instead each song is awash of boom-bah drum noise and the sometimes faltering vocals of Mr. Liam Fray. Luckily it’s not so muddy that they lose the sing along spine that give their most popular tracks…

  • Ken Camden – Dream Memory

    July 9, 2015 - By 

    You know, Ken Camden, from Lahndan Tahn? Bit of a spiv, sells knockoff jeans and bootleg t-shirts. Once did CDs n’all, but no one cares ‘bout them no more. No wait, that’s Camden Ken. Better instead to concentrate on the name of the album. Dream Memory as a title, along with the striking artwork, does a much better job of setting the scene for what can be heard inside. However, positioning his listener in a suggestible other-worldly location with a couple of words and a picture only partially paves the way for just how exquisite the next 45 minutes of their life might…

  • Desaparecidos – Payola

    July 8, 2015 - By 

    Bright Eyes, and by extension their central member Conor Oberst, are the sort of group who elicit a strong reaction from people. There are those who think him a Dylanesque wunderkind whose every word perfectly summarises all the emotion that their teenage selves never could, others see him as an obnoxious, overgrown perpetual adolescent who needs to get over himself rather swiftly. There is also a decently sized camp who are indifferent until he lets his frustration loose in the rawest manner. Of the three groups, the one who’ll be most satisfied by the man’s latest venture, the long awaited…

  • Sleaford Mods – Key Markets

    July 7, 2015 - By 

    Fresh from well received performances on the festival circuit, particularly the BBC-broadcast Glastonbury, Sleaford Mods have been exposed to a wider audience and remain masters of polarisation. They have become poster boys for the disenfranchised: they’re proud of their roots but they don’t want the music to be undermined or people to misconstrue their working-class stance as validation of lout culture. They are quick to disassociate themselves from the hooligan element, or as vocalist Jason Williamson put it: “If you’re expecting some kind of cross between This Is England and Twycross Zoo mixed in with The Firm then please do…

  • Review: Four Tet – Morning/Evening

    July 2, 2015 - By 

    “If you’re all about the destination, then take a fucking flight” Frank Turner, The Ballad of Me and My Friends What strange and lovely little surprise is this? On June 21, English electronic musician Four Tet quietly released his latest LP, Morning/Evening, via Bandcamp. No fanfare, no big press tour, just the songs available in a free format, which is really an absolutely splendid little treat from one of the more intriguing electronic artists of the last 10 years. Four Tet is by no means an underground artist at this point, so it stands to wonder why he would choose…

  • Amy

    July 1, 2015 - By 

    I really didn’t want her to die. I mean, it’s a ludicrous thing to say: this is Amy Winehouse. We know how the story ends. But as Asif Kapadia’s scrupulously chronological film unspools we follow this charming, bolshy North London girl from a friend’s 14th birthday party (filmed in the unfailing fawn and sage colour scheme of 90’s video footage) through to the first few steps of her recording career and onto a success that she didn’t want and couldn’t withstand. “I don’t think I’ll be at all famous,” she offers in an interview. “I don’t think I could handle…

  • Alden Penner & Michael Cera @ Hangar, Dublin

    July 1, 2015 - By 

    Has realisation dawned that the drummer from the support band is the guy – the other guy – from the main band, the guy who’s not in the movies? Probably not. Alden Penner, he of The Unicorns and Clues – both of whose albums are respectively mercurial and wondrous, collaborative and eponymous – and Michael Cera don’t actually seem an unlikely pairing. When tickets for their initial Workman’s Club gig sold out quick smart the gig was duly upgraded; ambitiously it turned out, to Vicar Street, before finally settling in Hangar. The Adam Brown warms up an already roasted crowd,…

  • Benjamin Finger – Pleasurably Lost/Motion Reverse

    July 1, 2015 - By 

    Norwegian producer Benjamin Finger is having quite a prolific year. An insatiable creator, he moves between genres and modes of production without any pressure to stick in one particular lane. Having released the melancholic Pleasurably Lost on niche French label Eilean Rec some months back, he’s just put out Motion Reverse on Dutch-based Shimmering Moods. The two albums are blissful and haunting in equal measure, yet express their respective ideas in hugely opposing fashions. Recorded in Oslo over a period of three years, Pleasurably Lost was inspired by Polish writer Witold Gombrowicz. This writer’s work was concerned with paradox and…

  • Mastodon w/ Bad Breeding @ Ulster Hall, Belfast

    June 30, 2015 - By 

    Treating tonight more like a pilgrimage into the dark heart of sludge-laden, conceptual metal than your typical jaunt to a gig, we’re joined giddily by the sizeable crowd of Mastodon T-shirt wearing fans as we enter the baroque surroundings of the Ulster Hall.  The air, thick with beard and brew, seemingly creates its own atmospherics ahead of any performance so far, but, safe in the knowledge that we’ll be banging our heads soon we file in and stand our ground.  It’s not exactly filled to the brim, but it’s not nearly empty either and the consensus thus far is that…

  • The Needables – Tales From The Fish Tank

    June 30, 2015 - By 

    How good Country music is considered to be is typically based off one of two things: songwriting ability or the author’s authenticity. For the most part, it’s music meant for working men and women, those forgotten or left behind by society and longing for a return to some former clarity. If you look into the annals of great country music, an almost exaggerated number of its greatest heroes fit this mould to a tee; so it only makes sense that any individual or group that can capture that sense of sadness tinged with bitter optimism while having the appropriately solid…