• Maija Sofia – True Love

    Galway singer-songwriter Maija Sofia’s debut, 2019’s Bath Time, was a rare gem, arriving in a haze of stirring narratives and intimate musicality. Four years later, she swings the lens away from history’s wronged women, towards herself. Here, she is not a compassionate historian – she is a protagonist filled with pain, anger, love and passion. Early single ‘Four Winters’ is an avant-garde pop ballad that marries figurative imagery with plainspoken references to sexual violence and direct imploring. This mode switching builds intimacy and depth. Sofia’s self-expression is complex and volatile, much like life is for a 20-something-year-old woman – her…

  • Elaine Malone – Pyrrhic

    Elaine Malone is nothing if not prolific. Whether it be the improvised folk horror of Mantua, Land Crabs’ punk noise, the Krautrock stylings of Soft Focus or the experimental sounds of Lisbon-based Pot Pot, Malone keeps herself busy in an outrageously diverse number of music projects with her multi-instrumental gifts. This vast and varied output over the years proves to have been ideal preparation for a full-length debut, as Malone executes a dazzling array of sounds on Pyrrhic that encompass plenty of the genres she has explored previously and an abundance of fresh ideas too. In the space between the…

  • Dispatches From A Field: All Together Now 2023

    Mike Ryan reports back from Sugababes, Iggy Pop, Beak>, Villagers and more at the latest and greatest All Together Now to date. Photos by Celeste Burdon All Together Now returned last weekend for its fourth instalment, and with the memory of last year’s stellar line-up still fresh in people’s minds, it was always going to have an uphill battle to impress returning punters. It didn’t help matters that on Friday night that hill was covered in mud and into 50km winds. But before the weather turned, the evening got off to a rocking start. After an impressive set in one…

  • Caoilian Sherlock – Teenage Jesus

    In between pulling double duty with The Shaker Hymn and The Tan Jackets, Caoilian Sherlock has been threatening to release a solo album for years. First testing the waters under the moniker St. Caoilian over 5 years ago, his first full-length album Teenage Jesus is more than worth the wait. Album opener ‘The Wheels Come Off’ is a dreamy, sentimental exposition to a record that drifts between its psychedelic, folk, pop, and country influences, showcasing a singer-songwriter who is at ease with his own creative process. Stand-out tracks include ‘Candidate’, a snappy and self-deprecating rock ‘n’ roll homage with more…

  • Pulp at St. Annes Park, Dublin

    Is this the way they say the future’s meant to feel? Or just 20,000 people standing in a field? Well, it was both on Friday night as, nearly thirty years after the practically perfect Different Class was released, that future became the present for the thousands of people in St Anne’s Park in Dublin. And this time round we really understood what the feeling was – utter joy that Jarvis Cocker hasn’t changed at all and Pulp with their ‘This is What We Do for an Encore’ tour, delivered exactly what we wanted. Full of promise from the minute it’s…

  • Sugababes at Botanic Gardens, Belfast

    Almost a year after their return as one of the unexpected hits at Glastonbury, when such a crowd turned up that entry to the Avalon gig had to be shut to any more fans, Sugababes brought their summer festivities to Belfast on Friday night, as part of the Live at Botanic Gardens series of concerts. While I never had the joy of seeing them the first time around (my hero then was Morrissey as opposed to fun pop girl bands, but sure, we live and learn) I can’t imagine that this original line-up, known for some years by the altogether less…

  • Lisa O’Neill – All of This is Chance

    Lisa O’Neill offers up her finest release to date with All of This is Chance. The Cavan native’s fifth album boasts an impressive variety of collaborators, from concertinist Cormac Begley, violinist Colm Mac Con Iomaire, Kate Ellis of the Crash Ensemble, and more. O’Neill’s timeless sound breathes new life into traditional balladry. Upon a foundation of droning harmoniums, concertinas, and violins, which create a sound akin to fellow trad revivalists Lankum, her haunting vocals sit, captivating her listeners and luring them into a state of transcendence. Here, tracks like ‘Birdie From Another Realm’ slip nimbly from the clutches of modernity,…

  • Hands Up Who Wants To Die – Nil All

    For years, Dublin’s Hands Up Who Wants To Die have been obliterating the eardrums of audiences across the continent. Previously led by the nihilistic poeticisms of one Barry Lennon, the group’s amicable split with the formidable frontman allowed the quartet to refocus on composing their third album, with new recruit Rory O’Brien from Ten Past Seven taking over lyrical duties. On the resulting Nil All, the band’s first release in six years since their split with B.O.B, Hands Up Who Wants To Die expand upon the beautifully brutal soundscapes of the band’s previous releases Buffalo buffalo buffalo Buffalo buffalo and…

  • Unthank : Smith at Empire Music Hall, Belfast

    Paul Smith and Rachel Unthank reimagine radical futures through the lens of traditional folk and new songs from and about the north of England during a spellbinding Monday evening in the Empire Music Hall. Shape-shifting arrangements veer from unaccompanied close harmony to mesmerising full band jazz-inflected work-outs. Alex Neilson from free-improvisation folk group Trembling Bells provides an eerie psych-folk backdrop on drums. Accompaniment on clarinet is provided by Faye McCalman from avant-jazz group Archipelago. The Maximo Park frontman adds a sharp pop nous to the songs from their recent record Nowhere and Everywhere – performed in its entirety tonight. The…

  • Lankum – False Lankum

    With the title of their fourth record, Lankum evoke the folk ballad of Irish traveller John O Reilly for which they named themselves. As such, False Lankum is a sprawling epic that pays studious tribute to the quartet’s past while progressing into bold new territory largely hinted at until now.  Recorded at the aptly-named Hellfire Studio in the foothills of the Dublin Mountains, these twelve tracks possess an eerie otherworldliness that reveals itself from the off, as ‘Go Dig My Grave’ finds Lankum digging deeper into terrifying walls of ambient noise and experimentalism which anchor this collection throughout. In turn,…