Dublin’s The 202s will release their new album From When The Future Was Yet To Hurt Us tomorrow March 30 via Difference/Repetition. With a selection of brand new cuts, previously released singles and tracks from their superb 2017 EP, Up In Thin Air, this album feels like the culmination of two years worth of gradual graft from one of Ireland’s finest, most understated acts. Having reformed in 2016 after a lengthy spell away – real life stuff, “since we last made a record, The 202s have made five human beings!” – the trio have been steadily releasing tracks in anticipation of this album and now, as it lands,…
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Dublin’s The 202s have shared another single taken of their forthcoming second album From When The Future Was Yet To Hurt Us, set for release on 2 February 2018 via Difference/Repetition. The trio of Mike Glennon, Steve Melling and Barry Smullen follow this years’ Up In Thin Air EP with more ventures into their new-wave, post-punk and krautrock influences. Along with its first single ‘Dash For The Exit (Real Love Doesn’t Lie)’, ‘Soul Don’t Boogie’ sees the group continuing to embrace grit, motorik groove and grizzly melodies. It’s done them a lot of favours, and finds them in territory they are more comfortable in than ever before, giving them chances…
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Dublin trio the 202s have shared the third single from their forthcoming third album. Following from ‘Up In Thin Air’ earlier this year and ‘Oh My My’ in January 2016, the band’s own brand of indie-pop shines through once again on ‘Dash For The Exit (Real Love Doesn’t Lie). With a healthy dose of krautrock’s percussive clatter, coupled with ambient, melodic textures and a distorted vocal, the track is one that rests in your mind for hours after listening, tickling the nerves in head that nudge you back to it again and again. Our Will Murphy described the 202s as a band…
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Dublin three piece 202s have been more or less silent since their self-titled debut release in 2009. The first sound they’ve made since then has now arrived in the form of the lush ‘Oh My My’, a hypno-pop chunk of fuzzed vocal harmonies and slowly grooving drums. The track draws influence from across the genre spectrum with plenty of psych-rock and Krautrock sounds embellishing the more contemporary comparisons to the likes of Alt-J or Foals’ more recent output. With a new album due to drop in Autumn of this year, 202s patient approach to releasing music appears indicative of a “quality over…