Since starting out some time ago as a D.I.Y. shoegaze/garage-noise outfit, Derry’s Christian Donaghey has refused to sit in any one place for too long with his ongoing project, Autumns, releasing and echewing subgenre records for breakfast, lunch & dinner. Over the last couple of years, he’s grown into himself, really finding his place with his most recent EP. Finally, he’s released his debut full length, Suffocating Brothers on renowned Glasgow label Clan Destine after being written & recorded in the latter half of 2016. This material sees him continue to bring the intensely visceral Roland-fuelled rhythms of industrial & techno he’s adopted in recent times, melded…
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Not content to solely be in arguably Ireland’s finest post-punk act, Philip Quinn of Girls Names releases his debut album, Quantitative Easing under the Gross Net moniker on November 25. Starting out alongside Autumns’ Christian Donaghey as a guitar, bass & drum machine combo, they released their eponymous debut cassette in 2014. Donaghey departed, and Quinn followed up earlier this year with the even better, dark, Berlin techno-tinged Outstanding Debt; it’s brimming, poetically enough, with the kind of satirical econofear channelled by the likes of Cabaret Voltaire & Throbbing Gristle in the Thatcher era. If you’d like to get further under Gross Net’s nihilist skin, check out our recent…
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Pulling absolutely no punches when it comes to leaving his imprint on the electronica scene, Belfast’s Barry Lynn (Boxcutter) – The Host for his latest release – has compounded a long track record of compelling, experimental arrangements with his new record, the Esalen Lectures LP. Given Lynn’s seemingly savage pursuit of originality though, this probably wasn’t the most difficult of tasks with a back catalogue as remarkable as his – various remix credits for heavyweights like Amon Tobin or our own Space Dimension Controller, all whilst his tenure for Planet Mu garners more notches than a backroad motel bed-frame. The…