Ahead of the release of his stellar debut LP via Touch Sensitive in November, Girls Names’ guitarist Philip Quinn AKA Gross Net talks to Brian Coney about money, sanity, impetus, authenticity and the fact “we’re all fucked”. Photos by Diarmuid Kennedy You release Quantitative Easing, on November 25. It follows on from Outstanding Debt, your collection of re-commissioned tracks from aborted releases. Once again, money is the pervading theme here. Cast your mind back ten years ago, did you ever envisage it taking such a hold over your art? Well… ten years ago releasing music, or making a slight bit of income…
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Not content to solely be in arguably Ireland’s finest post-punk act, Philip Quinn of Girls Names releases his debut album, Quantitative Easing under the Gross Net moniker on November 25. Starting out alongside Autumns’ Christian Donaghey as a guitar, bass & drum machine combo, they released their eponymous debut cassette in 2014. Donaghey departed, and Quinn followed up earlier this year with the even better, dark, Berlin techno-tinged Outstanding Debt; it’s brimming, poetically enough, with the kind of satirical econofear channelled by the likes of Cabaret Voltaire & Throbbing Gristle in the Thatcher era. If you’d like to get further under Gross Net’s nihilist skin, check out our recent…
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Record Store Gay 2016 kicked off the first of a series of events over the weekend with an in-store performance from Gross Net and Joshua Golding at Little Gem Records, Dublin. Photos by Lucy Foster.
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As one quarter of globetrotting Belfast band Girls Names, Philip Quinn has rarely been off the road recently. Currently enjoying some repose before a new string of dates with Girls Names in Europe throughout the Summer – including a highly-anticipated set at Electric Picnic on September 3 – Quinn’s attention is currently fixed on his work as Gross Net, namely Outstanding Debt, a new seven-track release which we’re pleased to premiere here. The first release for Austerity Drive, it’s a compilation of material mostly drawn from “several aborted releases” that eschews Quinn’s usual guitar-based approach in favour of inducing a netherworld of varyingly…
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“It’s one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.” It was Rush’s Neil Peart who said that. But what happens when you have to perform in front of hardly any people at all? This unenviable position is precisely what Gross Net, nom de musique of Philip Quinn, is faced with as he begins his supporting set for his other band Belfast post-punks Girls Names in front of a sparse crowd on a rather nasty, wet Friday night…
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We spent last Saturday in Outhouse on Capel Street for the annual Record Store Gay celebrations featuring Crayonsmith, Little xs for eyes, Fierce Mild, Laura Ann Brady, Gross Net, Switzerland and The Former Soviet Republic. Photos by Isabel Thomas and Abigail Denniston.
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Recently-arrived post-punk/neue Deutsche welle-influenced duo Gross Net – comprised of Girls Names‘ Philip Quinn and Autumns‘ Christian Donaghey, completed by programmed drums – have announced a brooding, excellent new three-track self-titled EP in the form of a cassette, recorded by the band themselves over the course of a day. The EP is out on Sligo label Art For Blind, who have accommodated releases from The Altered Hours, Hands Up Who Wants To Die, Perfect Pussy and more. The limited edition coral red cassette is available to pre-order for just £3.50, with a free download code – or simply only £2 digitally – from the Gross Net Bandcamp. You can…