The hipster set of Cork descend on Cyprus Avenue for a midweek dalliance with Canadian indie electronica outsiders Holy Fuck. After an opening slot from Limerick locals Van Panther who speed through a promising set of Smashing Pumpkins-esque rockers, the visually unassuming Holy Fuck take to the stage. It’s clear from the hesitance of the crowd that much of this audience aren’t quite sure what to expect from this live performance but that doesn’t stop Holy Fuck from blasting the half-filled room with the energy of an act performing a venue much larger. Holy Fuck’s set gives us an insight…
-
-
It may be four years since Toronto quartet Holy Fuck last graced these shores – and six since they last treated us to a headline show – but they certainly haven’t lost their ability to bring in a crowd, if tonight’s packed out Whelan’s is anything to go by. Perhaps this being their only Irish date this time around has helped attendance, not to mention their formidable live reputation, but it’s heartening to see people haven’t forgotten about them in their absence, and with a long awaited and steller new album Congrats under their belts there’s a palpable excitement in…
-
From the bone-crushing mighty of Slomatics to the propulsive lo-fi electronica of Holy Fuck, this week’s Thin Air Gigs of the Week is a distinctly darker, heavier affair to last week’s guide. Anyone who tries to contest that’s a bad thing is wrong, my friend. Very wrong. No Spill Blood, Robocobra Quartet, Thumper Bello Bar, Dublin Friday, October 14 Trust be told, you’ll struggle to find a stronger three-band Irish bill than Sargent House’s No Spill Blood, Belfast’s singular Robocobra Quartet and Dublin noise-pop Thumper. With that in mind, Bello Bar is most definitely the place to be in Dublin on Friday night. Slomatics…
-
Far from being just another band with a sweary name, Holy Fuck were founded on an enticing principle – to make electronic music without the use of modern digital electronic methods (programming, sampling, laptops etc), core members Brian Borcherdt and Graham Walsh instead utilising various mini keyboards, effects pedals and even film reel and toys (a Speak & Spell being a particular favourite) to create a cacophony of sound, all accompanied by bass and drums. While they’ve always been a must-see live act, even earning the praise of a certain Lou Reed, their ability to progress over their first three albums without straying far from those methods…