• Infinitesimal Hinge: Tender With Malcontent

    June 8, 2020 - By 

    In the latest installment of his column, Infinitesimal Hinge, Belfast musician, producer and writer Jamie Thompson aka James Joys reflects on the political and economic realities underlying the momentous times we find ourselves in. Perhaps the salient characteristic of our neoliberal capitalist moment is that the people who benefit most from the orthodoxy of centuries of structurally reproduced inequalities are the ones who present themselves as the only pragmatic, electable solutions to the eruptions of discontent these inequalities spur. That our system – a festering seam of collaborators – of the expensively schooled, of finance lads, of property developers, landlords,…

  • Stream: James Joys – Kink (Double A-Side)

    April 27, 2020 - By 

    The scope and intent of James Joys‘ output knows no bounds. One-third of Ex-Isles, one-half of The Night Guild, and a forward-pushing, consistently unpigeonholeable musician in his own right, the Belfast artist and composer – otherwise known as Jamie Thompson – no doubt revels in defying expectation to excavate new sonic spectacles. New double A-Side is a double-pronged triumph of disentangling techno. The clubs may be closed, but across 10 minutes, Joys proposes some pure-cut escapism via this perfectly pupil-dilating brace. KINK (Double A-Side) by James Joys

  • Infinitesimal Hinge: As The Grossness of Spring Lolls Its Head Against The Window

    March 30, 2020 - By 

    “This is how you disappear”, Scott Walker sings at the start of ‘Rawhide’, the first track from 1984’s Climate Of Hunter. The persistent high pedal of clustered strings that seems to hold everything in suspension – his voice, the secondary voice of the fretless bass – taut like a puppeteer’s strings, we now unmistakably recognise as characteristic of his arrangements. We can trace this dissonant resonance back to tracks ‘Such A Small Love’ from Scott through ‘Plastic Palace People’ from Scott 2 to Scott 3’s ‘It’s Raining Today’ – all his own compositions – and specifically to the talents of…

  • Infinitesimal Hinge: In The Fold

    February 17, 2020 - By 

    In a 2016 interview the composer and saxophonist Matana Roberts asks, “Where is the new language for how we talk about difference?” Sceptical about current protest movements’ uncritical resurrections of previous vocabularies of struggle – which, in their reliance upon dualisms of black and white, us and them, reinforce the structural underpinnings of three decades of culture warring that led, quite logically, to brexit, Trump, Bolsonaro, and other demagogues around the world whose only overtures are ones of blame and resentment – Roberts’ suggestion is that only replicating older articulations of opposition dulls our ability to construct a language fit…

  • The Thin Air’s Top 100 Tracks of 2019 (#50-26)

    December 18, 2019 - By 

    In the second of a four-part series, we continue our island-spanning, genre-leaping countdown of the best Irish tracks released in 2019, from the spectral chamber pop of Rachael Lavelle to the masterful indie sway of Tandem Felix. Catch up on #100-76 and #75-51. 50. Rachael Lavelle – Perpetual Party 49. Zeropunkt – Bitch Nails Bitch Nails (free download) by ZEROPUNKT 48. Like Chandeliers – Scars 47. Rachael Boyd – Blind Spot 46. Kitt Philippa – Fahrenheit 45. Cherym – Abigail Abigail by CHERYM 44. Jordan Adetunji – Questions 43. Tau – Craw 42. James Joys – Fugitive Wound Fugitive Wound…

  • This Month In Irish Music: March

    April 1, 2019 - By 

    In the latest of a new regular series, Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring The Claque, Uwmammi, Invader Slim, James Joys, Cassavetes, Jafaris and more. The Claque — Hush Hush, the transfixing single from The Claque — the newly reinvented trio comprising of Alan Duggan (Girl Band), Kate Brady and Paddy Ormond — was this month’s most wiry, propulsing listen. Miasmic textures, beautiful, veiled melodies and bristling, febrile noise collide, ensuring the group avoid immediate categorisation. The eardrum-splitting tautness of Girl Band does come to mind, but the group are…

  • Stream: James Joys – A Constellation Of Bargained Parts

    March 6, 2019 - By 

    For any number of avertible reasons, there are criminally underrated artists sprawled right across the island of Ireland, and none more than James Joys. The Belfast composer, musician and producer (real name James Thompson) is someone whose emphatic, masterfully-woven craft operates “somewhere between the concrète and the kinetic.” A Constellation Of Bargained Parts takes that particular turn-of-phrase and transmits it as a full-blown reality. Teaming up with the Codetta Choir and vocalist Peter Devlin – who Joys also makes music with via the guise of the exceptional Ex-Isles – the musician spans choral, electroacoustic, postmodern classic and electronic worlds to deliver five powerful “modern lamentations” that,…

  • This Month In Irish Music: January

    January 31, 2019 - By 

    In the first of a new regular series, Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring SOAK, Arvo Party, ELLL, Problem Patterns, James Joys, Sister Ghost, Gadget & The Cloud , Maria Somerville and more. Problem Patterns — Allegedly In a month where the R&B musician R. Kelly—after painfully long years of swerving accountability for persistent, unsettling claims of heinous abuses—may finally have his day of reckoning in a court, new Belfast-based feminist punk group Problem Patterns’ snarling debut single, ‘Allegedly’, lands a certain potency. The word allegedly—itself a necessary adverb used in copy…

  • Inbound: James Joys

    November 20, 2018 - By 

    Not merely one-half of Belfast duo Ex Isles, James Joys is the music-making moniker of Belfast experimental composer James Thompson. Influenced by the likes of Ben Frost, Holly Herndon and Tim Hecker and more, his recently-released debut EP, Super_Tidal, melds electronic, ambient, noise, electoacoustic and rave across five tracks. Ahead of a busy 2019, Joys talks to us about conceptual distinction, confidence, collaboration, and crafting a release that translates the feeling of “being in a massive club with lots of different rooms, with all sorts of music blasting away”. Your recently-released EP, Super_Tidal, is a work of “electroacoustic rave entropy”. Very intriguing.…