This gig was brought to you by Transmission; a regular showcase taking shape with some interesting and varied line ups drawing a respectable crowd on a nondescript Wednesday night. Belfast-based three-piece Vanilla Gloom take to the stage and start into their rain-soaked grunge pop to open the evening. A band whose name pretty accurately describes their music, the gloomy yet dreamy tone provides a good counter to the high pitched vocals which come across clearly and strongly, especially when delivered by all three members. Heavily indebted to the sounds of Seattle, with quite a nod to Weezer in the more mid-paced…
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The sun continues to bless Optimus Primavera Sound on the festival’s second day. Arriving on site in the late afternoon there’s ample time to have a cocktail from one of the stalls dotted around the Parque da Cicade before the day’s schedule begins, and with a nice strong caipirinha costing a mere €4 it would be rude not to. People-watching whilst sipping on a drink and strolling around is an oddly compelling pastime, but it’s best to conserve energy for the moment as today sees a further two stage areas opened up to the public – the ATP Stage and the…
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Is Quadrophenia the greatest Who album? It’s a simple question asked of a complex album, one fans have debated and will continue to do so for many a year. It’s not the most successful, nor one who’s songs turn up in Best Of… collections, but it’s certainly the last really great Who record, and the one that typifies them as an ideal more so than anything they’ve done. Pete Townshend has always been the greatest curator of The Who’s past, and with Quadrophenia he created, shaped and immortalised the Who myth once and for all. For all its flaws, it’s…
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Just under three years since they delivered a whiplash-inducing, criminally under-attended show here back in 2010, Nomeansno return to Belfast still very much assured of their reputation as being one of the mind-bogglingly accomplished triptychs in the entire pantheon of punk rock. Pioneering, virtuoso and notoriously disinterested in playing by the rules, they have paved the way for innumerable acts of their ilk whilst effortlessly defying all kinds of kneejerk classification for almost thirty-five years. The question remains: will fans – and indeed the merely curious – attend in their roves, as they should, this time around? The answer, lest…
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The last time that British Sea Power visited Belfast, in February 2011, something felt different. The band, by this point a seasoned touring outfit with several joyously received Belfast gigs to their credit, were playing the Spring & Airbrake for the second time, but attendance was down, the atmosphere was flat and the setlist dragged, stuffed full of songs from the lacklustre album they were promoting at the time, Valhalla Dancehall. Just as their previous record, the Mercury-nominated Do You Like Rock Music?, seemed set to propel them skyward, Elbow-style, it looked like the Brighton band were already on a…