Late last year, Donegal’s Keith Mannion AKA Slow Place Like Home gifted the world with one of the strongest and most uniquely inspired Irish albums of the year. Released via Galway’s Strange Brew Rekkids, When I See You… Ice Cream! offered many peaks, not least in the form of its fourth single, ‘Shadowcat’. Reworked for today’s standalone release, the track’s submerged electro weaves a spell out of Mannion’s vocals, slithering synth patterns and some sublime, flittering beats. Accompanying the single release is a remix of SPLH track ‘Falesia’ by Andrew Morrison AKA The Cyclist. Do yourself a favour and delve into both below. Slow Place Like…
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Currently working their way around the country on tour, Donegal’s Slow Place Like Home have unveiled the video for their new single ‘Office Dancers’. Shot by Paddy Cahill, directed by Jules Hackett and starring SPLH main man Keith Mannion and Sean McGinley (Braveheart, Love/Hate, Gangs of New York etc.) it’s a first-rate, typically unique accompaniment to the single, filmed entirely in location on Henrietta Street in Dublin. ‘Office Dancers’ is the lead track on SPLH’s new album, When I See You … Ice Cream! Read our review of the album here. Have a peek of the video and check out Slow Place…
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Fronted by Keith Mannion, Donegal psychedelic electronic act Slow Place Like Home returned last week with one of the Irish tracks of the year so far, ‘Echoes’. The second single to be lifted from the band’s forthcoming album, When I See You…Ice Cream, the track – which features vocals from Fearghal McKee of ’90s cult Irish alt rocker Whipping Boy – now comes bolstered by a stellar video courtesy of Michael Liston. Filmed on location in July in and around Ballyshannon and Dicey Reillys in Donegal, it very nicely reflects the song’s nocturnal, otherworld sway. Slow Place Like Home play Electric Picnic…
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Having graced the cover of the fifteenth issue of our soon-to-return physical magazine, Keith Mannion’s SlowPlaceLikeHome have long been one of our favourite Irish acts. The follow-up to 2016 single ‘Tiger Lilly’, new track ‘When I See You…Ice Cream’ is a playful burst of electro-pop betraying SPLH’s signature brand of somnambulant wonder but with an evolutionary twist. Released today via Strange Brew Rekkids, the single was written between Knather Woods, Ballyshannon, Co. Donegal, and the Algarve in Portugal. It was recorded and produced in its entirety by in Keith’s bedroom studio in Donegal and mastered by Antony Ryan (Morr Music label)…
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The second of two downright unforgettable nights from Dan Deacon (with support from Keith Mannion’s SlowPlaceLikeHome) at Galway’s Roisin Dubh. Photos by Sean McCormack.
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SlowPlaceLikeHome live at Brewery Corner in Kilkenny. Photos by Ian McDonnell.
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Written, recorded, and produced in the forests of South Donegal, where all his previous releases have originated from, the new Double A-side single by Keith Mannion AKA SlowPlaceLikeHome reveals the workings of an artist constantly evolving his craft. Set for 10″ release on May 23, ‘Tiger Lilly/Friday’ sees Mannion move more toward the live setting with production. Where 8 minute B-side ‘Friday’ tells the tale of a self-styled magician and Coulrophobic called Friday, the former – which we premiere here – is a burrowing electro-pop gem that tells the story of reflective delinquency from the eyes of a night owl. Nice. SlowPlaceLikeHome play…
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We continue our 16 for ’16 feature – profiling sixteen Irish artists we’re pining our proverbial hopes on in 2016 – with Donegal’s Keith Mannion AKA SlowPlaceLikeHome. Words by Eoin Murray. Photo by Martin McGagh For several years, Donegal’s Keith Mannion has been crafting breezy music that channels the sensations of experiencing a coastal storm from behind a window; a fireplace warming your back, protecting you from the chaos outside. Moving from a style that closely resembled Boards of Canada, Solar Bears and Air on his Post Hoc EP in 2013 to a more live focus on 2015’s debut LP…
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Fishing boats come in and out, young men and women in wetsuits ride slices of polyurethane on foamy waves and dogs run after luminous tennis balls on the sandy beach. The coastline has potential for escape but the oppressiveness of being surrounded by the sea can take its toll. The Atlantic North-West’s SlowPlaceLikeHome manage to walk this line between an oppressiveness and freedom. Album opener ‘Our Rules’ starts off with the synth taking the lead and allowing Mannion to take the song in directions you wouldn’t expect but which don’t feel jarring to the listener. The song ends with the…
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‘It’s better to burn out than to fade away,’ said the now sixty-nine year old Neil Young. So maybe it’s not such a bad thing that the HWCH schedule, on paper at least, looks like it wants to wind down rather than go out with a bang. But though it may not have the head whipping allure of the first two nights there’s still certainly enough to justify hitting those streets. Take Sinead White for example, surely a rising star, but even her to the point, uncluttered song writing cannot conjure a crowd out of thin air. It’s a problem…