It’s been a while since we’ve heard from Dublin’s Subplots. Having “formally introduced” drummer Ross Chaney to the fold back in January, the band – now based between Ireland and Canada – spent last year writing and recording the full-length follow-up to 2015’s Autumning. The first single to be taken from that is ‘Unspeak’, a wonderfully-woven six-minute track gem began as a live recording of the trio – on guitar, bass synth and two busted old ARP synthesizers providing bass drum and hi-hat sounds. Vocalist Phil Boughton said, “The song grew around this simple skeletal recording of the three of us playing in…
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Back in November, Dublin duo Phil Boughton and Daryl Chaney AKA Subplots played the first ever Higher Ground in the city’s spectacular Pepper Canister Church, a series of shows hosted by Hidden Agenda. According to Hidden Agenda, “These shows focus on showcasing the best international and local talent performing in alternative and spectacular venues across the country. Each act is carefully chosen on their musical and artistic merit with a focus on showing only the most exciting, innovative and creative acts from across the board.” Setting themselves apart from the get go, each of the shows are also filmed on the night and released…
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In this installment of Track Record we chat to Phil and Daryl from Subplots about their most treasured records while they brew us some fresh coffee, proving they have both excellent taste in music and hot beverages! Photos by Aidan Kelly-Murphy. Aphex Twin – Druqks Phil: We were 17 when Druqks came out and it sounded like music from another planet. I originally had the CD, and it was one of those albums that was in terrible condition as I used to lend it to anyone that expressed even a vague interest in Aphex Twin. There’s such a wealth of ideas on this…
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Our first AAA (Access All Areas) installment of 2015 features Dublin post rockers Subplots as they prepared for the launch of their latest album in the Workman’s club over the weekend, with support from Galway duo Voids. Our photographer Carlos Daly spent the evening snapping away with both bands as they set up and soundchecked ahead of the gig. For a comprehensive overview of the entire night, check out the gallery below.
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Arriving at the Pepper Canister church on Dublin’s Mount Street last Saturday evening one was met with seemingly incongruous signage screaming Hidden Agenda. Truly esoteric, casual bystanders might have suspected a hijacking, an unsubtle protest at the church in modern Ireland. The fact of the matter was something less overtly political, yet just as exciting. The Dublin venture whose name adorned these signs was putting on a thrilling concert in this venue, an evening of music grounded in folk that gazed ever skyward.Stepping inside, the mood was one of quiet wonder, as smoke softly drifted through air and rich, thick…
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Having reared their head after a five-year absence back in June with the release of ‘Colourbars’ – one of our favourite tracks of the year, no less – Dublin duo Phil Boughton and Daryl Chaney AKA Subplots have announced they release a new album, Autumning, on January 30. The second single to be taken from that, ‘Future Tense’ is an unravelling art-pop gem, marrying juddering, Interpol-esque bass lines with bubbling synth lines and exquisite vocals contortions. exceptionally-produced. The result is three-and-a-half minutes of sonic majesty that ends too soon. Stream ‘Future Tense’ below via Bandcamp, where you can also pre-order Autumning. Autumning by…
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Marking their first release in five release, Dublin duo Phil Boughton and Daryl Chaney AKA Subplots have unveiled the rather visually satisfying video to ‘Colourbars’ Set to feature on the twosome’s forthcoming second album, set for release later this year via their own label, Cableattack Records!!, the track is a subtly entrancing four minutes of minimalist beats, guitar shapes and deformed vocal lines. With more shows set to be announced, the band will play Dublin’s The Pop Inn with Bouts and Come On Live Long on Saturday, July 26. Watch the video for ‘Colourbars’ via Vimeo (where else?) below.