In the second of a four-part series, we continue our island-spanning, genre-leaping countdown of the best Irish tracks released in 2019, from the spectral chamber pop of Rachael Lavelle to the masterful indie sway of Tandem Felix. Catch up on #100-76 and #75-51. 50. Rachael Lavelle – Perpetual Party 49. Zeropunkt – Bitch Nails Bitch Nails (free download) by ZEROPUNKT 48. Like Chandeliers – Scars 47. Rachael Boyd – Blind Spot 46. Kitt Philippa – Fahrenheit 45. Cherym – Abigail Abigail by CHERYM 44. Jordan Adetunji – Questions 43. Tau – Craw 42. James Joys – Fugitive Wound Fugitive Wound…
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KnockanStockan has long established itself as one of of Ireland’s biggest small festivals and with a line up of amazing homegrown Irish talent from all genres and movements, it appears to have exceeded expectations. While the line-up is stellar and the festival is endlessly appealing in terms of appearance and size, Knockanstockan 2018 struggles with one major stumbling block: disorganisation. With many stages running towards hours late, a lack of security around ensuring safety in campsites and production room, problems with clear signage indicating who is playing where and when and issues around officially booked transport to and from the…
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One of our featured 17 for ’17 acts, Dublin quartet Precious, Solbas, Grooves, and Shek AKA Super Silly are the living, breathing definition of an act whose self-belief and natural musical chemistry will undoubtedly guide them to big things. Having only made their live debut in August of last year, the Word Up Collective foursome’s blend of modern RnB, hip-hop, soul, pop and gospel is as slick as it is downright earworming, and nowhere is that more on display than their new single ‘Not Ready to Leave’. Accompanied with a stellar video courtesy of Seán Clancy, the track – is a groove-laden slice…
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There’s a need for the kind of music Super Silly are currently making. Sonically rooted in the anthemic theatricality of gospel, the warmth of R’n’B, and with a proclivity for the cutting-edge end of the urban music spectrum, theirs is a prospect that slices through the doom and gloom and offers acute relief. Take debut single ‘No Pressure’ as an example. A slickly produced showcase for the vocal dexterity of the collective of Precious, Solbas, Grooves, and Shek, the track extends to the listener the positive, familial, and inclusive attitude of Super Silly – not entirely surprising given their background…