One third of quite possibly the country’s finest podcast NO ENCORE, freelance music scrivener and all-round man about (Dublin) town Dave Hanratty had a rather lovely yak with Faris Badwan and Joshua Hayward of the positively regenerated The Horrors recently. He transcribed it and here we are. What a world. Photos by Aaron Corr Faris Badwan is furious. Frankly, he has every right to be. The endlessly tall frontman of The Horrors has been betrayed, stabbed in the back with casual disregard by his guitarist, one Joshua Hayward. Just seconds after revealing that the pair are working on separate soundtracks…
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The Horrors live at the Tivoli Theatre in Dublin with support from Baba Naga and The Fontaines. Photos by Aaron Corr
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Having just released their stellar fifth studio album, V, The Horrors will stop off in Belfast to play Mandela Hall on Monday, October 6. Fancy winning guestlist +1? Simply Like our Facebook page here and send your answer to the following question to info@thethinair.net What is the closing song on V? Good luck!
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Starter for ten: Is V merely an incredibly unimaginative title to mark The Horrors filth album, or is it a big fat fuck off to the establishment? Let’s presume for a minute that it’s a cleverly hidden version of the latter. After all, The Horrors themselves have promised a return to the dark shadows they once occupied, stating that they wanted to “get nasty”. Coincide this with the 10 year anniversary of debut Strange House, a happy-go-lucky melee of punk-rock, hairspray and garage–psych that seems like such a distant memory next to the commercial success of the much more danceable…
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Three years on from the release of the exquisite Luminous, Essex’s finest indie/gaze post-punk revivalists The Horrors have announced its follow-up, V. Produced by Paul Epworth, the album will be released in September and followed by a string of UK and Irish dates, including Belfast’s Mandela Hall on October 16 and Dublin’s Tivoli on October 17. With the band exploring new sonic territory on the release, keyboardist Tom Cowan said, Tom Cowan continues: “It’s natural, if you do see yourself as an artist, to progress and not play it safe. Bowie pre-empted the modern condition of not being able to…
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With a sickeningly diverse lineup of local and international acts, both old and new, spanning more or less every genre under the glistening sun, Electric Picnic 2014 is the hottest ticket of the Irish summer, and upon exploration of the festival site (it would be unjust to ignore Electric Picnic’s attention to detail) there’s the essential Body & Soul zone, functioning as the hippie commune area of the site – the music and arts festival is, after all, the bedrock of the hippie dream – and the Trailer Park, which offers corn dogs, some cover bands and an assortment of…
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It’s safe to say most of us are probably glad The Horrors have, over time, evolved towards the more psychedelic end of the spectrum of nonchalance. Looking back to their 2007 album Strange House, it’s as though they are a completely different band. What we see now is a fully developed group without the trappings of their earlier (one would hope) record-label-enforced Goth gimmickry. Their career is almost a reflection of the transition from one’s adolescence to one’s mid-twenties (or am I projecting?). Strange House was full of blatant attitude, angst, hair-dye and eyeliner; and if you listen carefully, amid…