Kim Gordon – No Home Record
November 5th, 2019 | by Sean Kennedy
“The way the word ‘empowered’ is used makes feminism more digestible … I wanted to make work that was maybe …
November 5th, 2019 | by Sean Kennedy
“The way the word ‘empowered’ is used makes feminism more digestible … I wanted to make work that was maybe …
October 16th, 2019 | by Sean Kennedy
Angel Olsen rarely shies away from making demands of those to whom her songs are addressed. Often, it seems as …
September 24th, 2019 | by Sean Kennedy
Complaints about Pixies’ latter-day output – that is, their two LPs of post-reunion material, 2014’s Indie Cindy and 2016’s Head …
September 15th, 2019 | by Sean Kennedy
At the end of 2016’s Post Pop Depression, his finest work since the 1970s, Iggy Pop tells us he’s going …
June 28th, 2019 | by Sean Kennedy
Neil Hannon has always been, one thinks rather consciously, something of an anachronism in contemporary pop – an urbane, somewhat …
May 7th, 2019 | by Sean Kennedy
Jean Genet’s name has been invoked far too often by would-be provocateurs for his warped aphorisms, chucked out to mean …
April 11th, 2019 | by Sean Kennedy
Much has been made of Stephen Malkmus‘ aesthetic decisions on Groove Denied, his first solo LP to lack any contributions (credited …
March 12th, 2019 | by Sean Kennedy
Jason Williamson’s response to a DWP case officer on 2013 single ‘Jobseeker’ – “I’ve got drugs to take, and a …
February 17th, 2019 | by Sean Kennedy
Cosey Fanni Tutti‘s latest LP, her first solo work since 1982’s Time to Tell, has been described as an expression …