Recorded with Liam Mulvaney at Bow Lane Studio, the forthcoming self-titled EP by Dublin alt-rock band Oh Joy faithfully throws back whilst keeping a fixed eye on the present-day, fuzzed-out ruminations. Counting the likes of Pixies, Elliott Smith and DIIV amongst their main influences, there’s an authenticity to the trio’s intent-drenched throwdowns, not least on the EP’s lead single ‘Habits & Recreations’, which we’re pleased to premiere here. Oh Joy will be released at the end of the month.
Last week, Dublin based group Come on Live Long returned with their first track in several months; the lush, smooth, R’n’B infused ‘For The Birds’. The song makes good use of the band’s known strong suits, from Louise Gaffney’s hypnotic vocals, Daithi O’Connor’s subtle yet ear pricking guitar licks, to their overall penchant for tremendous dynamic shifts which lead to a feeling of both ease and empowerment when listening. ‘For The Birds’ is taken from Come on Live Long’s second LP Move As One which is due to be released this Summer. Speaking of the writing process for the new album, Gaffney…
If their last few shows are anything to go by – not least their thrilling performance at our Tuesday Throwdown at Lavery’s in last month – Derry’s Wood Burning Savages are a band coursing forth with a huge amount of momentum right now. Recorded by Rocky O’Reilly at Belfast’s Start Together Studio, their new single, ‘We Love You’, is breakneck two and a half minutes that sees frontman Paul Connolly at the peak of his steadfast and ever-increasingly silver-tongued powers. Speaking of the release, Connolly said, “It’s not a love song. It’s a song about youthful dreams and hope being…
Bundoran, Co. Donegal surf and music festival Sea Sessions have announced the second wave (ahem) of acts set to play its ninth outing from June 24-June 26. With the likes of Primal Scream, Bad Manners and Ciaran Lavery already revealed, Gavin James, Ham Sandwich, King Kong Company, Raglans, Daithi, Exmagician (pictured), Miles Graham, Picture This, T.P.M., Fang Club, New Valley Wolves, Crow Black Chicken, Karma Parking, Third Smoke and Wolves of Youth join the bill. Tickets for this year’s festival start at €99.90. Go here to buy yours. Check out the current Sea Sessions line-up below.
Reminiscent in different ways to El Ten Eleven, Axis Of and the elated instrumentalism of And So I Watch You From Afar, ‘Matty Rusko’ by Galway four-piece Race The Flux is the kind of prog and latter-day post-rock-leaning track we’re more than happy to wrap our ears around time and time again. Going at least one step further than some of their peers in said realm, the single is a masterstroke in sidetracking exhausted tropes of the genre, blossoming from purposeful instrumentalism to a single-minded, fist-clenched conclusion. Going one further: it’s right up there with the best Irish tracks released this year. Race The Flux play Dublin’s…
Previously known as Deadman, Belfast producer Jason Mills AKA Deadman’s Ghost comfortably established himself as one of the country’s most ambitious and idiosyncratic musicians with his debut LP, The Broken Zoetrope. Drawing comparisons to the likes of Beck and David Holmes, it tapped into a magnificent mid-point between expansive post-rock terrain and exquisite electronic soundscapes. Very much a return worth waiting for, his new track ‘Insula’ instantly lured us to a realm in which Beak> and Tortoise got together to jam ‘All I Need’ by Radiohead. The result was delightful.
It’s safe to say 17-year-old Dubliner Sam Ojo is a hip-hop artist with confidence and flow beyond years. Produced by Ignorvnce, his new single ‘So Pro’ is, in spite of being under two minutes in length, a heady, intent-drenched throwdown that doubles as something of a statement of intent from the hugely-promising wordsmith. The latest release as part of the new-fangled Word Up Collective – also featuring the likes of Damola, Katie Laffan, Anti-One and Stay Gold – watch the video for the track, directed by Steven BeatSmith, below.
“Quite a touching song in its sheer bare-boned simplicity and sound. Great track – potentially brilliant artist.” So your writer scribed three years ago this June in reference to an early version of ‘There’s a Wolf’ by Co. Armagh’s Conchúr White AKA Silences. Having came on many leaps and bounds since that tentative first foray in 2013, White and his band have released a reworking of the track, revealing deft harmonies, wonderfully subtle pockets of sound and fleshed-out, full-band instrumentation that more than justifies the revamp. Silences’ forthcoming EP Luna will be released on April 15 will be released on April 15.
The third release from the pair, ‘Like a Child’ by Dublin’s Harry Bookless and Aaron Page AKA Carriages started as a percussion loop recorded using flower pots and a garden sweeping brush. A curious birth betraying the twosome’s wonderfully idiosyncratic leanings, the final product is a slick slice of minimalist electronica in which repetition (not least in the song’s chorus of “Like a child I run to you”) comfortably tunnels in one’s auditory cortex. Released on March 23 – and followed a week later with a remix by Bantum – stream ‘Like a Child’ via Soundcloud below.
In the seventh issue of our magazine back in May last year, TTA’s Stevie Lennox said of ‘Goji Berry Sunset’ by fast-rising Armagh singer-songwriter Naomi Hamilton AKA Jealous of the Birds: “The whimsy of its whistled intro might have you believe that you’re in for another young-girl-sings-naivete-strewn-intimate-acoustic-indie-folk; and perhaps on surface level it could be taken this way, but further listens reveal a deeper thread of melancholy.” Going on to extol the then huge promise of Hamilton, the piece offered a snapshot of an artist who has covered some remarkable ground in the time since. With her debut album, Parma Violets, set for…