• Lightning Bolt – Fantasy Empire

    March 4, 2015 - By 

    You need to be careful when choosing an album opener. The track needs to be the clearly defined mission statement of the album, but also needs to be what you’re willing to hang your hat on if all else fails. First impressions only come once. So it’s odd that, for their latest LP, Fantasy Empire, the noisy, experimental duo known as Lightning Bolt would choose to begin with something as standard as the album opener, ‘The Metal East’. The track is by no means bad. It’s loud and exciting with enough twists and jagged edges to poke your eyes out…

  • Charlie XCX – Sucker

    March 3, 2015 - By 

    Charlie XCX has quickly grown from the ‘featuring’ artist of other artists’ hits to a main attraction. Charlie (Charlotte Atchinson) wrote the hit ‘I Love It’ and let the Swedish pop duo Icona Pop record it. Last summer she featured on Iggy Azalea‘s Fancy. Now, finally, she gets to keep the spotlight on herself. As an album, Sucker is a bit repetitive. Each track would work well on any commercial radio playlist but played one after the other, the songs blend together. ‘Boom Clap’ is a great single – and it is easy to imagine any track from Sucker being…

  • Levon Vincent – Levon Vincent LP

    February 18, 2015 - By 

    Considering it’s a debut record, there’s a lot of interest in Levon Vincent’s self-titled album. Levon Vincent isn’t your regular LP debutant, though. A steady release of a couple of 12”s and singles as well as occasional mixes and a relentless global touring schedule means that Vincent is now one of the most recognisable names in techno and house. Vincent’s music also has an ethos – the title of the first track we heard from the record Anti-Corporate Music should give you a fairly rough idea what that would be. There’s been rumours that Vincent has been leaking his own…

  • No Monster Club – People Are Weird

    February 10, 2015 - By 

    No Monster Club is a cacophonous creature that can’t be categorized. Styled by Dublin’s own Bobby Aherne, this musical act is a creation born of many genres, many trials, many errors, and many years in production, with latest release People Are Weird proving no exception to this theme. In fact, this eighth album represents a lot of Aherne’s transformation as an artist these past eight years. Dipping his hands and his listeners’ ears into various pots of sound across the set, Aherne flees from being pinned to one classification, weaving an opus which draws on the influence of past artists…

  • Viet Cong – Viet Cong

    February 10, 2015 - By 

    Viet Cong really know how to make an entrance. The first moments of their self titled debut LP contain those drums; they’re almost tribal with intensity but they’ve been distorted and muffled to the stage where they achieve this kind of industrial vibe, evoking the likes of the Manic Street Preachers’ ‘Intense Humming of Evil’ and Nine Inch Nails’ ‘Mr. Self Destruct’. It’s this kind of deeply unsettling atmosphere that the likes of Einstürzende Neubauten just revelled in and gives the band a clear mission statement: for these Canadians, it’s still the mid 80s, and Joy Division, Echo and The…

  • John Carpenter – Lost Themes

    February 2, 2015 - By 

    Within seconds of hitting play on director John Carpenter’s first ‘real’ album, pictures start to form in your head. Kurt Russell, chewing on a cigarette, sullenly peeking out with his one eye, stubble so rugged you could grate cheese on it, and a fashion sense that is questionable, at best. There might never be another Snake Plissken movie, but when John Carpenter is behind the synth, suddenly there doesn’t need to be.In some part due to necessity, Carpenter composed the soundtracks to the vast majority of his films, working quickly and cheaply, utilising basic rock band instrumentation and heavy, primitive…

  • Tropics – Rapture

    January 30, 2015 - By 

    The second full-length release from vocalist/multi-instrumentalist Chris Ward, better known as Tropics, Rapture builds on 2011’s lushly produced Parodia Flare to create something equally atmospheric, if rather more reserved than its title might suggest. Opening track and lead single ‘Blame’ establishes the album’s intriguing combination of reticence and expansiveness, as Rhodes pianos, gently bubbling analogue synths and flickering snatches of noise provide the bed for Ward’s gentle vocal, while loose but forceful percussion brings momentum. Looseness is a watchword across the album, which is propelled by richly textured percussive arrangements that ebb and swell as organically as the melodic components.…

  • Hot Cops – #1 Babes

    February 2, 2015 - By 

    Arguably one of the most exciting and idiosyncratic Irish indie-rock bands of a generation, Belfast-based three-piece Hot Cops are teetering on the brink of some great things in 2015. Released immediately off the back of their stellar double-single ‘Origami/Novelty’, the band’s new four-track EP, #1 Babes, coyly, often cryptically renders instability, heartbreak, and the human condition in first-rate, wanderlust-tinged lo-fi glory. Positively bursting at the seams with fuzzed-out tangents, earworming refrains and masterfully nonchalant hooks, the Carl Eccles-fronted threesome’s cunningly off-kilter, slacker-soaked anti-anthems instantly evoke their main influences in Pavement, Deerhunter and Cloud Nothings. At the root of that is…

  • R51 – Pillow Talk EP

    January 29, 2015 - By 

    Belfast’s R51 latest EP, Pillow Talk, has got powerful weapons hidden in it’s arsenal. The release is awash with lush guitars, brutal riffs and a genuine excitement. The influence of the Smashing Pumpkins, Sonic Youth and My Bloody Valentine is evident throughout. However, rather than parroting what those bands have done, the band seem intent on mixing these sources with their own voice to create something refreshing. Centrally though, the band seem intent on straddling that fine line between artistic and accessible and while they may not always be successful in that goal, they still knock it out of the park…

  • Jape – This Chemical Sea

    January 29, 2015 - By 

    How do you follow up not one, but two Choice Music Prize winning albums? This is a dilemma that so far no one has ever had to face other than Jape’s Richie Egan. He’s Ireland’s answer to PJ Harvey in that respect, although even she didn’t win her two Mercury Prizes with two consecutive albums.  First properly establishing himself with 2008’s Ritual, still a bona fide Irish classic and arguably Egan’s first solidly consistent piece of work, having benefitted from the success of minor hit single ‘Floating’ to show him which direction to settle on, 2011’s Ocean Of Frequency was…