• Dublin Film Fest: Good Favour

    The big, bad Germanic woods spits out a wounded orphan in the opening of Rebecca Daly’s Good Favour, whose fairy tale clarity gives way to a woozy, slippery blend of crisp devotional realism and fanatical flights of fancy. The Irish director’s third feature, co-written with Glenn Montgomery, is a subtle, sturdily controlled parable about the power of shared myths, comparable to Robert Eggers’ The Witch if not in genre then in recreational detail and reality-breaking seriousness. Tom (Vincent Romeo) is the malnourished, skinny young man from the Black Forest, who stumbles on small markers of settlement: a hatchback truck, an empty classroom, a cabin…

  • Dublin Film Fest: First Reformed

    Questions of faith are easy to ask yet hard to answer. In the modern parable First Reformed, Reverend Toller (Ethan Hawke) is experiencing a crisis of faith. A former military chaplain, Toller is grieving for a son who he encouraged to join the military. He is also coming to terms with his own mortality while serving his tiny congregation at First Reformed Chapel. As his despair deepens, he refuses to accept support from his colleague Esther (Victoria Hill) and superior Pastor Jeffers (Cedric Kyres). Instead, Toller begins to counsel Michael (Philip Ettinger), a radical environmentalist, and his pregnant wife Mary (Amanda…

  • Dublin Film Fest: Beast

    Lies told to protect the feelings of a loved one can have untold consequences. In Beast, troubled Moll (Jessie Buckley) decides to leave her birthday party to go dancing. After staying out all night, she meets Pascal (Johnny Flynn), a handsome outsider in grubby jeans and a torn t-shirt. On impulse, Moll covers for him when they are stopped at a police checkpoint. The initial attraction between Moll and Pascal develops into a passionate connection, much to the distress of Moll’s family. Her mother Hilary (Gerarldine James) is distant and controlling while her siblings treat Moll with casual disdain. Every…

  • Dublin Film Fest: Black 47

    The blackness is in the land, of course, the blight that’s reduced potatoes to asbestos, but, in Dublin Film Festival opener Black 47, it’s also in the hearts of the men who hold dominion over the land, and in the empire that produces them. Set in 1847, as crop failure and fever decimates the native Irish population, Lance Daly’s fourth feature reimagines the Great Irish Famine as a righteous revenge Western, a muddy, politically cynical chase thriller with shades of Rambo. James Frecheville stars as Michael Feeney, a Connacht man who returns home from overseas service in the British Army, to…