• Ghostpoet & Moon Duo @ The Mac, Belfast

    Rob Cordiner captured two of the best acts to perform at the recent In The Court of … Tom Ravenscroft at The Mac, Belfast: San Francisco psych-rockers Moon Duo and British singer and producer Ghostpoet. Check out his photos of these respective performances below!

  • Jesu – Everyday I Get Closer to the Light From Which I Came

    Justin Broadrick has long been a progressive influence in heavy music, from his pioneering work in industrial legends Godflesh to the stunning ambient/drone soundscapes of Final or any one of his other countless side projects. His output under the Jesu moniker has seen him marry shoegaze blur with metallic heft to remarkable effect. Like its predecessors, Every Day I Get Closer To The Light From Which I Came  features pretty melodies nestling snugly inside woolly swathes of distortion, guitars chiming and chorusing around languid drum patterns and gargantuan low-tuned bass, while distant vocals float airily over glacial tempos. It’s a…

  • Watch: Pixies – Andro Queen

    Alt-rock demigods Pixies have unveiled the Ondi Timoner-directed video to the latest single, ‘Andro Queen’. Taken from the band’s recent EP-1, the single is the follow-up to ‘Indie Cindy’ – the band’s first single without Kim Deal – released last month. Pixies play Dublin’s Olympia theatre on November 18 and 19. Watch the video for ‘Andro Queen’ below.

  • Stream: Hurdles – Control

    Belfast indie-rock band Hurdles have released a stream of ‘Control’, the lead single to be taken from their forthcoming debut EP, Where To Start. With the four-piece set to launch the aforementioned four-track EP at Belfast’s Radar on Thursday night, it marks the band’s first single release since ‘Kaleidoscope’ six months ago. Check out our recent interview the band here and stream ‘Control’ via Bandcamp below!

  • Exclusive EP stream: Best Boy Grip – Runaway

    Ahead of its official release on Monday, October 21, we have an exclusive stream of Runaway, the new EP by Derry singer-songwriter Eoin O’Callaghan AKA Best Boy Grip. The follow-up to his terrific second EP The Clerk – released back in January – O’Callaghan’s new release shows marked progression from the songwriter whilst retaining his hallmark melodic flourishes. The artwork for the EP features an illustration of a breathing device patented in 1892 that supplies a hotel guest and/or fireman with fresh air until he can be rescued in the event of a fire. Lovely. Stream the EP via Bandcamp…

  • Revisted: Our Krypton Son – Our Krypton Son

    In the second installment of Revisited – a feature looking back at some of the finest Irish album and EP releases of the last few years – we return to the spectacular self-titled debut album by Derry singer-songwriter Chris McConaghy AKA Our Krypton Son. Released via Smalltown America Records in 2012, the album is an eleven-track masterstroke of supremely wistful songwriting veering between internalised romantic afterthoughts, extroverted folk-rock forays and some of the finest lyricism and compositional work from a songwriter to ever hail from these parts. A self-proclaimed album about “memory, time, love, death, work, jealousy – the usual shit…

  • Go Wolf to feature on Kitsuné compilation

    Belfast band Go Wolf have announced that their forthcoming new single ‘Voices’ will feature on the fifteenth compilation by Kitsuné on October 21. According to a blog post on the label’s website, the track “expresses a freshening juvenile pop touch, which effortlessly hits the target. California’s dreaming without overdoing it.” Sounds about right to us, actually. Formed in 2002 by Gildas Loaëc, Masaya Kuroki and the London-based company Åbäke, Kitsuné is a French electronic music record label and fashion label. Go Wolf’s music-making peers in Two Door Cinema Club released their debut, Gold-selling album Tourist History via the label in 2010.…

  • Haim – Days Are Gone

    It’s genuinely difficult to find information about the trio of sisters that make up Haim which doesn’t draw attention to their likeness to 70’s soft-rockers Fleetwood Mac. Such affiliation is certainly warranted, and it would be easy to assume Haim is no more than an impersonation of those rock icons they aspire to – but underneath the obvious influences lies a stark, almost outrageous character all their own. It would be impossible to say Haim are presenting a completely fresh sound, but what they have managed to do on their debut album Days Are Gone is take an amalgam of…