‘I’m Grateful’ by Galway-based Irish artist Brigid Mae Power is a heart-rending peak from her extraordinary third album, The Two Worlds. Now, the track – which mines a chimera from a well of emotion and intent via minimalist, slowcore-leaning folk – comes accompanied with visuals directed, filmed and edited by Myles O’Reilly of Arbutus Yarns, and features art direction and Super 8 footage by his fellow This Ain’t No Disco collaborator Donal Dineen. Read our review of The Two Worlds here and our recent interview with Brigid Mae Power here.
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The Minutes live upstairs at Whelans in Dublin. Photos by Leah Carroll
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Snow Patrol embarked on their Irish tour last week with gigs in Cork and Dublin. Photos by Silvio Severino and Moira Reilly. Snow Patrol live at Cyprus Avenue, Cork Snow Patrol with support from Brand New Friend at Olympia Theatre, Dublin
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In this installment of Track Record we hang out with Hannah Richardson of Derry based punk/noise pop band Cherym, while she discusses some of her favourite records from Sleater Kinney to Fugazi. Photos by Mickey Rooney Shop Assistants – Safety Net Everything about this is so real and I love how catchy Safety Net is, although somehow listening to it online doesn’t even come close to how good it sounds on vinyl! The idea of punk bands with female vocalists really appeal to me as someone in a similar industry. Sleater Kinney – One Beat This album was given to me…
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The Bonk live at the Roisin Dubh in Galway with support from Just Mustard. Photos by Ciaran O Maolain
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Delorentos fifth studio album, True Surrender, boils down to one simple message: Cut the bullshit. Through intricate metaphors of escapism, bold images of desolate extradition from society and elusive references to the current, global political state, the Dublin outfit beg us to take a step back and ask ourselves: Is this the world we want to be living in? From observations of panic to eventual acceptance, the 2012 Choice Music Prize winners take us on a journey through some manner of existential crisis, leading us ultimately to a state of acceptance. The album opens with a recurring, focal image of an…
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Ahead of what is set to be a monstrous midnight show tomorrow night (19th May) in The Grand Social, Dublin’s cosmic heft overlords No Spill Blood have shared a brand new track in the form of ‘Ossein’ Recorded as part of a live session in Guerrilla Studios Dublin this month, the synth-doom, Komische, prog behemoths have served up another dose of world-swallowing energy marked by Matt Hedigan’s frightening howl, Ruadhan O’Meara’s trademark synths and Ror Conaty’s propulsive drums. The track marks the first new music from the trio since their 2015 Sargent House outing Heavy Electricity. The session was shot and edited by Thom McDermott. Feast your ears below.…
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In the aftermath of the US elections, Eleanor Friedberger spent some time in Athens with the intention of writing an album. Somewhat side-tracked by the city’s allure, she ended up forming a Greek band, leaving the demos for what would become her fourth solo record until her return home. The remnants of her transitory escape from the reality of a Trump regime are found in the title of the album, Rebound, named after a Goth club in the Greek capital whose music and character informs these ten tracks. Friedberger’s previous band project with her brother Matthew yielded some wildly imaginative…
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The downright legendary Rolling Stones live at Croke Park, Dublin. Photos by Peter O’Hanlon.
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Put simply, God Of War is not only one of the best games on the current generation of consoles… it is also one of the best games ever released for any console. Yes, this may sound like embellishment, a factually questionable statement similar to those made by overexcited teenage boys just out of their first live concert: “Dude, that was the greatest thing ever, I mean, like forever!” But it’s true: God Of War is out and out excellent, so much so that at times it can be overwhelming. There are so many things happening at once onscreen, so many skill trees to complete and…