• Obituary: Seamus Heaney

    September 2, 2013 - By 

    ‘Earth receive an honoured guest..’ The opening of Auden’s famous tribute to Yeats, with its distinctive rhythm which Heaney dubbed ‘Wystan Auden’s metric feet’ seems appropriate as the poet makes his final journey back into the landscape that inspired so much of his best work. For Heaney was a poet formed out of the claggy clay of his home, not just an Irish poet, or a Belfast poet, but a mid-Ulster poet. In his work I recognise the expressions and above all the accent that I grew up with, its mix of the clumsy and the lyrical, ‘demesnes stalked out in consonants’, flooded by…

  • LAD.I.Y: Investigating gender imbalance in Northern Irish rock music

    September 2, 2013 - By 

    “Recently I had a sound engineer explain to me how to use a microphone. He told me he didn’t know how the girls on TV did it, but it wasn’t ‘the way they do it in the real world.’” Katie Richardson, Katie and the Carnival. I’ve been aware of a quiet phenomenon in the Belfast music scene for years, but it wasn’t until recently that the full picture was revealed to me. In my day job, I do PR and artist development for several local musicians. We were building a band around one of the artists and required a new…

  • Interview: Astralnaut

    September 2, 2013 - By 

    Laying claim to being one the downright heaviest bands in the country right now, Keady sludge-doom band Astralnaut breed groove, weight and haze to produce a sound that that is ever-increasingly all their own. Masterfully veering between pummeling downtuned riffs to stoner-rock mini-odysseys, we cannot recommend catching the Thomas Mallon-fronted act highly enough. We talk to Thomas and Pearse from the band about the past, present and future of Astralnaut,”an unspoken bond of sheer riffage and groove”. ___ Early stirrings: Stoned Messiah, Third Harvest and onwards: Pearse (Donnelly, rhythm guitar): Astralnaut formed as many bands do, from the ashes of previously formed groupings. Thomas…

  • Electric Picnic 2013: 10 must-see acts

    August 30, 2013 - By 

    Celebrating its tenth anniversary this very weekend, the organisers of Electric Picnic have, once again, pulled out all the stops to come up with a colourful line-up worth every penny (or indeed cent) of a weekend ticket. Despite Giorgio Moroder pulling out at the last minute, there is still a boundlessly diverse three-day showcase in store, headlining by Björk, Fatboy Slim and Arctic Monkeys. Running a fine comb through this year’s line-up, we have compiled a ten-track Spotify playlist featuring our must-see acts. If you’re bound for Stradbally Estate this weekend, do take note. See below for the acts (in no particular…

  • Everything Sucks #005.5: Local Music Rant

    August 30, 2013 - By 

    If you’ve read the original column that was here and were offended in any way by my statements, I apologise. Opinion has been pretty much down split evenly from what little I’ve seen of it, some in agreement, some not so much. I hope to address this now. To those who have differed with it, I say this. To patronise or look down on anyone was not the intention. Far from it, in fact. The tone of the rant was fairly crass, but that was the point. My regular column here is an angry rant. As such, a certain humour…

  • Death Of The Naturalist: Seamus Heaney (1939-2013)

    August 30, 2013 - By 

    How do you write words for the master? Is it possible to pay tribute in language to a man whose legacy is to have captured the very essence of our soul in words? Perhaps not, but for all the words that Seamus Heaney put to paper, it’s a safe bet that over ten times that will be written about him in the years to come. The Castledawson born poet has been hailed as the greatest Irish poet since William Butler Yeats, an iconic figure, sitting comfortably in a pantheon of great Irish voices alongside Beckett, Joyce, Behan, Shaw, Wilde, and…

  • REM: Maps and Legends – A Simple Case of Geography

    August 26, 2013 - By 

    The story is a sad one, told many times, the story of their life and trying times. As much as the musical climate of the times, REM are a product of geography, rooted in the landscape and traditions of the American South. In the same way that The Clash will always be intrinsically linked to London, The Doors to Los Angeles, or Joy Division to Manchester, REM could only have crawled from the South. Athens, Georgia is a college town. People come and go, some stay, some don’t. So it was back in 1980 when the four men that made…

  • Recap: Holy Ghost, Julia Holter, Cloud etc.

    August 25, 2013 - By 

    In the first installment of our weekly feature looking back at the best tracks that emerged the week previous, this week’s Recap features a lovely slew of swooning electronica, shady lo-fi pop and the latest, rather interesting metamorphosis of a noise-rock demigoddess (go on, take a guess). As always, we’re interested in what’s been catching your ear from the world of new music full-stop: inform us of your favourite things new-fangled and magnificent via newmusic@thethinair.net. In the meantime, there’s these… RY X – ‘Vampires’ The wonderfully spectral new single by Australian songsmith RY X, ‘Vampires’ is taken from his forthcoming Berlin…

  • Gig of the week: Kowalski, Ed Zealous and Go Wolf

    August 25, 2013 - By 

    Having just released their long-awaited debut album – the sublime For The Love Of Letting Go – Bangor indie-pop band Kowalski headline our second ever Gig of the Week at The Windsor, Bangor on Saturday, August 31 as part of this year’s Open House Festival. The band will be supported by electro-pop quartet Ed Zealous and Belfast band Go Wolf. Tickets for the show are £9.00 or £12 at the door. Go here for the event page. Stream the headliners’ debut album via Bandcamp below.

  • Pre-murmurings: REM and Chronic Town

    August 22, 2013 - By 

    Some records become bigger than the music contained on them. The infamous Exile on Main St. sessions are more mythologised and discussed than the music they produced. Chinese Democracy will always be better remembered for its protracted development than for its songs. REM’s debut release, Chronic Town, brings its own baggage to the table: the birth of college-rock as we know it. The record that breathed new life into the electric guitar as a creative instrument in an era awash with New Wave synths. A reputation for being enigmatic and inscrutable, with secrets hidden in every groove. The stories surrounding…