• Sunflower Bean – Human Ceremony

    February 8, 2016 - By 

    One of the inherent issues of being part of the hype machine is that your teething pains stand a good chance of destroying  you. If you don’t come out of gestation period fully formed and with the next OK Computer neatly tucked into your back pocket then it’s back to the “2PM slot on the smallest stage” ghetto for you. Brooklyn’s Sunflower Bean, hotly tipped for indie rock stardom for the last two years, are victims of their own hype. Their debut LP, Human Ceremony, is a record borne of that expectation that struggles to find it’s own feet. Clear…

  • Jesu/Sun Kil Moon – Jesu/Sun Kil Moon

    February 4, 2016 - By 

    The name Justin Broadrick has previously been evoked by Sun Kil Moon on Universal Themes’ opening track – a gushing paean to “Godflesh’s guttural growls from hell.” Broadrick’s massively influential industrial metal band disintegrated in 2002 amidst various personal difficulties, with Jesu following in the wake of the break-up. Godlesh have since reconvened (as documented in ‘The Possum’), and it’s an astute move on Mark Kozelek’s part to change things up musically, hooking up with his long-time friend for this collaborative effort after the reflections of Benji and Universal Themes. With Jesu/Sun Kil Moon Kozelek’s lyrical ponderings are given a…

  • Cian Nugent – Night Fiction

    January 31, 2016 - By 

    Night Fiction is Dubliner Cian Nugent’s third album; on previous instrumental releases he has shown himself to be a prodigious guitarist and composer, but this record sees Nugent’s vocal chops come to the fore.  His sound tips its hat to world folk music, including African folk; one of the continents great musical exports, Ali Farka Touré’s guitar playing is a good reference point.  Psych rock could also be cited as an influence, and as such his songs often have a hypnotic quality which allows you to immerse yourself in the detail. On ‘Lost Your Way’ guitar lines dance along whilst Nugent’s voice crackles…

  • Bloc Party – HYMNS

    January 30, 2016 - By 

    For many, Bloc Party exist very much at a specific moment in time: Post the treble laden jangle of The Strokes and as somewhat forefathers to the frenetic melodies of bands like Foals and the hybridisation of electronica, house and old fashioned garage rock. Moving away from this point, some would argue that Bloc Party lose their relevance and quality. The two hiatuses that have underpinned the latter part of the group’s career may have offered solicitous gossip on the newsfeeds but they also seemed increasingly remote. And while two long term members leaving the group may be nothing to sniff at, the band’s…

  • Shearwater – Jet Plane and Oxbow

    January 29, 2016 - By 

    It’s been a long time since U2 really conjured anything other than annoyance. It’s been nearly two decades since All That You Can’t Leave Behind rekindled some of their initial spark and the group have spent the better part of that time grandstanding, bungling misjudged album launches and releasing music that limps into obscurity months after release. So with the old vanguard falling by the wayside, it’s high time that somebody took up the position and started leading the charge. Shearwater, the brainchild of multi instrumentalist and lead vocalist Jonathan Meiburg, have spent the guts of the last decade finely…

  • Tortoise – The Catastrophist

    January 22, 2016 - By 

    There have been several acts that have stood as the totems of instrumental rock music, or post-rock in the broadest sense of the word: Mogwai, Explosions in the Sky, Godspeed! You Black Emperor and Sigur Rós all acting as cornerstones of the genre’s respective corners. For the past 26 years however, Chicago five-piece Tortoise have been the oft-unsung heralds of a scene’s progressive evolution, gradually bubbling under as one of those defining acts, cementing their influence on the countless bands that have followed a similar stylistic path. Originating as a “rhythm section for hire” of sorts, the focus on rhythm…

  • Savages – Adore Life

    January 22, 2016 - By 

    Revivalism – is that a dirty word? It is if you’re in a band, trying to forge your own sound while folk are sitting there spouting comparisons. As Ought have shown us Stateside, if you’re going to retread well-worn ground, you better lace up your assault boots and do so with conviction, stamping any glib reference points from the mind of the listener. Savages aren’t short on conviction. Nor are they short of muscle in the art of ratcheting up the tension within a track. Post punk was all about tension, though, wasn’t it? The London quartet’s debut, Silence Yourself,…

  • Gascan Ruckus – Narrow Defeats and Bitter Victories

    January 18, 2016 - By 

    Armagh’s Gascan Ruckus are long overdue their time in the sun having spent the better part of a decade honing their skills and carving out their place in the scene. Operating in the same range as Fighting With Wire, Twin Atlantic or Dinosaur Pile-Up and a live show that beggars belief, the group has long been teetering on the brink of mainstream acceptance. With their debut album, Narrow Defeats and Bitter Victories, they’re primed and ready to be pushed into the spotlight. Among the record’s stronger cuts are songs such as the PigsAsPeople inspired ‘Goodbye’ or the mammoth riff of…

  • The Altered Hours – In Heat Not Sorry

    January 14, 2016 - By 

    About 20 seconds into In Heat/Not Sorry, it dawns on you that you’re in for something else entirely. For a band that’s drawn with such fearless and bold strokes in previous singles and EPs, opener ‘Who’s Saving Who?’ impresses and awes with its restraint and confidence, setting the tone for the whole record. What we have here is the sound of a band coming into itself, the Cork psych-rock outfit arriving at a destination of sorts after years of exploration. Raw and feral, yet considered and focused, the album hits its stride as its opening gambit of mid-paced movers comes…

  • David Bowie – Blackstar

    January 8, 2016 - By 

    If David Bowie’s The Next Day, overall an excellent record, had a killing flaw it would be a lack of experimentation and ambition. Bowie has always been regarded as a frontiersman, working on the fringes of the avant garde and reinterpreting it for the masses without simplifying it. His career has been driven by the seemingly endless drive towards the future and the new, which lent The Next Day an unfortunate overtone. Its fourteen tracks were steeped in Bowie mythology, each one acting almost as a summation of a specific part of the man’s storied career. It felt like a…