Having set out his stall with last year’s Bones In Motion LP, Derry native The Cyclist (Andrew Morrison) has returned with another full-length example of what he very aptly describes as ‘tape throb,’ a boundary-defying genre envisioned as a warmer approach to making electronica; crackling, fluid-like but with danceable overtones. Flourish, Morrison’s second album and his first through All City Records, extends to the listener a slightly more evolved tape throb mantra of lo-fi, compounded and naturally rich electronica than that of Bones In Motion; in this latest instance for example, Morrison has included just seven tracks in comparison to…
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Another Mogwai release, another excellent title. Following on from solid yet divisive 8th studio album Rave Tapes, released earlier this year, Music Industry 3. Fashion Industry 1. is a short collection of remixes and unreleased tracks recorded in the same sessions, and if Rave Tapes‘ surprisingly restrained nature was main the reason for such divided opinion, then that shouldn’t be an issue here. Lead track ‘Teenage Exorcists’ includes vocals, a secret weapon Mogwai tend to unleash sparingly but effectively, and in fact it instantly establishes itself as one of the finest vocal tracks in their catalogue. While their vocals often…
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Space and electronic music are seemingly intrinsically linked. It’s understandable; the initial development of electronic instrumentation happened when the Space Race was in full swing. The sounds themselves feel otherworldly and wondrous and though synthy space music is by now a path well-trodden it’s far from an exhausted source of interesting sounds and good vibes. This is none more evident than on Fantasy Ink, a solid record of stellar funk from Belfast’s James McConville, aka Ken & Ryu. Clocking in at just over fifteen minutes, the EP treats us to a short and sweet galactic trip. Opener ‘Backbone of the…
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Having started from such humble beginnings, the Foo Fighters really have come a long way. Who honestly could have called it, that the drummer from that band where the lead singer killed himself would eventually become one of the more vital figures in mainstream rock? The thing about Dave Grohl is that the man actively seems to want us all to be better. He wants us to know about the bands and the sounds that shaped his music, partially to help us appreciate his records in a whole new light, but mostly to make sure that some of the more…
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“I just don’t understand Christmas I guess” laments Mark Kozelek in a spoken word section of the opener ‘Christmas Time Is Here’, and while he is reading lines originally spoken by Charlie Brown it sets the tone for the entire record. The former Red House Painters‘ singer Kozelek attempts to understand the holiday season on Sings Christmas Carols by exploring the emotional depth of these Christmas songs and escaping from his depression and melancholy. Mark Kozelek is no stranger to cover albums, having released a downtempo covers album of AC/DC songs entitled What’s Next to the Moon and Tiny Cities, an…
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Understandably Arca’s debut album Xen has been eagerly anticipated in electronic circles and beyond. A couple of strong EPs in Stretch 1 and Stretch 2, his astounding &&&&& mixtape, productions for FKA Twigs and some guy called Kanye West as well as forthcoming productions on the next Bjork album – the London-based Venezuelan producer is hot property. Xen is supposedly an androgynous alter-ego of Arca whose “mere existence is kind of repulsive and attractive at once” he told The Fader and it’s this idea of these two opposites co-existing that makes Xen so endearing. The hip-hop focus of Arca’s previous…
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Veteran Northern Irish producer and multi-talented wizard-man Boxcutter (Barry Lynn) has had a fairly enviable run of success since his debut for Planet Mu records back in 2006. A string of high-grade LP and EP releases, collaborations and remixes for the likes of Amon Tobin, Falty DL and Space Dimension Controller – as well as countless headline shows worldwide – would suggest that Lynn might deserve a relaxing day or two off. The release of his latest EP New Yen, in collaboration with fellow NI producer Defcon, suggests otherwise. In fact, what it does suggest is that Lynn is in…
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Texan group …And You Will Know Us by the Trail of Dead transgress a variety of genres with their latest release IX, once again showcasing the bands ability to remain an enigmatic force. IX, the follow up to 2012’s Lost Songs, presents the listener with a jigsaw of melody and harmony, indicative of Trail of Dead’s ability to challenge all genres. Opening track ‘The Doomsday Book’ is uplifting, repetitive rock with no set vocal structure, which fans will certainly be accustomed to. The transition between ‘The Doomsday Book’ and second track ‘Jaded Apostles’ is a strange one, perfectly illustrating the…
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Mr. Oizo, the alias of French electro-extraordinaire and director Quentin Dupieux, has come a long way from providing the soundtrack for small-time, petty criminal puppet Flat Eric and his Levi jeans thieving shenanigans. Well known to those who came of age in the late nineties and early millennium, the track ‘Flat Beat’ and its fluffy, yellow mascot, represented a crossover of cultural motifs and fused a relationship between image and sound that is still instantly recognisable over a decade later. More importantly, with ‘Flat Beat,’ Dupieux created a track that was flat-out immense; one that was able to transcend the…
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Techno is in a very different place from when Ali Wells, better known as Perc, started up his Perc Trax label with his own ‘Ice Cream for Kenton’ single. A solid 62 (thus far) 12”s later, a bunch of digital releases and a handful of albums later, here we are in 2014 where Perc Trax’s brand of blistering machine funk is in vogue to an extent not seen since the 90s. To celebrate a decade of the label’s existence we’re given two CDs; a compilation of new Perc Trax material from both label regulars (Perc, Truss, Forward Strategy Group) and…