• Bee Mick See – The Belfast Yank

    March 18, 2015 - By 

    Does belonging to a location make an album better? Is Springsteen as interesting if you remove New Jersey or Nebraska? What about NWAand Compton? If this is the case, then rapper Bee Mick See’s debut Belfast Yank deserves some serious credit. The album is entirely engulfed in Belfast. Its language, culture and people are the subjects of various tracks ranging from loving portraits (‘Belfast Slang’) to lacerating polemics (‘Natural Scents’). Even his flow, which owes an obvious debt to Slug from Atmosphere, is heavily accented; it could only belong to this city. In spite of its overproduced beats, which bares a welcome resemblance to Malibu Shark Attack, it’s a strangely emotionally honest album. BeeMickSee is surprisingly…

  • Catch Me Daddy

    March 18, 2015 - By 

    Lovers on the run, honour killings and bounty hunters form the narrative context for a film that nails its colours firmly to its stunning visuals and visceral soundtrack in Daniel Wolfe’s dark thriller, Catch Me Daddy. Laila (played by superb newcomer Sameena Jabeen Ahmed) and boyfriend Aaron are laying low from her possessive father in a small northern town on the edge of the Yorkshire moors, idling away their time walking in the hills, doing drugs and dancing in their tiny caravan. The prosaic beauty of their youthful existence is shattered, however, when Laila’s brother, Zaheer, arrives with some low level…

  • Modest Mouse – Strangers To Ourselves

    March 17, 2015 - By 

    Given their track record, the announcement of a new Modest Mouse record should be cause for excitement; lest we forget Lonesome Crowded West and The Moon and Antarctica. While their 2007 effort, We Were Dead Before This Ship Even Sank, was somewhat lacking, the group have such a unique sound and energy that this could be written off as an unfortunate blip in an stellar track record. Sadly, while Strangers to Ourselves does have many excellent tracks it, fundamentally, is a messy and disappointing album. Beginning with a solid one-two of ‘Strangers to Ourselves’ and ‘Lampshades on Fire’, the album…

  • No Monster Club Album Launch @ Bello Bar, Dublin

    March 16, 2015 - By 

    “I never break any strings in rehearsal… but when we’re live, I break every string in the book.” I’ve never been in rehearsal with No Monster Club yet I found myself pleasantly unsurprised when frontman Bobby Aherne made this observation Saturday night at the launch party for his new album, People Are Weird. Staged in the basement of Dublin’s Bello Bar, the choice in venue captured an absurdity that could only be matched by the dry humour of Aherne’s lyrics. This stale 70’s smoking parlour boasts wooden panels, low ceilings, and a revival art-deco aesthetic that’s dying to be in some…

  • Cruising @ Menagerie, Belfast

    March 17, 2015 - By 

    So far, Cruising have been taking things fairly slowly. Though the Belfast/Dublin quartet officially operate under pseudonyms (Benzedrine Black, Sex Grimes, Dan Handle and Dick Vortex), they’re easily recognisable to anyone who has even a passing interest in Irish music at the moment, made up as they are of members of Girls Names, Sea Pinks, September Girls and the now defunct Logikparty. Another one of Sunglasses After Dark’s top notch events, without a support act The Menagerie slowly fills up to the sounds of The Stooges and other assorted proto-punk bands, which sets the tone for what’s to come. It’s…

  • Two Gallants – We Are Undone

    March 16, 2015 - By 

    Despite the fact that they’ve been playing music together since they were both twelve years old, and have performed under the Two Gallants name since 2002, not too long ago it seemed like we might never hear another album from folk rock duo Adam Stephens and Tyson Vogel. Following their 2004 debut and an incredibly productive period between 2006 and 2007 where they released two fine follow up albums an EP in between, it took a whole five years for them to return with The Bloom & The Blight in 2012. While they may not have regained their earlier rate…

  • Still Alice

    March 11, 2015 - By 

    There is a deep sense of inevitability to Still Alice, Richard Glatzer and Wash Westmoreland’s Alzheimer’s drama based on Lisa Genova’s novel, a feeling that is only partly down to its heroine’s arc of incurable mental deterioration. Alice Howland (Julianne Moore) is a clever and accomplished linguistic professor whose cosy professional and family life unravels when she is diagnosed with an on-set variation of the disease, one which takes effect with a cruel swiftness. Early on she loses her way in a conference speech, but as the rot accelerates she begins to forget names, appointments, memories and, in the film’s principal, on-the-nose irony, whole…

  • Kumiko, the Treasure Hunter

    March 9, 2015 - By 

    THIS IS A TRUE STORY. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The preface of Joel and Ethan Coen’s 1996 dark comedy film, Fargo, is perhaps one of the most discussed in recent cinema history. Claiming itself to be based exactly on factual events, the authenticity of these opening lines has long been debunked as simply a device to set the tone. No big deal. Screenwriters have been bending the…

  • Jape @ The Woodworkers, Belfast

    March 9, 2015 - By 

    Going to see Jape for the first time in a while is always an interesting proposition, seeing as the lineup can often be entirely different from the previous occasion. Such is the case tonight – they’re still a trio, albeit with a different drummer from the Ocean Of Frequency tour, and Richie Egan is still front and centre of course, with Glenn Keating still his right hand man but things have still been rejigged, with Egan now on bass and sampler rather than guitar and keys, and Keating on electronic percussion and sequencer. It’s an interesting adjustment and seems to…

  • Choice Music Prize 2015

    March 6, 2015 - By 

    Contemporary Irish music supergroup The Gloaming walked away with the top prize of Irish Album of the year last night at 10th annual Meteor Choice Music Prize Awards. They beat off stiff competition from a stellar pack of nominees including a mix of well established and lesser known indie favourites. The judging panel, made up of Irish music media professionals and chaired by Tony-Clayton Lee, described the debate around choosing the winner as a somewhat “tricky and contentious” decision but ultimately it was the mix of contemporary, experimental and traditional music on the eponymously titled album from the Gloaming that won…