• Avengers: Infinity War

    April 27, 2018 - By 

    Yeah, there’s some spoilers. “We’re in the end game,” announces Benedict Cumberbatch’s Dr. Strange in Avengers: Infinity War. Sure we are Steve, but it’s a long game. For ten years the Marvel Cinematic Universe has been in the group stages. Infinity War is the qualifying round. There’s still the semis to look forward to. The basic narrative logic of Marvel Studios’ unprecedented and profitable experiment in serialised story-telling is that of deferred gratification. Maybe you liked this specific film, maybe you didn’t. But hey, check out what’s coming up next. Here’s Spider-Man. Here’s the Guardians of the Galaxy. Here’s the big bad…

  • Mercury 13

    April 26, 2018 - By 

    We might not be able to change the past, but there is always the opportunity to learn from it. This is the central theme of Mercury 13, the latest release in Netflix’s original documentary strand. It tells the story of the women who aspired to be among the first astronauts but faced rejection because of their sex. In 1960, 25 women were chosen to take part in a privately funded ‘women in space’ study. The project was organised by Dr Randy Loveless who had supervised the selection tests for NASA’s first astronauts, the Mercury 7. Each woman was a highly…

  • Manic Street Preachers – Resistance Is Futile

    April 25, 2018 - By 

    It’s strange to think that of all the bands who could have lasted long enough to unquestionably become an institution, it was the Manic Street Preachers who claimed the honour. The Welsh punk rockers began their career with middle fingers firmly erected and a depth of knowledge to match their vicious tongues. This is a band who on their first album had Public Enemy’s The Bomb Squad and porn star Traci Lords sitting effortlessly alongside Slyvia Plath, Confucius, and Phillip Larkin. They claimed that would sell “16 million copies” of their debut and then break up in the purest distillation…

  • Pragmatic Endeavour: An Interview with Ben Folds

    April 24, 2018 - By 

    Ahead of his sold-out Belfast show at the Cathedral Quarter Arts Festival and Dublin’s Vicar Street – musician, photographer, talent-show judge, music therapy advocate, and soon-to-be author Ben Folds speaks to Jonny Currie about managing song requests, making the case for arts funding, and balancing artistic instincts without becoming a snob. You’ve performed in Dublin a number of times, but this is your first visit to Belfast. Is there anywhere else in the world you’d still like to play? That’s a big one. I just recently played New Zealand. I’ve played Australia over and over again but just never got to…

  • Natalia Beylis w/ AR~DS, Branwen Kavanagh, Little Movies @ A4 Sounds, Dublin

    April 23, 2018 - By 

    Hunters Moon presents An Evening of Experimental Performance + Sound took place in the gallery room of A4 Sounds, an art space off Dorset Street in Dublin’s north inner city. The night began in relaxed fashion, as Little Movies, the duo of Ben Donohue and Morgan Buckley, sat on stage facing each other across their modular synths. It looked like a game of Battleship and sounded like an alternate-universe take on ‘Dueling Banjos’. Two opposing banks of sound played out throughout the performance: one, a series of rippling waves, floating bubbles that shifted and grew to different shapes and sizes;…

  • Le Galaxie – Pleasure

    April 21, 2018 - By 

    Any conversation about hard-working bands in Ireland is going to have to include Le Galaxie in some way, shape or form. The Dublin outfit have been making their own brand of slinky 80s electro-pop for nigh on a decade now with a live show that consistently beggars belief. Unfortunately, like many great live acts, the band has struggled to fully distill the manic, magical energy of their stage show to record. While the songs are always fundamentally good, something is often lost in translation; The edges aren’t as spiky and the energy is more muted. Having scored at decent chart…

  • Belfast Film Fest: The Rider

    April 23, 2018 - By 

    Lame horses get shot and broken cowboys get put out to pasture in Chloé Zhao’s The Rider, a soulful, touching look at ranchers and riders in the modern American heartland, based on the real-life experiences of its lead, former rodeo performer Brady Jandreau. Zhao, who previously looked at vulnerabilities on the open plain in 2015’s Songs My Brother Taught Me, casts unknowns and keeps the film light and loose, its wide open landscapes of sky and rock the backdrop to the pain of a talented rodeo cowboy forced to hang up his stirrups and face the existentialist wilderness after suffering a…

  • Belfast Film Fest: Golden Dawn Girls

    April 19, 2018 - By 

    Ourania Michaloliakou, a dumpy Greek twenty-something, loves Disney movies. She has a bookcase full of them. She loves board games with her friends and cute cats and doggies, using her position on the Athens city council to support stray animal causes. She also wants to liquidate her political rivals. Ourania is the daughter and only child of Nikolaos Michaloliakos, founder and leader of the far-right, ultra-nationalist political party Golden Dawn, a previously obscure movement rocketed into national prominence in the fallout of the financial and European refugee crises. In the chilling but limited Golden Dawn Girls, Norwegian director Håvard Bustnes probes…

  • Kissing Candice

    June 20, 2018 - By 

    This review was originally published as part of the Belfast Film Festival ’18 coverage. The Omagh-born Aoife McArdle showcased her feature debut, Kissing Candice, at the Belfast Film Festival, but she’s a director and screenwriter with plenty of experience and a well-developed eye, a confidence that shines through in the film, a mad, bad, thrilling vision of libidinal teenage energy. Billed by McArdle at a post-show Q&A as a look at ‘Irish youth in crisis’, Candice, from Venom Films and the Irish Film Board, is so much more interesting and vivid than the description, with its suggestion of bleeding-heart melancholic…

  • Unknown Mortal Orchestra – Sex & Food

    April 16, 2018 - By 

    Filled to brim with squelching alien textures and off kilter grooves, Unknown Mortal Orchestra’s Sex & Food is an intriguing and at times disquieting listen. Largely preoccupied with themes of isolation and disconnection, it seems fitting that the majority of the album was conceived and recorded far from the outfit’s New Zealand home in a dizzying array of far flung locales ranging from typhoon drenched Hanoi to an earthquake devastated Mexico City.  The disorientating effect of this strange release evokes the free floating ennui of having been on the road too long, feeling washed out and jet lagged in a suddenly unfamiliar…