• Isolation and Release: An Interview with Arcade Fire’s Sarah Neufeld

    November 4, 2016 - By 

    Both in her solo output and work as a member of Arcade Fire, Sarah Neufeld has long established herself as one of the world’s most forward-thinking, consistently singular violinists. Ahead of the only Irish date of her current European tour at Belfast’s The MAC on Monday (November 7), the Canadian chats to Brian Coney about collaboration, virtuosity, writing on the road and what to expect from Arcade Fire’s forthcoming fifth studio album. Hi Sarah. Your second album, The Ridge, is a wonderful release. Congratulations. What was the writing process like for this release, especially compared to Hero Brother? Thanks! I wrote The Ridge in a more…

  • Festival Mixtape: Metropolis 2016

    November 3, 2016 - By 

    Set to bring the veritable cream of the sonic crop to Dublin’s RDS this weekend, Metropolis is undoubtedly one of those festivals worthy of being doubly filed under “must-attend”. Ahead of the three-night blitz of sight and sound, stream our twenty-track Metropolis Festival Mixtape, featuring DJ Shadow, Moderat, Girl Band, Jessy Lanza, BADBADNOTGOOD (pictured), The Sugar Hill Gang, Novelist, Shura, Crystal Castles and the mighty Grace Jones, below.

  • Label Mixtape: Castle Face Records

    November 1, 2016 - By 

    San Francisco based Castle Face Records is an independent label that was formed ten years ago by Thee Oh See’ John Dwyer along with associates.  Brian Lee Hughes – who worked on a film for Coachwhips (another J.D. fronted band) final performance – fell in love with Dwyer’s work and offered financial assistance to allow him to release his endless stream of musical conceptions.  It came at a time when a major label had duplicitously dropped the ball when it came to releasing Thee Oh Sees’ Sucks Blood (2007).  These serendipitous events proved to be the catalyst needed to form Castle…

  • No Country For Bold Men: The Stormy Psychedelia of the 13th Floor Elevators

    October 31, 2016 - By 

    It’s something of an accepted cultural trope that sixties music was awash with recreational drug use. Acid, in particular, still holds a central place in many people’s conception of the sixties western counterculture as a socio-historical phenomenon, to the extent that anyone wishing to visually document the decade seems obligated to include a montage of marches, hirsute men and women looking a bit glazed, riots, Hendrix, more marches & Nixon – all set to the Rolling Stones’ ‘Gimme Shelter’. It’s one of those culturally reductive but semiotically useful ways of describing material history, albeit one that leads to sourceless pseudo-proverbs…

  • Our Krypton Son: Letters From Throat Lake

    October 27, 2016 - By 

    Derry songsmith Chris McConaghy AKA Our Krypton Son reflects on writing his forthcoming second album on a child’s acoustic guitar in a tent in Creeslough in Co. Donegal. Day one. I’ve been plucking the nylon strings of my child’s acoustic guitar for several hours. And glaring at a notepad. It’s bloody freezing and I’m shivering. Shivering with the starling, shaking with the gorse bush. I’ve come to Creeslough to stay for two nights. We’re to write an album, this village and I. An album to be titled ‘Fleas And Diamonds’. A song cycle about rebirth, the first growl of love…

  • Gigs of the Week: Windings, Kiasmos, James Blake, DJ Yoda & Mhaol

    October 27, 2016 - By 

    Sure, the irrefutable gig of the week has already happened but bearing in mind this feature prefers to focus on the weekend, let’s try and stay positive. As ever, Halloween is a massive weekend in all corners of the country with shows, one-offs and happenings of every ilk cropping up across the board. This year is no different. Here’s our five must-attend gigs. James Blake Limelight 1, Belfast/Olympia Theatre, Dublin Friday, October 28/Saturday, October 29 Having released his stellar third studio album, The Colour In Anything, back in May, these are positively unmissable Irish dates from the Grammy-nominated Londoner. Kiasmos (DJ Set) Saturday,…

  • Dreaming On: An Interview With Pleasure Beach

    October 26, 2016 - By 

    Ahead of their Jameson Bow St. Session alongside Wyvern Lingo and Amaron + Magic at Cork’s Crane Lane tomorrow, Alan Haslam from Belfast five-piece Pleasure Beach talks to Brian Coney about writing hits, what defines dream-pop and taking it as far they can. Register for free tickets to the band’s Bow St Session here. Hi guys. For the uninitiated, how did Pleasure Beach come about? When were the seeds sown and when did it all come to flourish? Hi! Well, we were all involved in various other projects around the time of the band’s formation. I had a handful of new songs…

  • Picture This: Your National Visual Arts Guide – Time

    October 24, 2016 - By 

    Mankind has always will be obsessed with time. How long does anything take? When will something happen? We use it as a yardstick for task and events. As a society we’re enthralled by time-travel, constantly preoccupied with how long things take to do and get to. We’ve even coined the phrase ‘time immemorial’ to indicate how long things have been the way there are – it’s July 6th 1189 in case you were curious. Time is a revisionary tool by which we revisit the past and judge previous actions, comparing and contrasting them to now – they same time heals…

  • Track Record: Ruan Van Vliet

    October 24, 2016 - By 

    Popical Island co-founder and Dublin-based artist Ruan Van Vliet shares some of the more curious gems in his record collection, including Abigail & The Horsey, Ketaminnie Driver and Ammo Blood. Photos by Aaron Corr. Tutankhamun Joyner – Celestial Brouhaha Already a well known sideman in groups led by John Coltrane, Alice Coltrane and Barry Coltrane, Joyner stepped out on his own with this debut as band leader on the Impulse! label in 1969. Energy music, free skronk, multiphonic overblowing, spiritual yodelling – this is a huge mess and I can’t make head nor tails of it. Nightmare. Peepin’ Tommy Pervis – Outside…

  • Primer: Mairead O’hEocha – Blackbirds in the Garden of Prisms

    October 21, 2016 - By 

    I was first introduced to the work of Mairead O’hEocha a little over a year ago, being late to considerably large and entirely justified bandwagon. What initially drew my attention was the completely personal and selfish connection I felt to her series Home Rules. These paintings depicted scenes and locations O’hEocha had encountered during her daily commute from Dublin to Gorey, where she taught in Gorey School of Art. Sure I had seen depictions of the rural town and surrounding countryside of my youth before but not anything like this. Her style and eye evolved further in 2011’s via An…