• patten – Estoile Naiant

    April 7, 2014 - By 

    Once, a long time ago, The Thin Air had reason to find itself upon a small boat, sailing around Australia’s Whitsunday Islands. “Lucky you,” you might think. But it was not so, for – entirely lacking sea legs – immediately upon embarking on the voyage we succumbed to a vicious, day-long bout of seasickness. Entering the fourth or fifth hour of miserable nausea, lying helplessly spread-eagled on our bunk while friends frolicked happily up on deck, we did what any reasonable person would do to remedy the situation: began drinking heavily. Fast forward to that evening, and as we reached…

  • Teebs – E s t a r a

    April 4, 2014 - By 

    A visual artist as well as a musician, Teebs‘ (real name Mtendere Mandowa) work naturally invites comparison between formats (despite the philosophical problems that may entail). In both, Teebs’ noisy atmospheres drip off the page, and rough but delicate multicoloured textures extend in three dimensions. E s t a r a can be considered Teebs’ full length follow-up proper to 2010’s lauded Ardour.  It’s generally familiar territory for the Californian producer, whose use of repeated elements – certain synth sounds and drum beats are recognisably Teebs –  are mirrored by his habitual use of dripping, vibrant colours and flowers in his artwork. The furthest Teebs strays from his…

  • Young Fathers – Dead

    February 27, 2014 - By 

    Calling your album Dead doesn’t exactly promise a party, and to that end Young Fathers deliver few surprises. Take them at face value as hip-hop however and your expectations are much likelier to be challenged (unless perhaps your hip-hop collection is already coming down with acts boasting lineage from Liberia, Nigeria and Scotland). It might be difficult to imagine cold what such a combination might sound like, but once you’ve heard it, generally it adds up. The beats are the most obvious link to Africa – ironic though that may be since chief producer ‘G’ Hastings is the Scottish element…

  • Guided By Voices – Motivational Jumpsuit

    February 26, 2014 - By 

    Another year, another Guided By Voices record. You should know the score by now: 20 tracks, few of which break the two minute mark, filled with song fragments, little moments of beauty, and the occasional full-fledged composition. In this regard, the new GBV album is little different from its predecessors, surfing on the comfortable wave they’ve been on since they arrived re-invigorated from the wilderness with the release of Let’s Go Eat The Factory in January 2012. None of which is to say that it’s in any way a bad record. On the contrary, it’s an album that rarely has…

  • Bombay Bicycle Club – So Long, See You Tomorrow

    February 14, 2014 - By 

    Bombay Bicycle Club are an admirably prolific outfit, with So Long, See You Tomorrow completing  the band’s meteoric journey up the British charts; their fourth album since 2009 going straight in at number one. The album is certainly their most experimental to date and features everything from a very Bollywood-style intro on ‘Feel’ to synth and electro tracks scattered throughout the album. If Bombay fans of old were expecting an album rooted in more of an acoustic feel they will be very disappointed or will have to adapt quickly, but, then again, adapting to a change in tack from this…

  • Actress – Ghettoville

    February 7, 2014 - By 

    Actress, AKA Darren Cunningham has prowled the dark world of experimental, minimalist electronica for nearly a decade now. The title of this his fourth album harks back to Hazyville, his debut full length, and, if the finality hinted at in the album blurb is to be heeded, the pair seem likely to bookend the Actress story. Accordingly Cunningham has decided to create his masterpiece. Adopting varied approaches, Actress hunts the murky territory of a glitchy, avant garde noise and presents the results in phases. These phases become most obvious over five (not six) sides of vinyl LP (everything needs to…

  • East India Youth – Total Strife Forever

    January 24, 2014 - By 

    Mostly instrumental and electronic, Total Strife Forever is the 11-track debut from East India Youth (William Doyle). Shostakovich and Brian Eno are just two of the influences cited, so it is clear from the outset that this album has some expansive ideas – ideas its creator often explores at dispiriting length. Total Strife Forever starts very promisingly with ‘Glitter Recession’; a swelling digital hiss supporting a series of harpsichord-style arpeggios. It’s emotional, tuneful, warm – the kind of thing that could be on the soundtrack to the movie Drive. ‘Total Strife Forever I’ (the first of four tracks of the same name) follows next. And…

  • Warpaint – Warpaint

    January 21, 2014 - By 

    With Warpaint taking three years to produce the follow up to their 2010 debut The Fool, and allegedly drawing inspiration from a desert recording session somewhere in the vicinity of The Joshua Tree, the history of popular music would suggest that any lingering doubts about the accessibility of their self-titled second album may not be entirely misplaced. And while the output is not as experimental as its recording process and subsequent promotion may suggest, if The Fool was slightly detached, on first listen Warpaint emotes the kind of welcome usually reserved for the most reticent of hermitages. Delve deeper however…

  • Snowbird – Moon

    January 14, 2014 - By 

    Snowbird is a transatlantic duo. Stephanie Dosen, a singer songwriter from Wisconsin, provides vocals over tracks originating from piano sketches by Simon Raymonde. Dosen already responsible for a couple of solo albums has also toured as vocalist with Massive Attack and provided vocals for several songs on The Chemical Brothers‘ 2010 album Further. Raymonde who has run the Bella Union label since 1997 was previously a key member of dream-pop pioneers Cocteau Twins. While the duo’s sound is admirably fleshed out by an impressive indie alumni (Midlake, Lanterns on the Lake and even a couple of Radioheaders) it’s plainly the…

  • Stephen Malkmus & The Jicks – Wig Out at Jagbags

    January 8, 2014 - By 

    Whether he likes it or not, Stephen Malkmus is one of the building blocks of indie rock, an essential strand of DNA that manifests itself in certain choices and attitudes towards music that have dominated the agenda since about 1990 or so. And since the messy dissolution of dear, departed Pavement back in 1999, he has more or less done everything he can to distance himself from that role, picking up his guitar, and soloing long into the 21st century, reinventing himself as a kind of Jerry Garcia for the post-Nirvana age. Which, it might generally be assumed, is a…