Pizza Pizza Records’ latest signing and experimental pop auteur Clara Tracey today releases the video for her wonderful latest single ‘Harry Clarke’. The lushly-arranged Daniel Fox production puts the Fermanagh-born, Belfast-based Tracey’s layered, technically superlative vocal range at front and centre, offers fragments of the subtly subversive, highly influential Irish stain glass artist & illustrator Harry Clarke. Initially inspired by window ‘The Eve of Saint Agnes’, Clara tells us more about the song’s inception: “Stained glass windows often bring to mind biblical scenes and churches, they don’t tend to be associated with dark eroticism. While Harry Clarke did receive most of his commissions from…
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Content note: self-harm Fears, AKA Constance Keane, has consistently used her voice to further the conversation on the importance of the arts in mental health, so we could think of no more apt artist to open up the Northern Ireland Mental Health Arts Festival. Taking place remotely for the first time, running through until May 24th, the festival could hardly happen at a more pertinent time, with online-only commissioned music, art, film premieres, talks & workshops from esteemed doctors and comedians, with many innovative ways to navigate ‘the great unprecedented’. Commissioned by the festival, the self-produced single and its visual companion depict the non-linear recovery from trauma, using repurposed footage shot by Constance and her family during the last…
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One thing that Northern Ireland produces with astonishing prolificacy is high calibre indie-folk alternative pop, as a cursory glance at the NI Music Prize winner list might dictate. Belfast-based singer-songwriter Darragh Donnelly, aka Pale Lanterns, has released an EP and four singles in the past 11 months, and with each has come a firm compositional forward stride. With long-time production partner Carl Small of Start Together once more at the helm, new single ‘In The Dark We Are’ further broadens the aperture on Pale Lanterns’ sound, as it metamorphoses from somnambulant reverie into crystal clear self-questioning. Melodically, Donnelly’s tied to the earthly Irish indie-folk & pop subtle experimentation of recent years, bordering…
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Back with his first solo full length in almost a decade, one of modern Ireland’s most enduring, chameleonic songwriters, David Kitt, has just released Yous through All City Records after its preceding Still Don’t Know EP. It’s a soothing, typically stellar effort from Kitt, who, since breaking through with 2001’s bedroom indie mini-masterpiece The Big Romance, consistently remains one step ahead at every point of his musical path, with him in the running for this year’s Choice Music Prize for his electronic New Jackson project. Entirely written and produced by Kitt, aside from a cover of Fever Ray’s ‘Keep The Streets Empty For Me’, it’s a wistful, intimate release, with flashes of a JJ Cale’s Troubadour for the 21st century. As…