In Diamond Dogs, with a twisted and sophisticated take on his sound, David Bowie predicted a dark, post-apocalyptic future world. 40 years on, how does the prophecy and the music stand up? In 1974 David Bowie needed to deliver. The Ziggy Stardust album (1972) and accompanying stage show was a whirlwind success and saw Bowie become a significant rising star in America and the most important pop artist in the UK. The follow up, Aladdin Sane (1973), was swallowed up as a straight sequel by a public so Ziggy hungry, they barely noticed the (subtle but not insignificant) musical developments. In time for the Christmas market of the same…
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The World of Twist were, and are, an enigma, wrapped in a conundrum, cocooned in carpet off-cuts and bundled out of a burning warehouse window onto a waiting barge. I knew nothing about them when I first fell in love with them twenty years ago and I know less than that now, the intervening decades having been something of a blur and, let’s face it, I’m not getting any younger. The Twist’s singer Tony Ogden isn’t getting any older either, as he died several years ago. Drummer Nick Sanderson has also passed on. But this is no “curse of the…
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You’re familiar with post-rock, right? Long, usually instrumental tracks that start off quiet and pretty, build slowly then BOOM – erupt into cathartic crescendo, before tailing off with a swooning little coda. That’s post-rock. Beautiful and yes, intense, but formulaic; “alternative” muzak safe enough to accompany football highlights, teen melodramas and Sir David Attenborough whispering feverishly over infra-red footage of rutting beasts. Let’s rewind back to 1994. Mojo hack (and subsequent alt-music historian) Simon Reynolds slips the promo from a new British band into his stereo and presses play. The sounds which ooze from his speakers are alien – an…
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Hindsight is a wonderful thing. After 30 years of disappointments, you can look back and see exactly what started it all, throwing all amount of history and emotional baggage on top of it to make some kind of distorted, grotesque picture of what it was like. But when you sit down to listen to The Smiths‘ debut album, which celebrates its 30th anniversary this month, you’d be forgiven for wondering what all the fuss is about. For an album that supposedly changed everything, it’s so damn ordinary. The Smiths’ debut had a tortured genesis, involving betrayal, back room deals, and…
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In 1993, Floridia’s Cynic released their debut full length on the heels of their well received demos. After singer/guitarist Paul Masvidal and drummer Sean Reinert’s stint in Death (recording and touring the seminal Human album), anticipations were high in the fertile death metal scene – especially considering Masvidal and Reinert turned down full time positions in the band to concentrate on their own project. Although Cynic’s demos (especially ‘Reflections of a Dying World’) were death metal with thrash sensibilities, it soon became apparent that this Focus would be dramatically different. There were hints – a bass fill here, a breakdown…
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What is the sound of fear? Over the years, musicians and composers have tried various things, and certain tropes have emerged: the stabbing strings, the gothic grandeur, the discordant noise, or the Theremins and strange electronic sounds. But back in 1973, Paul Giovanni and Magnet took a completely different path, tapping into an altogether more earth vein of horror, capturing the cruel majesty of The Wicker Man. For many people, The Wicker Man is one of the towering giants of horror (if you’ll pardon the pun), a masterpiece of sustained dread that digs deep into our hearts to unearth a…
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A flicker of neon light casts shadows on a wet brick wall in Soho. A man, with a special glint in his eye, a glint that suggests danger, romance, and pain, turns his collar up against the rain, and lights a cigarette. This is his time, his moment, and even if no-one ever knows it, Jackie Leven is about to make history. This is the greatest album you have never heard. Doll by Doll released four albums from 1979 to 1982, before sinking further into the obscurity they already dwelt in. Led by the tall, charismatic Scotsman Jackie Leven, the…
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No-one expected this. Previously, Mercury Rev had been the David Baker fronted psyche-noise outfit that was as likely to pick a fight with the audience than write a work of transcendent beauty. Records like Yerself is Steam and Boces are great fun, full of guitars that are distorted to the point where they cease being guitars, and crazy, stream of consciousness lyrics. But they certainly didn’t position the band as one of the most significant bands of the 90s, and this is exactly what Deserter’s Songs did. A couple of things had to happen in order for this change to take place, though. Baker was out,…
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Before major label deals and stadium-conquering, mandolin-led ballads were a mere glint in the eyes of Michael Stipe, Peter Buck, Mike Mills and Bill Berry, there were four men in the college town of Athens. Four men playing music destined to repeat in the Walkman headphones of alienated teens before ‘alienated teens’ became a marketing tool. Case in point: this very writer discovered Murmur at the age of 16 amongst a select few picks from R.E.M. enthusiastically presented before my eyes by a great friend and diehard aficionado. While Automatic For The People impressed my mother, Monster riffed well enough…
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Every so often, an album slips through the cracks. It may have inspired quiet critical praise among the attentive, but for the most part the record sinks without trace into the mists of obscurity. Some albums are eventually rescued from this fate – The Velvet Underground & Nico being the most famous example of a record posthumously put on a pedestal – but the majority of these forgotten critics’ darlings are left to be cherished by a devoted few, doomed to pop up occasionally on ‘Forgotten Classics’ blogs or Channel 4 specials before fading away again. Despite having an older…