With each passing release in the past couple of years, Galway based electronic producer Daithi has showcased a gradual but very definite increase in competency, confidence and determination in the music he is making; overtly melodic and bubbly electronica that has never failed at being colourful. The fault with his releases up to this point however always seemed to lie in his reliance on letting the equipment claim almost total ownership of the music. While the tracks were always evidently loaded with talent and careful construction, there was often too much of a feeling that the artist was clamouring for…
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The Choice Music Prize 2015 launched last night at the Workman’s club in Dublin, featuring Daithi, Otherkin, Gavin James and The Academic. Photos by Isabel Thomas.
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Shot and directed by Conal Thomson, the video for ‘Mary Keane’s Introduction’ by Daithí is a wonderfully evocative accompaniment to a track featuring the Galway experimental electronic maestro’s 90 year old grandmother reminiscing about romance in her youth in the West coast of Ireland. Back in October, we said the said the single track “fused distinct worlds – that of the old and that of the new – to spawn something so innately joyous that you would struggle to find it anything but wonderfully accomplished.” With Thomson’s video it takes on an even greater sense of resonant context. In a Facebook post today, Daithí said: “Dotted along…
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For as long as we can recall, Galway’s Daithi has always operated on an inimitable sonic plain, forging electronica with classical in a squall of fearlessness and vision. The latest manifestation of that experimental quest, ‘Mary Keanes Introduction’ features his 90 year old grandmother reminiscing about romance in her youth in the West coast of Ireland. Primed as a perfectly-paced and framed introduction to his forthcoming Tribes EP, the track fuses two distinct worlds – that of the old and that of the new – to spawn something so innately joyous that you would struggle to find it anything but wonderfully accomplished. Speaking of the track, Daithi said, “A…
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We finally launched The Thin Air in Galway by putting on a shindig at the Roisin Dubh last Thursday with a little help from Daithi, Paul Collins Beat, Spies and Oh Boland. Photos by Sean McCormack.
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Tara Thomas shoots the Sunday of this year’s Castlepalooza festival, featuring Meltybrains?, Sisters, We Were Evergreen, Enemies, The Funeral Suits, Tvvins and Daithi. Go here to check out photos from the Saturday.
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On Friday night (May 9), Le Galaxie presented Love System, an unforgettable late-night celebration of marriage equality at Dublin’s Academy. Also featuring performances fromShips and Daithi, Le Galaxie and various DJs reeled in the small hours in full-on, fuck tha police (legislative Government) party mode. Check out Shaun Neary’s photos from throughout the night below.
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With several new line-up announcements for Irish festivals being made over the last couple of days – Longitude, Sunflower Fest, Culture Tech – we are well and truly looking forward to the coming Irish summer here at the Thin Air towers (I say “towers”, I mean Caffe Nero on Donegall Square West, Belfast). Ahead of that cider-soaked maelstrom of mini-buses and crap tents however we have another installment of our Gig(s) of the week, featuring hopefully something for everyone, North and South, over the next seven days. Le Galaxie present Love System – The Academy, Dublin Friday, May 9 Our outright…
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“I am not a loner, I’m just alone.” Ahead of headlining our gig/club night, No Tomorrow, at Belfast’s Voodoo on Saturday, May 3, Dublin indie rock duo We Cut Corners have had their track ‘Blue’ masterfully contorted by Galway producer Daithí. Set to feature on We Cut Corners’ forthcoming second album, Think Nothing, the remix of ‘Blue’ is both structurally warped and vocally frenetic, resulting in a brilliant schizoid rendering of the original. Think Nothing is released on April 25 in Ireland) and May 12 in the UK. Believe it or not, our show with We Cut Corners on Saturday, May 3…
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It’s that time of year again: End Of Year” lists are steadily rolling in from every conceivable direction, many of us are still debating the BBC Sound of… verdict for next year and we’re all silently pondering our own favourite albums and EPs of the last twelve months. Closer to home, it’s been yet another ridiculously impressive year for Irish music, both North and South. Since January 1, right up until the writing of this article (December 10), a single week hasn’t gone by that wasn’t soundtracked in some way by the very best in new, homegrown music. As such –…