Featuring a triumvirate of Italian artists, Riccardo Giacconi, Invernomuto and Luca Trevisani, with guest curation by fellow Italian Manuela Pacella, Lost in Narration is an exciting new exhibition on in Belfast’s The MAC. While the players may be of Italian origin, the subject matter leaves the confines of Europe and discuss events in Columbia, Jamaica, Ethiopia and Kenya. Though the individual narratives within each project are disparate, a continuity across the work prevails, and one that is reinforced through their research lead practices. Lost in Narration continues until June 18th, with more info available here.
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This is the last week to catch Jonathan Mayhew’s latest show I Wanted to Write a Poem on in Wexford Arts Centre until Saturday 25th March. Mayhew, who was awarded Wexford Arts Centre’s 2015 Emerging Visual Artist Award, has presented a body of work that sees heavy links between the literary and visual arms of art. Both practices are intertwined by Mayhew in the exhibition, with the title itself being drawn from the autobiography of imagist poet William Carlos Williams. In I Wanted to Write a Poem Mayhew explores the ability of poetry to convey far deeper meaning through more simplistic collections of words.…
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What: Meanwhile Where: CIT Wandesford Quay When: February 3rd – February 25th Words: Judt Fisher “This exhibition is a celebration,” said Catherine Fehily, head of CIT Crawford College of Art and Design as she opened the new show Meanwhile in the Wandesford Quay Gallery. “These artists have succeeded in combining creative thought with critical intelligence, resilience and tenacity resulting in D.I.Y-led productivity and action, and we are proud.” Meanwhile is curated by Aideen Quirke and shows work from artists who graduated from Crawford College of Art and Design between 2008-2013. These artists through their work, the organisations they have founded and events they have organised…
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Today is that last to see Belfast Exposed’s Interactions exhibition. The show sees photographic artists who have taken part in the gallery’s Futures Programme over the last two years who have come together to explore human presence in both real and imaginary landscapes. Some of the most exciting photographers in Ireland are featured in the exhibition, including Ciaran Og Arnold (2015 First Book Award winner), Yvette Monahan (2016 Solas Prize shortlist) and Jan McCullough (2015 Kassel Fotobookfestival Dummy Award). The work on show is a combination of past projects displayed alongside new pieces of work, and represents a fantastic opportunity to catch some…
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Today and tomorrow are the last days to catch the Ban an Tí exhibition in The Chocolate Factory on King’s Inn Street. The show is a multi-artist response to the home as a female space, and looks at the domestication of femininity and the role of women in modern Irish society. Ban an Tí features a broad range of mediums from a multitude of artists, including Orla Langton, Kathryn McShane and Rachael Kelly – who was recently long-listed for the Aesthetica Art Price 2017. As well as installation work, performance art is also included with tomorrow seeing Léann Herlihy performing A glove is a gift at 3pm. The space is open…
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Opening this Saturday, February 18th, in Drogheda’s Highlanes Gallery is Modern Experiments – a look at the work of one of Ireland’s most intriguing and beguiling artists: Susan MacWilliams. The exhibition features work from MacWilliams’ extensive back catalogue, with focus on her output since 1998 when she began to use video as a medium. The show is a cross-border collaboration between both the Republic and Northern Arts Councils, which saw the show open in F.E. McWilliam Gallery & Studio prior to Christmas, before been shown here in Highlanes, and then moving onto Uilinn in Cork and Butler Gallery in Kilkenny. You can…
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Established in 1943, and growing ever since through a combination of purchases, loans and gifts, the Butler Gallery’s permanent collection is both a broad and varied collation of artistic mediums. This year’s collection presentation is entitled Personae and features pieces on loan from the permanent collection at IMMA, with works by Diane Arbus, Louise Bourgeois, Jackie Nickerson and Thomas Ruff. As well as the artwork on display, the show also features the gallery’s on-going collaboration with Arts & Disability Ireland: Discovery Pens. A wonderful initiative that sees audio descriptive pens provided to visitors in order to allow all, regardless of sight, to engage with…
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Thomas Rentmeister – Untitled (detail) (Image Courtesy of Tomas Tyner / University College Cork) What: Gut Instinct: Art, Food and Feeling Where: Glucksman Gallery, Cork When: 25th November 2016 – 19th March 2017 Words: Judy Fisher “The gut is the seat of all feeling,” – Suzy Kassem This is the basic premise being explored by the artists in Gut Instinct: Art, Food and Feeling the current show at the Glucksman Gallery. The exhibition is a visceral display of our emotional relationships with food in the light of recent discoveries by neuroscientist John Cryan of the UCC and his colleagues at the APC Microbiome…
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Cléa van der Grijn – Reconstructing Memory (Image Courtesy of Heike Thiele) What: Reconstructing Memory Where: The Model, Sligo When: 17th Decmber 2016 – 2nd April 2017 Words: Rebecca Kennedy Irish artist Cléa van der Grijn has spent nearly a decade meditating on our society’s response to death and loss. From 2008’s Momentos to her new show, Reconstructing Memory, in Sligo’s The Model, the artist has harbored a fixation with death and loss – a fixation that has nourished her creative process. Reconstructing Memory is an exhibition that examines the disparities between the cultural responses to death in both Ireland and Mexico. Irish culture has an…
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To the benefit of both the National Gallery of Ireland and Irish art fans Henry Vaughan in 1900, despite having no connection to this island, donated his sizeable Turner collection to be split among the national galleries of Scotland and Ireland as well as the Victoria & Albert and Tate museums in London. A quirk of the Vaughan Bequest was a stipulation that the work only be shown in January – to both better preserve the works and enhance it in the lower light of January – and for it to be free of charge. Over a hundred years later the tradition is still being kept and…