• All This Mayhem

    August 28, 2014 - By 

    Nineties America saw a wider embrace of skateboarding by mainstream culture and exciting innovations in vertical ramp (‘vert’) skating technique, developments that were captured by the expanded availability of affordable video recording and playing equipment. New skaters and tricks were documented and distributed via series’ of home-edited compilation videos with colourful titles like Super Conductor, Super Collider (1993), Welcome to Hell (1996) or Tim and Henry’s Pack of Lies (1992). Skateboarding’s instinctive habit for showing off means that any documentarian of the sport has ample footage to furnish their narratives. In All This Mayhem, director Eddie Martin mines homemade and…

  • Lucy

    August 27, 2014 - By 

    After honey-voiced hardware in Her, a blank-faced alien stalker in Under Her Skin and a lycra-skinned super spy in Captain America: Winter Soldier, Scarlett Johansson continues her trend of playing characters who are Not Like Us. In Lucy she is the titular miniskirt-hugging party girl, who gets kidnapped by scowling Koreans and ingests a super-drug that transforms her into a reality-bending superwoman. It’s also another in a long line of unconventional and unstable heroines from Parisian writer-director Buc Lesson, who gained success with the memorably offbeat action of Nikita, Leon: The Professional and The Fifth Element, as well as spearheading the Liam Neeson renaissance with the gruff, workmanlike Taken series. Lucy is a jumbled…

  • The Congress

    August 25, 2014 - By 

    As cut-throat a business as Hollywood may be, it’s inevitably a comedown from the horrible intensities of life in a warzone. The visually diverting but meandering The Congress is Ari Folman’s follow-up to 2009’s celebrated Waltz With Bashir, an animated documentary about former soldier Folman’s experiences during the 1982 Israel-Lebanon conflict. The Congress, inspired by Solaris author Stanislaw Lem’s 1971 science fiction novel The Futurological Congress, is an animated/live action blend which riffs on the movie industry’s superficial youth culture and delivers familiar dystopic warnings about society’s obsession with fantastical inoculations against the grim truths of real life. Robin Wright…

  • The Expendables 3

    August 20, 2014 - By 

    The Expendables 3, the latest in Hollywood’s action-star pension plan, confirms the series’ status as the modern action genre’s biggest missed opportunity. Star and story producer Sylvester Stallone has mined his rolodex for a beefed-up (emphasis on the beef) punch-a-thon for him and his bulging buddies and while there are some welcome roster additions, Stallone and new director Patrick Hughes remain unable to dream up material worthy of the star wattage on show. We’re three films deep, and the franchise has yet to deliver a single memorable set-piece. And that’s kind of a problem. At least the films have finally…

  • Hector and the Search for Happiness

    August 14, 2014 - By 

    Soon into Hector and the Search for Happiness, the baffling new leading man vehicle for Simon Pegg from director Peter Chelsom (The Hannah Montana Movie), I realised why the ‘dramedic’ inertia felt so familiar. Hector has much in common with last year’s The Secret Life of Walter Mitty, a Ben Stiller film which was remarkable for recreating perfectly in cinematic form the polished emptiness of a high-end credit card commercial. Both are adaptations of a literary work (here, a popular 2002 novel by Francois Lelord), both use a well-known comic actor for a slightly straighter role, and both are about…

  • Guardians of the Galaxy

    August 4, 2014 - By 

    Guardians of the Galaxy, Marvel’s big summer movie, is a hot-blooded, swaggering space-opera blockbuster and a finely-judged exercise in controlled chaos. On the one hand, it’s another big-budget, aggressively promoted film from the production factory of Marvel Studios, which has achieved unprecedented box-office success through shrewd creative decisions and a tight-fisted promotion of a ‘house style’ across their properties. On the other hand, they chose as writer-director (with co-writer Nicole Perlman) James Gunn, whose CV includes Super, in which a psychotic Rainn Wilson dresses as a superhero and runs around smashing people’s faces in with a wrench, and Tromeo and…

  • The Purge: Anarchy

    July 30, 2014 - By 

    2011’s The Purge, written and directed by relatively green film-maker James DeMonaco, was a concept in search of a movie. The ropey home invasion flick was built around an irresistibly trashy hook: in less than a decade from now, America is a sort of Tea Party NRA wonderland where, for one night a year, violent crime is legal. Murder is not just allowed, but promoted as a civil duty, all the name of spiritual self-renewal. It keeps the crime and population numbers down and the welfare rolls under control (dead people don’t claim the dole). The low-budget but decent-grossing film…

  • Boyhood

    July 29, 2014 - By 

    Richard Linklater’s Boyhood is both an aesthetic and logistical triumph. That it exists at all is a victory of sorts, considering the (much-hyped) eccentricities of its production. The film is an impressionistic time-lapse of human development, charting the growth of a young Texan boy from primary-school to college age and the evolution of his surrounding family. To achieve an honest chronicle of this temporal stutter effect, Linklater returned to the small troupe of actors every year or so for eleven years to shoot a handful of scenes, guessing ahead and developing the narrative on the fly. In a neat folding…

  • I am Divine

    July 28, 2014 - By 

    Prolific filmmaker Jeffrey Schwarz turns his attention to the life and career of drag artist Divine, the cinematic muse of John Waters’ signature films. Divine didn’t invent the idea of being a drag queen, but she did reinvent it, challenging expectations, boundaries, society’s idea of ‘beauty’ and just plain decency and taste, and she did it like nobody else before. As Waters quips in the film, “Divine took it to another level, a level of anarchy”. The film begins with perhaps the crowning moment of Divine and John Waters’ long professional partnership – the premiere of Hairspray in 1988 –…

  • Dawn of the Planet of the Apes

    July 16, 2014 - By 

    The first of this Planet of the Apes trilogy, 2011’s Rise of the Planet of the Apes, benefited enormously from the goodwill produced by exceeded expectations. The original series of films, based on Pierre Boulle’s 1963 sci-fi novel, existed in the public mind primarily as a vague collection of B-movie twists and lines of dialogue, ripe for sly parody. The first attempt at a modern remake, Tim Burton’s 2001 film, was muddled and saddled with an obtuse twist ending. There was room to go further. Rise, in which James Franco’s scientist raises the hyper-intelligent ape named Caesar and unwittingly develops…