• Irish Tracks of the Week – August 28th

    From the sledgehammer riffing of Shifting, electronics of Son Zept and Marcus Woods, indie-pop returns by Æ MAK, Catalan and We Cut Corners, to arguably Ireland’s most exciting rising hip-hop star in Denise Chaila, check out this week’s round-up of best new Irish music. Denise Chaila – Holy Grail Son Zept – Lush Lab B by Son Zept Æ MAK – I Dance In The Kitchen (feat. Seba Safe) Shifting – Big Ed It Was Good by Shifting SENU – Jetlag 2 Catalan – Fortune We Cut Corners – Muscle Memory Muscle Memory EP by We Cut Corners Marcus Woods – Repose Tactics Maria Doyle Kennedy – Keeps…

  • We Cut Corners – Impostors

    It was hard to recall a guitar and drums duo that actually deserved the hype surrounding them until We Cut Corners came along. Comprised of John Duignan (guitars/vocals) and Conall Ó Breachain (drums/vocals), the band have been crafting their identity the hard way for some years now, opting for an unpretentious and uncluttered set up in an era when people relentlessly question if the guitar has offered all it can. Yet over the course of three albums, We Cut Corners have steadily amassed a loyal following and critical acclaim that makes their fourth effort, Impostors, one of Ireland’s most anticipated releases of…

  • We Cut Corners – The Cadences of Others

    The first time I saw Dublin’s We Cut Corners was on a nasty, raining evening in October 2014. I’d never heard of them but a friend dragged me out and I was in the mood to be distracted. They had just released their sophomore effort Think Nothing. Each song they played that night was a masterstroke of brevity, every line smacked with authenticity, sitting gingerly on top of John Duignan’s clanging guitars and Conall Ó’Breacháin’s drums. By the end, lyrics like “You live by the sword and get hit by a bus” and “Maybe in the future I will say more…

  • Track Record: We Cut Corners

    In the latest installment of Track Record, our photographer Abraham Tarrush shoots We Cut Corners at home, as they flick through their record collection, selecting some of their all-time favourite albums. Majical Cloudz – Impersonator The reductive but potent combination of synth bass and baritone make for a heady minimalist mix of weighty songs that hang around long after the needle has left the groove.   Ryan Adams – 29 Released the same year as Cold Roses and ‘Jacksonville City Nights, 29 is potentially Adams‘ most introspective and sombre album to date… and he’s had a few. Atmospherically nocturnal, at times almost bleak, it’s home…

  • Final Electric Picnic Acts announced

    Less than two weeks now to the start of Ireland’s premier music festival, and the festival has revealed the final seventeen acts that will grace the stage at Stradbelly. Several top Irish bands lead the way with Sleep Thieves (above), Tvvins, We Cut Corners and Raglans all set to perform. The other artists that will be playing at the festival are Jenny Lewis,  Krystal Klear,  PHOX,  The Minutes, Vann Music, Booka Brass Band  Spies, The Academic, Orla Gartland, Buffalo Sunn, Daniel James,  Acrobat and Wyvern Lingo. Electric Picnic takes place at Stradbelly Estate, Laois from August 29 to 31. Tickets are sold out.

  • Castlepalooza 2014

    A highly-anticipated annual fixture at the breathtaking Charleville Castle in Tullamore, Castlepalooza 2014 will take place across the weekend of August 1-3. Super Furry Animals’ main man Gruff Rhys, indie-pop duo Summer Camp and Franco-Swiss DJ Gilles Peterson top the bill this year, with several Irish acts including TVVINS, Hurdles, We Cut Corners, The Clameens, Affleck and Ships also featuring in this year’s line-up. Buy tickets and check out full line-up for the festival – taking place across August 1, 2 and 3 – over at Castlepalooza’s official website and check out a live version of ‘Book’ by TVVINS below.

  • We Cut Corners – Think Nothing

    We Cut Corners debut, Today I Realised I Can Go Home Backwards, was one of the great under-heralded Irish debuts. At just thirty two minutes, it flits almost flippantly between heart-on-sleeve confessional pop melodies full of wonderfully oblique imagery in ‘Go Easy’ and ‘A Pirate’s Life’, and the White Stripes-inspired tuneful thrashings of ‘The Leopard’ and ‘Say Yes To Everything’. The album’s charm fell in its balance: its thoughtful, oblique lyrics, soaring vocals and ability to be scorchingly angry and pointedly self deprecating in the same three minute period. It sounds like it would take four people to play, yet the duo reproduce it perfectly live.…