• Wassailing Away: An Interview with James Yorkston

    September 18, 2014 - By 

    Just before James Yorkston began his tour around Ireland to celebrate the release of his latest album The Cellardyke Recording and Wassailing Society, Deirdre O’Brien caught up with the softly spoken Scotsman to discuss everything from his very content life of simple domesticity to working with KT Tunstall and the recording process that lead to such an intimate sounding record. The talent of James Yorkston really is something special to behold and the talent of the singer/songwriter/author/artist is so impressive; every album you listen to of his, every gig you attend feels like you’ve been made privy to a well…

  • Folk Horror on Telly

    September 19, 2014 - By 

    Telly used to be odd. Often that oddness was on purpose. I’m not talking about the “Alan Partridge pitching on nothing” oddness of shows like Splash or Who’s Doing the Dishes? – Through the Keyhole meets Come Dine With Me presented by the fat one from Westlife. Those shows are obviously just a disgusting waste of time from the ground up. No, I’m talking about the flavoursome, nutritious, umami weirdness of older shows, made by hippies who were trying to communicate something and allowing all manner of folksy freakishness to seep in. Robin of Sherwood, Richard Carpenter’s hour long Silvikrin commercial was tea time television…

  • Stream: A Yes Playlist

    September 18, 2014 - By 

    Very obviously completely unrelated to anything that is happening, anywhere in the world, pertaining to politics, nationalism and all things in between, we’ve decided to compile a ten-track Yes playlist, featuring affirmatively-inclined tracks by the likes of Tune-Yards, Mogwai, Elliott Smith, Beck and Surfer Blood. Stream that below once you’ve finished admiring the strawberry above.

  • Video Premiere: Hands Up Who Wants To Die – Dreft

    September 10, 2014 - By 

    Dublin noise-rock overlords Hands Up Who Wants To Die don’t as much beat around the bush as they tear right through it, an implacable beast steadfast in wreaking furious revenge. Over two years on from the release of their pummeling debut album, the brilliantly-titled Buffalo buffalo buffalo Buffalo buffalo, the Barry Lennon-fronted quartet will resurface with its highly-anticipated follow-up, Vega In The Lyre, in just a couple of weeks. First up, though: the video for its merciless lead single, ‘Dreft’. Directed by Sean Zissou and featuring members of the band ensnared in a brilliantly absurd, ever-so-slightly NSFW confrontation with – wait for it – Kriss Akabusi MBE, it is, without…

  • EP Stream: Haüer – Esperbyte

    September 9, 2014 - By 

    Dublin electro wizard Haüer immediately grabbed our attention last week with ‘Merc II’, the lead single from his second EP, Esperbyte. “Cursed with a weakness for nostalgic 80’s music production and synth-based cinematic film scores”, the producer has concocted real retrofuturistic, synth-governed magic on the aforementioned four-track release – evoking everyone and everything from Perturbator to Geoff Barrow and Ben Salisbury’s Drokk: Music inspired by Mega​-​City One – set for release on Friday. Ahead of our interview with producer – as well as our review of the EP – stream the Esperbyte via Soundcloud below. Photo by Loreana Rushe.

  • The Curse of Success – Billy Squier

    September 7, 2014 - By 

    In certain respects, the career of pop rocker Billy Squier can only be viewed as a failure. He was on the rise, he hit a fairly major speed-bump, and the wheels came off in a spectacular way. But judged by today’s standards, Squier was a hugely successful musician, in both commercial and critical terms, and even when he ‘failed’, he was still more successful than many of the current hit parade. Looking back, Squier’s story could have only happened in the 80s, and out of all the strange tales in rock and roll history, his is one of the only…

  • Electric Picnic 2014: Seven Must-See Acts

    August 28, 2014 - By 

    Sold out for the second year in a row with good reason, there’s obviously a veritable plethora of talent at Electric Picnic. As a result, it’s never easy to sift through all the bands you may or may not want to catch, so here’s our two cents on some of the acts you should choose to give a few of your minutes to. Slowdive Having reunited in January to play Primavera earlier in the year, Slowdive’s Electric Picnic appearance marks one of a limited number of reunited dates on these isles from the shoegaze masters. They released three albums in their…

  • ‘Est-ce que c’est Chic?’ How NI’s love for Nile Rodgers squares with one Belfast disco oddball

    August 25, 2014 - By 

    I love disco music but I didn’t dance to Chic last Tuesday night. Instead, I watched a YouTube video of (early 80s Belgo-Portugese popstar) Lio’s ‘Sage Comme une Image’ on a disco loop. The music is exotic but fun: a tipsy groove Nile and Bernard would surely dig; Europe via downtown New York and all that. In the vid, Lio applies red lipstick, shimmies, then coyly boozes it up… as some weird dude just kind of hovers.   ‘J’adore cette chanson et le clip est genial.’ ‘Timeless musique!’ ‘Oh those French girls…’ offer some comments. ‘Nice titties’ suggests another, less…

  • Interview: Adebisi Shank

    August 25, 2014 - By 

    With sold-out shows in London and their eagerly-anticipated Irish return on the horizon, Niamh Hegarty speaks to bassist Vinny McCreith of Adebisi Shank about everything from This is the Album… to the brand new, critically-acclaimed This the Third Album of a Band Called Adebisi Shank. So, your third album went on release here in Ireland, UK and US releases to follow this week. How have you been feeling about the reaction so far? It’s really positive so far and thinking back, it makes me think back to the second release and a lot of people have it in their heads that a lot…

  • 100 Years of Irish Women Artists 1870-1970

    August 21, 2014 - By 

    Irish Women Artists 1870–1970 at The Ava Gallery is one of the most significant exhibitions of its kind for many years. The seventy five paintings, drawings, engravings and sculptures represent some of the most important artists in the history of modern Irish art and have been gathered from privately owned collections  throughout Ireland. This doesn’t happen every day. In fact, the last time historical Irish women artists were accorded such an honor was back in the 1980s. “I do think it’s very significant,” says Claire Dalton, co-manager of the exhibition. “So much happened in that time period that still resonates…