• Insidious: Chapter 2

    “So that’s what that was about.” When a film contains a piece of dialogue that’s as offensively condescending to its audience as that, it’s going to be hard to take seriously. But perhaps Insidious: Chapter 2 isn’t meant to be. While most of the film stays true to its shock-horror roots, things jumping out of closets and screeching violins intending to jolt the viewer, the film is dotted with moments of comedy. Some of these are intentional and, unfortunately, ultimately jarring while serving no purpose other than to remove all of the tension from many, many otherwise great moments. Inversely,…

  • The Way Way Back

    I shouldn’t like The Way Way Back as much as I do. On the surface, it seems like such a typical Sundance movie. It’s a coming of age story based around an awkward adolescent male who goes on a slightly quirky trip with his dysfunctional family. Along the way, the family will undergo stress that might break them up, the boy will meet a “too cool for school” mentor figure who brings this young boy out of his shell and eventually the boy shall become a man and the film will end on an optimistic, if somewhat bittersweet, note. Wash,…

  • Rush

    Everyone needs a nemesis. It’s undeniable; a nemesis inspires, keeps one’s internal momentum constant and forces a person to think of new and interesting ways to screw over their rival. The importance of nemeses and the depths to which we sink to spoil our adversaries is the central conflict that exists at the heart of Ron Howard’s latest film, Rush. The film focuses on the rivalry between two Formula 1 drivers during the 1976 season: the English James Hunt (Chris Hemsworth) and Austrian Nikki Lauda (Daniel Brühl). Beginning in the Formula 3 division in 1970, the film follows their rise…

  • Kick Ass 2

    The long awaited sequel hit the screens to mixed reviews and with one of its stars Jim Carrey boycotting the film, it begs the question; where does Kick Ass 2 falter? It’s been said that Kick Ass 2 is a sequel with nowhere to go, perhaps a slightly unfair statement. The premise of what a superhero might be like in the real world holds weight, and is still a thoroughly enjoyable aspect of the film. What would one do? It’s almost like starting a band; you build a persona set up a Facebook page, Twitter and get blogging. These are…

  • Before Midnight

    Love is hard. These three simple words form the basis for many a Meg Ryan, Kathrine Heigl and Jennifer Aniston film. The process of meeting the one you will eventually spend your life with should be arduous and rife with high-larious circumstance. One of you will overreact to a character revelation before the great big “John Cusack with a boombox and some sweet ass Peter Gabriel” moment arrives and makes everything right. Never forget, love is hard. Except it’s really not. Love is finding joy with being with someone almost entirely without care. Love is actually quite simple, it’s the…

  • This Is The End

    From the outset, This Is The End sets its stall out for all to see. It’s crass, self referential, and controversial. All to be expected “from the guys who brought you Pineapple Express and Superbad“. The real question is – is it funny? The answer, unequivocally, is yes. Presented with just enough of a wink and a nod to how obviously self-indulgent it is (“Dear God, it’s me, Jonah Hill… from Moneyball“), This Is The End manages to contort its few staple jokes (swearing, and booze/drug/sex references) into 107 minutes of laugh out loud absurdity. This Is The End breaks…

  • Man of Steel – Triumph or Washout?

    There are mixed reports circulating the blogosphere with many flat out flunking Zack Snyder’s attempt to shape the controversial Superman franchise. Man of Steel has a dream team of Hollywood’s elite behind it but could it be a case of too many cooks? It’s easy to see where this film fails and the problem seems to lie almost solely with the direction. The pace of the film is completely off; a labored and awkward introduction eats into the film’s running time creating a knock on affect on the overall development of the plot. Throughout the film, time is allocated to…