• Stream: Fight Like Apes – Carousel

    Ahead of a handful of pre-Christmas shows, Dublin four-piece Fight Like Apes have unveiled a new track titled ‘Carousel’. A typically urgent number from the electro-indie-punk-popmakers – propelled by scurrying synths, Books-esque sample and MayKay’s voracious vocal – it feature on the band’s from their forthcoming new album, set for release at some point in 2014. Fight Like Apes play Distillation 07 at Belfast’s Oh Yeah Centre on Saturday, December 14. Go here for the Facebook event page. They also play Roisin Dubh in Galway on December 5, Whelan’s, Dublin on December 20, and Cork’s Cyprus Avenue on December 27th. Check out the track below.

  • The End of an Era? How a Generation Got Beat Pt. 2

    Over the years, ATP has become a watchword for a certain kind of classicism, an “accepted history” of what ‘good’ music is over the last 30 years. In this version of events, punk is good, rock is largely bad, unless it doesn’t take itself seriously, although “new” metal is ok. Electronica is generally given a by ball. Bands like Mission of Burma, Yo La Tengo (below), and The Flaming Lips are regarded as in the same way Mojo readers regard The Beatles, The Rolling Stones, and Eric Clapton, and many of the younger people there are aware they’re seeing something…

  • Spelunky (Mossmouth, PS3)

    There are, so the internet viral says, so many dumb ways to die. This way of thinking inspires Spelunky, a shamefully retro platformer with a devious sense of humour that manages to bridge the elusive gap between “oh, just one more go then” and “oh, I want to impale my own eyes with my joypad”. Your character, an intrepid explorer in the Dr. Jones mould, can be crushed by a boulder, bitten by a snake, manhandled by a yeti, gobbled by piranhas, melted by an ancient mummy’s noxious breath, brain-fried by an alien’s gaze… the variety of deaths is almost endless,…

  • The End of an Era? How a Generation Got Beat Pt. 1

    I looked down at my wrist. I held the scissors in my other hand, almost trembling with excitement. Or was it fear? I couldn’t say. Closing my eyes, I felt the pressure in my fingers, and heard the gentle sound of metal slicing through ribbon. After three years of wearing my ATP 2011 wristband, I removed it, like a surgeon operating on a tumour. I still hadn’t slept properly since The End of an Era Part 1, the first half of the festival’s great farewell, but the magic had been broken. If this was the end, then it was a…

  • Stream: Benihana – Patterns EP

    Kildare electronic duo Will Molloy and Billy Archbold AKA Benihana have unveiled a stream of their debut EP, Patterns. Having released a couple of tracks throughout the year – including the spectral ‘Vanish’ – the pair’s five-track release veers between understated techno and synth-driven electronic pop, serving as a brief but brilliant introduction to a duo likely to concoct great things over the next while. Stream (or pay what you like for) the EP via Bandcamp below.

  • All Apologises: Translink’s Comedy of Errors

    We’ve all been there. Underslept and shivering, kicking your heels to keep you occupied because the idea of blankly trawling through your phone yet again could send you into a spiral of technological self-condemnation. The banshee-like Enterprise train from Dublin roars past on the adjacent track, vengeful and creaking, when the immortal words come blaring over the tannoy in an irreducibly grand English accent: “We are sorry that the 8.55 train to Great Victoria Street has been delayed by approximately 8 minutes. Apologises for this late running and the inconvenience it may cause you.” A giddy pocket of school children elaborately…

  • Eleven Must-See Shows in Belfast This Christmas

    Whilst we haven’t exactly been neglected of great shows of every conceivable kind all throughout 2013, there’s something about the Christmas period that somehow brings together some of the most downright irresistible line-ups of homegrown (and occasional international) musical talent. This year is no different, both across Belfast and much further afield. That said, keeping our eyes (and ears) firmly fixed upon the aforementioned hub of seismic musical happening, we present to you our eleven “must-see” shows in Belfast this festive period.  Radar: Feet for Wings – Speakeasy, Thursday, December 19 Radar at Belfast’s QUBSU Speakeasy has delivered for some…

  • Gig of the Week: Two Glass Eyes, Safe Ships, The Wood Burning Savages @ Radar

    One of their final line-ups before Christmas, our gig of the week this week is the latest installment of Radar at Belfast’s QUBSU Speakeasy on Thursday, November 28. Headlined by alt-rock three-piece Two Glass Eyes, the bill will also feature performances from equally excellent Belfast-based punk band Safe Ships (above) and hugely promising Derry quartet The Wood Burning Savages. Check out the typically gleaming poster for the show: As you can see above, doors are at 9pm and admission is free. Stream ‘Fighting Fit’ and ‘Safest of Ships’ by Safe Ships below.

  • Gremlins @ QFT Belfast

    Belfast’s Queen’s Film Theatre will host a special one-off screening of Joe Dante’s classic 1984 horror comedy blockbuster Gremlins on Saturday, December 14. Presented by BBC Radio Ulster broadcaster Ralph McClean the screening is one of a select handful of Christmas movies being shown at the film theatre this year and will also include complimentary Jameson cocktails, music and prizes (including an original print by Peter Strain). Doors are at 9pm, the film starts at 10pm and tickets are available to purchase right here. http://www.queensfilmtheatre.com/films/jamesongremlins/

  • Here we are now, Entertain us

    ‘Why we Fight’ has always been my favourite episode of HBO’s acclaimed WW2 drama Band of Brothers. It deals with General Eisenhower’s decision to order as many men as possible witness the barbarity of Nazi concentration camps, so as, to help them better understand and rationalise the necessity of their actions during the war. Luckily there are no more wars of that scale and brutality and nothing anyone in my generation does will come close to rivalling what those people endured. We instead live in the most technologically advanced era in human history. We have access to more culture, learning…