• The Horrors – V

    Starter for ten: Is V merely an incredibly unimaginative title to mark The Horrors filth album, or is it a big fat fuck off to the establishment? Let’s presume for a minute that it’s a cleverly hidden version of the latter. After all, The Horrors themselves have promised a return to the dark shadows they once occupied, stating that they wanted to “get nasty”. Coincide this with the 10 year anniversary of debut Strange House, a happy-go-lucky melee of punk-rock, hairspray and garage–psych that seems like such a distant memory next to the commercial success of the much more danceable…

  • Yawning Man Set To Make Irish Debut in Belfast

    Here’s well and truly one for the diaries: La Quinta desert rock legends Yawning Man will play their first ever Irish show at Voodoo in Belfast on December 14. Having jammed their way into sound exceptional territories since 1986, the band – whose sounds occupies a unique place between surf, psychedelia, Krautrock, Spaghetti Western soundtracks and the barren desert abyss of Palm Desert – will be supported on the night from Belfast-based jam band par excellent Electric Octopus. This is pretty unmissable booking. Tickets are £10 cash on the door.

  • Rostam – Half-Light

    In a recent interview to promote his debut solo album, Rostam Batmanglij told The New Yorker: “Many of the songs on Half-Light feel as though they could have become Vampire Weekend songs except that they go somewhere else entirely. My music is about identity. This album is about identity.” To a certain degree he wasn’t wrong. The majority of his solo endeavour could easily find a home on one of Vampire Weekend’s three albums. With regard to the musical identity presented in this record one can extensively hear sonic traits honed throughout his tenure with his former band. Naturally, similarities between…

  • The Work

    The Work, an intimate observational documentary from Jairus McLeary and Gethin Aldous, features the closest thing to real-life exorcisms you might ever see. In a grey cinder block room in California’s Folsom State Prison, a maximum security jailhouse made famous by Johnny Cash’s blues, small pockets of men sit on fold-up chairs, unspooling their deepest, most complicated feelings. One convict is desperate to let down his guard and mourn his sister. His group form a circle and coach him on breathing and posture, as he stands silent, tense, diving inside to retrieve the pain. Something rumbles up his chest and…

  • Stream: Other Creatures – Luxembourg

    Ahead of this weekend’s Hard Working Class Heroes, Dublin three piece Other Creatures have released their first single, ‘Luxembourg’ from their aptly titled The First EP. The EP will be released by Trout Records where the band will be joining the likes of Saint Sister, Tandem Felix and Spies. ‘Luxembourg’ is the band’s first official release and is one loaded with jagged guitar chords and thunderous drums, giving it a post-punk flare that is brightened by the energised vocal melodies of Konrad Timon. This truly infectious track is an indie gem reminiscent of bands like Pavement, Interpol and Band of Horses. …

  • Autumns – Suffocating Brothers

    Since starting out some time ago as a D.I.Y. shoegaze/garage-noise outfit, Derry’s Christian Donaghey has refused to sit in any one place for too long with his ongoing project, Autumns, releasing and echewing subgenre records for breakfast, lunch & dinner. Over the last couple of years, he’s grown into himself, really finding his place with his most recent EP. Finally, he’s released his debut full length, Suffocating Brothers on renowned Glasgow label Clan Destine after being written & recorded in the latter half of 2016. This material sees him continue to bring the intensely visceral Roland-fuelled rhythms of industrial & techno he’s adopted in recent times, melded…

  • Video Premiere: Sue Rynhart – Black As The Crow Flies

    The follow-up to her 2014 debut album, Crossings – a release that was nominated for Best Jazz Album at the Irish Times‘ Ticket Awards – Dublin vocalist and composer Sue Rynhart’s new album Signals has been receiving a wave of critical acclaim from a wide range of Irish and international voices. Forging an exquisite midpoint between delicate and forceful, jazz and classical, as well as contemporary and canonical sonic realms, her emotionally-dense avant-garde craft rewards an attentive ear and repeated listen. Directed by artist Sophie Merry, we’re pleased to present a first look at the video for ‘Black As The Crow…

  • Father John Misty Set for Vicar Street Return

    Having released his critically-devoured third studio album, Pure Comedy, back in April, Josh Tillman AKA Father John Misty will play Dublin’s Vicar Street on May 28 next year. Tillman’s last show in the city – as part of his I Love You, Honeybear tour – was in the same venue back in October, 2015. Tickets for the May 2018 are priced at €36.50 and go on sale this Thursday at 9am.