• Let Them Eat Vowels: A Conversation with Stephen Malkmus

    October 15, 2018 - By 

    For over a quarter of a century, Stephen Malkmus has inspired countless aspiring musicians to pick up a guitar, form a band and write loud, dissonant melodies and playful, witty lyrics. Pavement and the Silver Jews are amongst two of the most influential bands of the 90s and 2000s. For the last seventeen years, however, Malkmus has been performing with The Jicks. Earlier this year, Stephen Malkmus and The Jicks released Sparkle Hard, their tremendous seventh album. Ahead of their gig in Dublin’s Vicar Street, Malkmus spoke to Zara Hedderman about artists making music in their fifties, the process of…

  • Saint Sister – Shape of Silence

    October 12, 2018 - By 

    It’s hard to believe that we’re only now hearing Saint Sister’s debut album given how quickly the duo have grown since their 2014 debut single, both at home and abroad. Shape of Silence is a cohesive and carefully put together album, and awe inspiring as a debut release. Drenched in traditional celtic and folk influence, but with a hint of electronic indie-pop, Saint Sister have etched out a niche in today’s Irish music, and they’re an act that we should treasure. Many of the tracks here are previous releases, including the song that first brought attention to the pair, ‘Madrid’,…

  • Rigoletto @ Grand Opera House, Belfast

    October 11, 2018 - By 

    “I’m denied that common human right – to weep” It’s entirely apt that Northern Ireland Opera’s staging of Giuseppe Verdi’s Rigoletto should be set in modern times. Apt because its salient themes – celebrity and vanity; the objectification of women and the presumed privileges of patriarchal society; the dangers of herd mentality; and, in an age of #MeToo and on-line trolling, the consequences of bullying and mockery – all resonate loudly today. A cast of international opera stars grace the Grand Opera House stage for this powerful NI Opera production, but the other protagonist is the set (Kaspar Glarner) –…

  • EP Premiere: Sweat Threats – Sweet Treats

    October 12, 2018 - By 

    We’ve been fans of the righteous post-punk party music of Sweat Threats since they reared their heads at the start of 2018 – and most recently last month’s ‘Suffocate‘ – and today, we’re delighted to lay down on a platter assorted Sweet Treats, the debut EP from the London-based Irish pairing of Niall Jackson (Bouts/Swimmers Jackson) and Matthew Sutton (It was All a Bit Black and White/Tayne) – recently joined by drummer Lucy Brown. Very much in line with their modus operandi, Sweet Treats is a six track earworm infestation, filled with that Death From Above, Idles & Fucked Up strain of insurgent punk that links hips to brains. Written around themes…

  • Bad Times at the El Royale

    October 11, 2018 - By 

    Drew Goddard has an attraction to high-concept ideas. The former Lost and Buffy The Vampire Slayer writer made his feature directorial debut with 2012’s Cabin in The Woods, a slasher meta-horror about a group of teens tormented by secret scientists and their army of canonical monsters and horror tropes. Cabin’s wall-breaking endeared it to genre die-hards, but it’s hard to recall much else the movie did that was scary or interesting. This problem is present, to much greater effect, in Bad Times at the El Royale. Goddard’s second film as writer-director isn’t quite as novel as Cabin, falling more comfortably…

  • Venom

    October 11, 2018 - By 

    Isn’t the point of anti-heroes that they’re not dull? Great power, great responsibility? That’s Peter Parker’s deal. He’s gotta defeat Doc Ock in time for date night for MJ, and pick up Aunt May’s prescription on the way. But Eddie Brock gets to be a shithead. In the tradition of superhero doppelgangers, Venom gets the super-abilities without the baggage, indulging in the petty, violent delights off-bounds for your friendly neighbourhood Spidey. But in Venom, Sony Pictures’ still-can’t-believe-it’s-real foray into the fringes of their Spiderverse IP, which doesn’t mention the wise-cracking web-slinger at all, Eddie Brock gets to save the world.…

  • Phosphorescent – C’est La Vie

    October 10, 2018 - By 

    Matthew Houck’s brand of roaming, questing country rock veers firmly into The War on Drugs’ crossover territory with Phosphorescent’s seventh record. Stark, bruised hymns of desolation such as ‘Wolves’ from Pride, or teary travelogues like ‘Mermaid Parade’ found on Here’s To Taking It Easy are not in supply here. After the short instrumental ‘Black Moon/Silver Waves,’ the opening lines of ‘C’est La Vie No. 2’ say as much: “I wrote all night/Like the fire of my words could burn a hole up to heaven/I don’t write all night burning holes up to heaven no more.” Unsurprisingly, the all-conquering ‘Song for Zula’…

  • Secret Song @ Levis Corner Bar, Cork

    October 10, 2018 - By 

    The fourth outing for Secret Song at Levis Corner Bar in Ballydehob, Co. Cork, featuring Maiden Radio, Landless, Joan Shelly, Pete Coe, Xabi, SON/Susan O’Neill, Aindrias De Staic, Brendan Ring & Bean Dolan Niamh Regan, Kevin Ryan with Aindrais de Staic, poets Cormac Lally, David Jackson & Lewis, Old Time Rags, Bridget Kearney, Pete Coe, Bean, Irene and Bridget, Aindrias de Staic, Joey Wright & Band Diarmuid Brooke, Sharkey and Rozi Plain.  

  • Watch: Glass Wings – Believe

    October 10, 2018 - By 

    Belfast artist Stephen Jones AKA Glass Wings has unveiled the video for his new single, ‘Believe’. The latest track to be taken from his forthcoming debut album, Everything and Nothing, it’s a slick and urgent blast of the fast-rising songwriter’s alt-pop craft. Hosted by Bird & Bramble, Glass Wings’ debut is officially launched at Belfast’s Black Box on October 19. You can buy and stream the single here. Have a first look at the visuals below.