The line-up for the second outing of Portrush one-day festival Coaster has been revealed. Taking play at Atlantic Bar and Babushka, this year’s event – a self-proclaimed “summer gathering on the Nort Coast celebrating local music” that we’re pleased to co-promote – includes Arvo Party, Blue Whale (pictured), Fox Colony, Catalan! and several more acts. See the full line-up below. Tickets are on-sale now.
Portland, Oregon synth-pop band Chromatics are set to play Dublin. Taking place as part of their Double Exposure European tour, the Ruth Radelet-fronted band will play Vicar Street on October 22. Tickets go on sale this Friday at 9am, priced €28.50.
Wyvern Lingo with support from Síog at Lost Lane in Dublin. Photos by Gemma Bovenizer
Boise, Idaho indie rock heroes Built To Spill, with support from Vancouver’s Slam Dunk, Rio de Janeiro’sOruã and Belfast’s Junk Drawer. Photos by Colm Laverty
Accompanying the announcement of Foxygen’s fifth album Seeing Other People, frontman Sam France penned a letter to fans assuring them that this isn’t the end. “We’re never breaking up. We’re not a band and never were”. Right, then. We’re told to “read between the lines” on Seeing Other People, but unfortunately the album offers little more than superficial gripes – a tepid and weak account of a public parting that feels, now, like it’s been a long time coming. Opener ‘Work’, with lyrics attuned to the petty stirring of doubt in relationships, sees France play the genius-nightmare creative partner up…
God bless Robert Downey Jr. As Tony Stark, the lonely tin man with a hole in his chest, Downey Jr. does more with his face than all of the Avengers films’ awkward speechifying about teamwork, solidarity and what it means to be Earth’s Mightiest Heroes. A decade of story-telling synergy comes to a close with Avengers: Endgame. So much of it is the sludge we’ve become used to, but when the thrusters kick in, and the film finds its heart, it’s because of Downey Jr. He almost — but not quite — makes all of this worth it. It’s been some time since the…
A northern voice cuts through the chatter; “this train is for the following categories of passenger only—recipients of universal credit or minimum wage, the lonely, the disenfranchised, the disillusioned, the lost, the grieving”. You pull your jacket closer to fend off the chill air that fills the carriage, wiping at the window with your free hand. It’s foggy outside, you make out nothing but a few barren trees and distant hills. With a heave the train begins to move, and before the conductor has even announced the destination you know where you’re going. Bridie Monds-Watson’s (aka SOAK) sophomore album Grim…
Indie-punk wunderkinder Fontaines DC drew the ire of many an Irish music fan lately with the neophile claim that until Girl Band’s emergence, “the only way to sound Irish was to be fuckin’ ‘diddly-diddly-aye’”. Perhaps that statement is more telling of the limitations in Ireland on exposure to genuinely forward-thinking music on a grassroots level as it is of the band’s attitude. On an island the size of our own, there does tend to be room only for that lucky few in the bylines of the Great Irish Narrative, but that overlooks the communities of troubadours, session players and ubiquitous…
Of the myriad Irish debuts that we’ve been itching to wrap our ears around in 2019, the self-titled first album from Dundalk’s Larry must surely rank up with the most eagerly-anticipated Comprising guitarist and vocalist Joey Edwards, bassist Aoife Ward and drummer David Noonan, also of Just Mustard, the band opted record with none other than Steve Albini at Chicago’s Electrical Audio last September. The result is a nine-track release that not only bears the imprint of indie rock trailblazers Sparklehorse, Wilco, Courtney Barnett and Pixies: it’s a record that finds Larry, assured and inspired, carving out special territory within the…
If you’re a regular reader of The Thin Air, you’ll likely be familiar with Belfast producer and musician Alpha Chrome Yayo. Fluent in the acrolect of synth-drenched retromancy, his output to date has taken a cue from everything from Giorgio Moroder and Steve Vai to the works of William Gibson and smoke-filled arcades. New EP Malediction Boulevard is his most assured and comprehensively impressive effort to date. Bearing the imprint of Gothic influence – namely the likes of The Sisters of Mercy, The Cure and Goblin, as well as the films of Lucio Fulci and David Cronenberg – it’s a four-track blitz…