• Primer: Feel Good Lost

    In the latest installment of Primer, James Hendicott chat to Brendan Canty of Feel Good Lost about videos and his technique and hopes for 2015. Photos by Mark Earley. Hey Brendan! Can you tell us a little bit about yourself and what you do? Well, I do a lot of things. I basically wanted to do them all but couldn’t find a job that required all of them… so I started one. I’m a director mainly, an editor and an all-round DIY filmmaker. Aside from that I’m a designer, make some art and do live visuals. There’s also the music side…

  • AAA: Subplots w/ Voids @ The Workman’s Club, Dublin

    Our first AAA (Access All Areas) installment of 2015 features Dublin post rockers Subplots as they prepared for the launch of their latest album in the Workman’s club over the weekend, with support from Galway duo Voids. Our photographer Carlos Daly spent the evening snapping away with both bands as they set up and soundchecked ahead of the gig. For a comprehensive overview of the entire night, check out the gallery below.

  • Front of House: James Feeney

    In the third installment of our Front of House series, we chat to James Feeney, a sound engineer working predominantly at The Workman’s Club in Dublin. He discusses what goes into his job and and his plans for 2015. Photos by Shaun Neary, Carlos Daly and Isabel Thomas. Hi James! Can you tell us a little bit about yourself? Hello! My name is James Feeney, I’m based in Dublin and currently working as a freelance sound engineer. I primarily work in The Workmans Club but there are a few bands I work with quite often too. How did you become…

  • Interview: Binkbeats

    BINKBEATS is an electronic music producer from Utrecht in The Netherlands. He quickly became known after his BEATS UNRAVELLED series with The Boiler Room brought him into the spotlight as he started reconstructing electronic songs he loved, one sound at a time. He is currently on his first tour and exploring the possibilities of his own original music, so our photographer Colm Moore sat down with him ahead of his 7th live show ever to have a chat and capture the live gig through his lens. If anyone has ever seen your videos on YouTube the first thing they’ll notice is the…

  • The Record: Abandcalledboy

    In the latest installment of The Record, Brian Coney talks to Ryan Burrowes (below) from recently-expanded Belfast-based quartet Abandcalledboy about changes within the ranks, the writing and recording of their forthcoming new material and their plans for the rest of the year. Photos by Colm Laverty. You’ve been playing sets solely comprised of new material live recently. Why such a shift there? Basically the shift was down to how much we have changed musically, the older material doesn’t really fit with the tracks we have now. We used our last mini-tour (with 100 Onces) to say goodbye to the older…

  • Track Record: Brian Cash (Halves)

    Featured arguably the most eclectic choices to date (and there’s been quite a few of those) Brian Cash from Halves chooses and talks about his all-time favourite records, including Mogwai, The Redneck Manifesto and a Disney compilation. Photos by Aidan Kelly-Murphy. Super Furry Animals –  Mwng Tim from Halves, to his credit, got me into the Furries. I was always slightly confused by them before that. Pretty much all their records are amazing but I have a special place in my heart for Mwng (above): it’s the sound of a band doing exactly what they want to do without pandering to expectation. An…

  • Track Record: Brian Foley (The Blades)

    In the latest installment of Track Record, The Blades‘ Brian Foley gives us an insight into his record collection, featuring everyone from Hank Williams to The Clash. Photos by Shaun Neary. Hank Williams – The Very Best Of I love traditional country music as sung by Patsy Cline, Johnny Cash, Don Gibson and best of all, Hank Williams. Some people find his voice a bit jarring but I find it quite appealing and it adds to some of his more bleaker songs. The little yodel he sometimes uses blends in with the pedal steel guitar and the country fiddle. The lyrics are always…