• Ye Vagabonds – The Hare’s Lament

    Just under two years since Dublin-based duo Ye Vagabonds announced their debut self-titled album, their second, The Hare’s Lament, has landed. A collection of traditional and folk songs, sung in both Irish and English with a medley of skilfully played string instruments and the most beautiful harmonies, it’s a remarkable follow up. Brothers Brían and Diarmuid Mac Gloinn have created a sound that is based on a rich folk tradition, but have revived it with their own fresh approach and style of songwriting, resulting in just over 40 minutes of elegantly arranged songs that feel both contemporary and rooted in…

  • Michael O’Shea – Michael O’Shea

    Look at any street corner in Galway, Dublin, Cork, London or New York and chances are, you’ll be met with crooners, folksters, dancers, trad musicians and poets. Some of the world’s best loved performers came to fruition through busking. B.B King was a busking youth before starting a career in recording and performing on stages worldwide. So too were Tracy Chapman, Glen Hansard and Laraaji. On a quieter end of the spectrum falls Michael O’Shea, the compelling Irish busker who travelled Europe, Africa and Asia, crafted his own instrument and whose singular contribution to recorded music has just been re-released…

  • Bouts – Flow

    After a five year hiatus, Dublin based Bouts have harkened back to when they were regulars on the Irish music scene, circa 2013, and gifted us with a long awaited second album. Flow is the result of two years of intercontinental songwriting and recording, as the lads are now spread across Dublin, London and Amsterdam. But has the maturity and cultural expansion added to the creative and musical process? Barry Bracken (vocals, guitar), Colin Boylan (guitar, vocals), Niall Jackson (bass, vocals) and Daniel Flynn (drums, percussion) have nurtured a sound that’s familiar and comforting in its ‘90s inspired indie pop…

  • John Grant – Love Is Magic

    Upon first listen to an album that flits between seemingly whimsical matters of broccoli and cheese sauce to diet gum and hot Brazilian boys, one would be forgiven for merely scratching its surface. It’s only on the second and third (and fourth and fifth) listen to Love Is Magic, John Grant’s fourth studio album as a solo artist, that true appreciation can be found. After the sheer wackiness loses its immediacy, the authenticity of Grant’s latest body of work becomes more apparent and the world is given a whole new way of experiencing the American musician. It’s his most electronic…

  • My Fellow Sponges – My Fellow Sponges

    Having met through performing drama in university, Anna Mullarkey and Donal McConnon are the creative forces behind Galway act My Fellow Sponges. It’s no surprise then, that among the influences of jazz, folk, pop and rock in their music, one finds a wealth of theatrical experience. Accompanied by David Shaughnessy on drums, Sam Wright on bass and a flurry of instruments, this often unusual, yet carefully constructed combination is the band’s unique selling point. Following success in both music and theatre shows in the time since their last record, the Galwegians have now released their self-titled outing. Where 2015’s debut Bonne Nuit…

  • Gadget And The Cloud – Songs For Sad People To Dance To

    The night is over. The pub is closing, the lights are turned on and the bartenders are ushering you out. Hopefully, you have friends in tow. It can be a welcome relief, the nearing prospect of sleep after a long night on the booze, on the floor, dancing to the sounds played at decibels too high to be comfortable on the ears. For others, the end of the night – after the afterparty is fizzled out – brings with it a stunted sadness of sorts, a sort of melancholy spurred on by the early whisper of a hangover. This particular…